What’s the Fun of a Dracula Who Hates Neck-Biting?

The Dracula Begins-style sword-and-fangs curio Dracula Untold plays like someone said, “What if we took a vampire flick but did a find-and-replace swapping out all of that bare-neck sensuality for some videogame ass-kicking?” Or: “Remember what the Star Wars prequels did for Darth Vader? Let’s foist the same kind of…

The Pact 2: The Sequel Pales Before the Original

The best that can be said of The Pact 2 is that its existence might draw the attention of more viewers to The Pact, a superior indie creep-out from 2012 whose creator, the writer-director Nicholas McCarthy, fashioned it according to three inviolable principles. One: Get the heroine (Caity Lotz) into…

The Tragedy of Gary Webb Stings Even When Kill the Messenger Flags

It was a mystery that reporter Gary Webb would have jumped on: a man who’d made powerful enemies allegedly committing suicide with two gunshots to the head. The tragedy is that Webb was the deceased. Michael Cuesta’s earnest, ire-inducing Kill the Messenger is a David-and-Goliath story where truth is the…

Andre Benjamin Is Hendrix, but the Women Make Jimi

Groupie has come to be an ugly word, a misogynist dig that’s used all too casually by men and women alike. A groupie is a woman who doesn’t “do” anything; she gets all of her glamour via her association with a strong man, most often a rock star. How can…

The Problem With Catherine Zeta-Jones as the Godmother

Last time I wrote about the way Hispanic actors and actresses are shoved into stereotyped roles, people got frustrated. But guess what? A lot of people are just as frustrated by the fact that a beautiful Welsh actress just got handed a role that should have certainly gone to someone…

Demonic Doll Movie Annabelle Is Surprisingly Unnerving

Annabelle, an effective prequel to horror pastiche The Conjuring, surpasses its predecessor simply by virtue of occasionally being scary. Both films are over-reliant on deafening sound effects and side-eye glimpses of underwhelming ghosts. But Annabelle’s scare scenes are better paced and more thoughtfully lensed. Its hokey, funhouse-worthy spooks — a…

Gone Girl Is Smartly Crafted, Well Acted, and a Bit Too Slick

Everything about Gone Girl, David Fincher’s adaptation of Gillian Flynn’s enormously popular 2012 thriller about a deteriorating marriage and a wife gone missing, is precise and thoughtful — it’s as well planned as the perfect murder, with its share of vicious, shivery delights. But at the end of the perfect…

One (Huge) Love for the Nas Documentary Time Is Illmatic

One rhyme in particular crystallizes the genius of Nas’s 1994 classic Illmatic. It comes in the song “One Love,” which takes the form of a letter to a friend in prison: “Congratulations, you know you got a son,” Nas raps. “I heard he looks like ya, why don’t your lady…

Left Behind Is Sinfully Boring

Every child who’s thrown a tantrum, packed a bag and plotted to run away has shivered with the same vengeful thought: I wish I could see how sad they’ll be when I’m gone. The Left Behind franchise implies that evangelicals haven’t grown up. This new film version, the latest in…