In a nondescript, one-story house not far off NE 79th Street and Biscayne Boulevard on Miami’s Upper Eastside, a collective has set up shop to finish works for the 2014 Borscht Film Festival. The local group of visual artists and filmmakers has spent more than a decade opening eyes to…
“Politics really isn’t my specialty,” Alan Turing (Benedict Cumberbatch) shrugs to a naval commander (Charles Dance) in an early job interview scene in Morten Tyldum’s choppy biopic The Imitation Game. Yet no less than Winston Churchill would credit Turing as the main cause of the Allies’ victory over the Nazis…
For reasons that are perhaps understandable, stories about women finding themselves — or their voices or their inner courage or any number of things that are apparently very easy to mislay — are big business. But even if Cheryl Strayed’s hugely successful 2012 memoir Wild: From Lost to Found on…
The du Pont family made its fortune selling gunpowder during the War of 1812, and soldiered on to invent everything ever worn by a cop: Kevlar, nylon, polyester, synthetic rubber. If you’ve cooked on Teflon pans, that money’s theirs, too. That means you’ve supported American patriotism, or at least heir…
The original Broadway Annie was a kiddie musical that wasn’t for kids. It was a period piece about the Great Depression — both a hooray for Warbucksian success and an elbow-jab making clear that rich folk need to share — with a detour into a Hooverville and a key cameo…
TV continued to unmoor from its origins and transform into something else this year. No longer tethered to a specific appliance, a particular kind of storytelling, or even commercial concerns, “television” now feels like an increasingly obsolete word. But that’s a discussion for another time, for we’ve come to celebrate…
As the year in moviegoing draws to a close — and as critics busy themselves drawing up lists and handing out awards — it seems time at last to look ahead. Here are the 10 films to get excited about over the year to come. 1. Jauja (Dir. Lisandro Alonso)…
What kind of circle is time again? A year after blowing the doors off our annual critics’ poll, golden boy Matthew McConaughey won just a single vote for his turn in the loudest movie of the year, Christopher Nolan’s tears-in-space effort Interstellar, which has tied with the unprescient Transcendence as…
You don’t have to look too deeply into the short film Papa Machete to see the ethos of the Miami-based film collective Borscht. The short is both poetic and absurd; observant and human. For a short film no longer than nine minutes long, it offers a layered view of a…
In a nondescript, one-story house not far off NE 79th Street and Biscayne Boulevard on Miami’s Upper Eastside, a collective has set up shop to finish works for the 2014 Borscht Film Festival. The local group of visual artists and filmmakers has spent more than a decade opening eyes to…
Not all sequels suck. Case in point: the Borscht Film Festival, which launches its ninth edition this week at venues across Miami. The work coming out of the Borscht Corp. film collective has earned major accolades over the past several years. Bernardo Britto’s Yearbook took home the Short Film Jury…
“Lives begin to end the day we become silent about the things that matter.” Martin Luther King, Jr., said that many years ago, but we heard it recently from a 12-year-old girl. Teakahla WhiteCloud lives in Ft. Lauderdale, and in her short years, she’s become one of the world’s great…
Here are movie moments from 2014 I’ll never forget: Gugu Mbatha-Raw’s sad pop tart smacking her ass in Beyond the Lights, the sickroom choked with flowers in Michel Gondry’s Mood Indigo, Oscar Isaac and Kirsten Dunst’s Greek island all-nighter in The Two Faces of January, and the entire soundtrack of…
Despite its sumptuous displays of feudal opulence — cavalries, silk gowns, all the naked female extras money can buy — Netflix’s Marco Polo feels distinctly like scraps. Turgid, fatuous, and humorless, the streaming site’s newest series is a grave miscalculation of what has made Game of Thrones, its obvious model,…
It’s practically impossible to define actress Rosario Dawson by the roles she’s played. She’s kicked ass, dished out the drama, and sung her heart out in dozens of diverse roles over practically two decades. Unlike the Chris Rock’s character in their new movie, Top Five, she’s never going to get…
After all the cheap headlines and media celebrity stalking courtesy of Art Basel, Miami’s party town persona is the one most on everyone’s minds. Thankfully, Ovation was in town to capture some of the city’s meatier attributes with a new show, American Canvas, that sniffs out the most culturally unique…
Hospitals are depressing. Until recently, medical shows glossed over this basic fact of life by focusing on the most glamorous clique within them: doctors. For the past two decades, the upwardly mobile audience identification integral to most TV shows taught us to look away from the bedpans and sheaves of…
Flip open your Bibles to Numbers 12:3 to find the first inaccuracy in Ridley Scott’s Exodus: Gods and Kings. “Now the man Moses was very meek, above all the men which were upon the face of the earth,” sayeth the Good Book of our hero, played by Christian Bale, an…
The heavens dance. From the bottom of the world, where your eyes might freeze in your face, we see stars pulse against seams of luminous dust, all in slow and dizzying rotation. Then come the lights: Ribbons of green unspool and shimmer and whip across the sky, suggesting angels and…
The biggest laugh I heard from the audience at my screening of The Hobbit: The Battle of the Five Armies came from seven words in the end credits: “Based on the novel by J.R.R. Tolkien.” Just picture that tweedy Oxford philologist nodding in pleased approval at this adaptation of his…
Whatever it is Americans want out of life — and it’s not even something we can precisely define ourselves — it was nowhere in evidence on December 3, when a grand jury failed to indict the police officer whose chokehold killed Eric Garner in July. We all know we live…
We begin this week’s Voice Film Club podcast with a Thomas Pynchon story, before hosts Alan Scherstuhl and Stephanie Zacharek of the Village Voice, and Amy Nicholson of LA Weekly, move onto Paul Thomas Anderson’s movie adaption of his novel, Inherent Vice. It’s “in some ways a godawful mess, indulgent…
