The Big Summer: Winners and Losers

Seems like only yesterday the prevailing view was that the advent of pay-per-view movies, videotape rentals, and laser-disc technology would combine to spell doom for the nation’s movie theaters. The summer of 1993 proves just how little the pundits actually know. From the last week of May through the first…

Happiness Is a Warm Gun

There’s a lot of Travis Bickle in Clarence Worley, and there’s a lot of Taxi Driver in True Romance. Clarence and Travis are both lonely guys. Misfits. Taxi Driver’s Travis is an insomniac who frequents Times Square porno palaces late at night, in part because they’re the only movie theaters…

Mr. Ed

All plays are not created equal. Apart from the obviously weak entries, there exist some works of “light” dramatic art suitable for a wide range of acting companies, from the competent troupe to the spectacular. Neil Simon froth, English drawing room comedies, and large-cast mysteries fit under this umbrella. Appropriately,…

‘Tis the Season for Oscars

If the boys and girls of summer tend to get overlooked come Oscar time, the opposite is true of their fall and winter counterparts. In November and December Hollywood traditionally rolls out the heavy artillery, both to take advantage of holiday moviegoers and to ensure that the big star vehicles…

Plucky Guys

The great Noel Coward once heard that a particularly dimwitted producer had blown his brains out. “Must have been rather a good shot,” Coward marveled. As a rule those who produce theater are regularly and soundly ridiculed by those who create theater. Often viewed as starry-eyed prep school graduates with…

The Curse of Blake Edwards

For those of you who only read the first sentence of a movie review to find out whether the critic liked a film or not: RUN DON’T WALK TO SEE SON OF THE PINK PANTHER, THE LAFF RIOT OF THE SUMMER! For the rest of you: stay away at all…

Go West, Young Thug!

Derivative, contrived, and predictable — Tim Metcalfe’s screenplay for Kalifornia hits the big trifecta. How’s this for a far-fetched plot: Brian Kessler is a struggling writer whose girlfriend, Carrie, is a photographer. He received an advance to do a book on serial killers, but when the movie opens he’s already…

Bad Choices

Although Hadleyburg, U.S.A. will have closed by the time you read this, ACME Acting Company’s mistakes in choosing this play warrant a postmortem — especially if South Florida venues seriously consider mounting new works as part of a steady theatrical menu. ACME’s artistic director Juan F. Cejas and many other…

Two Kids and a Swayze

Diehard Patrick Swayze fan that I am, I counted down the minutes with bated breath until the opening of his latest masterpiece, Father Hood. I was not disappointed. Keep your DeNiros and Brandos, your Garcias and Washingtons. Give me Patrick Swayze in a film that can’t make up its mind…

Slashing Wit

They’re having a devil of a time up in tiny Castle Rock, Maine. Ever since the arrival of sinister old Leland Gaunt and his quaint little antique shop, the town’s been going to hell. Literally. At first Sheriff Pangborn, a former homicide detective from Pittsburgh who moved to Castle Rock…

Sprint Hopes Eternal

The saying is well-known: there are three sides to every story. His side, your side, and the truth. In the interest of fairness to the theatrical community and my readers, this column will address another side of that pesky little political hotbed — the $170-million Dade Performing Arts Center. To…

Weiss Guys

“Fuck fuckin’ Hollywood, those queer dick-smokin’ motherfuckers,” snarls Billy, the hot-tempered, acid-tongued suburban brat-turned-mobster at the core of Amongst Friends. Every incendiary frame of 26-year-old Long Island native Rob Weiss’s stunning feature film debut echoes the sentiment. The independently-produced Amongst Friends came out of nowhere to galvanize audiences at this…

Hard to Believe

The bad guys have Jean-Claude Van Damme cornered in an abandoned warehouse packed with surreal floats from bygone Mardi Gras parades. He’s outnumbered twenty to one. They have motorcycles, automatic rifles, grenade launchers — you name it. All he’s got is an old pump shotgun. Blam! Make that nineteen to…

Peak Skills

In the age of so few statesmen and so little great theater, I feel privileged to recommend New Theatre’s production of Mountain, a three-person, no-prop, no-set show. It builds its magic from flawless direction, excellent performances, and the ingeniously written tale of Supreme Court Justice and statesman extraordinaire William O…

Orlando Magic

There’s a lot to like about Orlando, Sally Potter’s new film based on the 1928 novel of the same name by Virginia Woolf. It’s smart, it’s funny, it’s hip, and it’s a visual feast (a feat made all the more remarkable by writer-director Potter’s paltry four-million-dollar budget). There’s also a…

Woody Makes a Killing

Welcome home, Woody. We’ve missed you. Manhattan Murder Mystery marks the return to form of the reigning king of one-liners, Woody Allen, and his reluctant queen, Diane Keaton. If the year’s ugliest custody battle accomplished nothing else, at least it scratched Mia Farrow from the lineup and reunited Annie and…

Politics and Pretensions

The singer who holds the vibrato on a note a bit too long. The dancer who takes three extra leaps. The piano player who tinkles around on one end of the keyboard until you’re anxious for him to move on. All represent examples of the show business phenomenon commonly called…

Ghost of a Chance

Hollywood’s fascination with plots involving benevolent ghosts who interfere in humans’ lives peaked with Topper in 1937. Since then it’s all been downhill. There have been exceptions — Heaven Can Wait and All of Me, for example — but ever since Patrick Swayze and Demi Moore slopped a lump of…

Run for Your Wife

The cinematic version of the long-running (or maybe it just seemed that way) TV series The Fugitive has so little in common with its small-screen progenitor that truth in advertising laws would have seemed to mandate a name change. On the small screen, phlegmatic sourpuss David Janssen played the indefatigable…

The $170-Million-Dollar Question

Over the years, various local theater educators, artists, and yours truly have tried to determine why Miami regards the dramatic arts as a sort of leprous beggar: pathetic enough to throw a few coins its way but too unsightly and inconsequential to develop and build up with hard, hefty cash…

Oys in the Hood

What is it about summer weather that propagates bad comedies like Nebraska corn? Anyone who has suffered through Life with Mikey, Son-in-law, Weekend at Bernie’s Part 2, Dennis the Menace, Hocus Pocus, and Another Stakeout knows what to expect if the sewer line beneath Biscayne Bay finally blows: wave after…

Tokyo Roast

It’s easy to see why Michael Crichton, who wrote the novel and the first draft of the screenplay for Rising Sun, eventually became so upset with director Philip Kaufman’s vision that, depending on whose version of the story you believe, he either abandoned the project or was removed from it…