Demi Moore continues her one-woman assault on classic literature with her appearance in Disney’s latest animated feature, The Hunchback of Notre Dame. Less than a year after making critics see red by adding gratuitous nudity and a happy ending to Nathaniel Hawthorne’s The Scarlet Letter, Moore — or at least…
Eight gay friends gather together during one summer in an idyllic spot outside New York City and learn poignant lessons about love, commitment, and terminal illness. Terrence McNally’s Love! Valour! Compassion!, right? If the 1994-95 Tony Award-winning Broadway show about gay men — some of whom are HIV-positive — springs…
If his new turkey Eraser has any effect on Conan the box-office Barbarian’s future per-picture asking price, perhaps Maria Shriver’s square-jawed, stogie-toking hubby should consider trading in his Hummer for a Hyundai. Rarely does one get a better chance to witness how the “too many chefs spoil the broth” axiom…
Mark Rappaport makes funny movies. Not funny in the ha-ha, laugh-out-loud sense; rather, funny in the oddball, hard-to-categorize sense. Rappaport calls his features “fictional autobiographies.” Others have labeled 1992’s Rock Hudson’s Home Movies and 1995’s From the Journals of Jean Seberg “imaginary monologues,” “mock autobiographical documentaries,” “blends of fiction, biography,…
A little girl gets picked on. It’s amazing how Todd Solondz’s stark, painful suburban comedy Welcome to the Dollhouse takes that simple premise and twists it into a wrenching exploration of the dark side of the Wonder Years. Solondz’s eleven-year-old protagonist, an archetypically awkward, bespectacled middle school misfit named Dawn…
Rafael de Acha says he’s taking a risk. Rather than launch the eleventh season of his Coral Gables-based New Theatre with a classic from the dramatic canon, a piece of proven contemporary theater, or a crowd-pleasing musical, instead, early this month, he debuted the New Plays Project, a showcase of…
When you add it all together, the 26 visual arts majors graduating from the New World School of the Arts high school have won two and a half million dollars in scholarships to university-level art programs around the nation. New York City’s esteemed Cooper Union School of Art alone courted…
Excess shaped producer Don Simpson’s movies, just as it shaped his life. With his partner Jerry Bruckheimer, Simpson latched on to a hit-making formula that dovetailed perfectly with the entertainment expectations of a generation reared on MTV: Inundate audiences with mesmerizing visuals, throw in a hot actor or a topical…
Even before the air turns to soup, an endless summer of eclectic group shows takes over local museums and galleries. For example, the Museum of Art in Fort Lauderdale is currently exhibiting the works of seven artists awarded fellowships by the South Florida Cultural Consortium, a partnership of publicly funded…
It took a sick mind to find humor — even of the darkest shade — in the murderous real-life exploits of Graham Young, a brilliant but twisted young Londoner who, in the early Sixties, conducted lethal toxicological experiments on his family and schoolmates. Fortunately, writer-director Benjamin Ross and his screenwriting…
What do Anita Bryant and David Schwimmer have in common? In addition to whatever punch line you may have come up with, they also both grace this year’s Queer Flickering Light (QFL), South Florida’s lesbian, gay, and bisexual film/video festival. QFL offers local audiences an opportunity to view gay-theme works…
Rarely have I felt the urge to punch out a movie character as strongly as I wanted to deck John, the sullen protagonist of George Hickenlooper’s cheerless The Low Life. That’s probably the reaction Hickenlooper was seeking at a certain point in his movie, but probably not the one he…
On-stage a man straddles a tire covered with netting, and then ties the side of a wooden ladder to the tire with a rope. Under cover of night, accompanied only by the sound of crickets, he swiftly constructs a raft. Once, twice, he hears a sound and looks up, panic…
The plot of the new movie Mission: Impossible probably makes sense, but I wouldn’t swear to it. I’ll give it the benefit of the doubt because it was cowritten by Chinatown author Robert Towne, a veteran screenwriter with impressive credits. But to tell you the truth, the damn thing shot…
Why do we glamourize beautiful people who willfully crash and burn, especially when they choose heroin to fuel their self-immolation? It’s not as if they’re doing society a favor by testing the narcotic’s effects on the human body. It’s no secret that junkies as a rule do not enjoy long,…
In Eric Overmyer’s jaunty two-act brainteaser On the Verge, the leisurely pace of the nineteenth century collides with the speed-addicted tempo of twentieth-century life. Three Victorian lady travelers set out in 1888 to explore an uncharted region known as Terra Incognita. Faster than you can say paradigm shift, the feisty…
Alec Baldwin’s newest star vehicle, the muddled thriller Heaven’s Prisoners, wastes no time descending into cliched detective-movie hell. The film’s opening scene introduces us to ex-New Orleans homicide lieutenant Dave Robicheaux (Baldwin with a Cajun accent so light it verges on being imperceptible) and his personal demons. “I wanna drink…
French director Jean-Paul Rappeneau’s The Horseman on the Roof is the kind of grand, stirring epic that lightweight pretenders such as Hollywood’s Legends of the Fall aspire to be when they grow up. Rappeneau, the man responsible for 1990’s spectacular adaption of Cyrano de Bergerac, spits directly into the prevailing…
Take the agitprop politics and innovative acting techniques of German theater genius Bertolt Brecht. Pour in an equal measure of melodrama from Fifties Hollywood soapmeister Douglas Sirk, director of infamous weep fests such as Imitation of Life, All That Heaven Allows, and Written on the Wind. Shake. Then serve up…
A trained architect, artist David Rohn works a day job at a local design studio, while at night he’s a fixture on the South Beach drag scene. That admission in itself would hardly raise a penciled eyebrow on Washington Avenue, where transvestites have become as common as parking meters. But…
“The male is obsessed with screwing,” wrote Valerie Solanas in her funny-scary radical feminist primer The SCUM Manifesto. (That’s SCUM — Society for Cutting Up Men — of which Solanas was founder and sole member.) “He’ll swim a river of snot, wade nostril-deep through a mile of vomit, if he…
In the summer of 1993, director Steven Spielberg and author Michael Crichton collaborated on the highest-grossing movie of all time (a distinction formerly held by Spielberg’s own E.T.), excavating dinosaur-size box-office returns with Jurassic Park. The movie suffered from a contrived plot and paper-thin characters, but all was forgiven once…
