Trouble Every Day: A Second Look at a Claire Denis Flop

When Claire Denis’ blood-and-lust-filled reverie Trouble Every Day, her most maligned project to date, premiered in New York in 2002, it opened on only one postage-stamp-size screen. Now comes the chance to consider anew — or, like this writer, see for the first time — a hypnotic, unsettling work by…

In Delivery Man, Vince Vaughn Births More of the Same

Imagine an alternate history for Vince Vaughn. What if, 18 years ago, instead of rehearsing Swingers during the day and sampling Los Angeles’ starlets at night, he channeled his sexual energy into masturbating for cash at a sperm bank? He could have become Delivery Man’s David Wozniak, father of 533…

Dwyane Wade Is Getting His Own TV Sitcom on Fox

You’re probably already sold on Dwyane Wade’s basketball skills. If you’re a superfan, you may have also bought some accessories from his lines of ties and socks. Perhaps you’ve read his memoir, A Father First. If you’ve done all those things and are still hungry for more #3, D-Wade has…

Claire Denis’ Bastards Is Every Kind of B Movie

Claire Denis douses Bastards in her usual oblique dreaminess, equal parts romantic and malevolent, shot by Denis and cinematographer Agnès Godard in inky nocturnal HD that posits the proceedings as a gradual descent into a black hole of vengeance and vice. Yet that style can’t fully compensate for a tale…

In God Loves Uganda, American Evangelicals Export Homophobia

Can it be true that the apple-cheeked Midwestern evangelicals who send their money, their teenagers, and their last-century sexual mores to Uganda genuinely see no link between their fervently anti-gay, anti-condom preaching and that country’s movement to make homosexuality not only illegal but also punishable by death? The toothsome young…

Ginsberg, Kerouac, et al. in Iffy Biopic Kill Your Darlings

How is it that no one had yet made the Lucien Carr-David Kammerer murder story into a movie? It’s an irresistible tall tale from the Beat back catalogue — how, once upon a time in the mid-’40s, the finger-snapping legends-to-be (Ginsberg, Kerouac, Burroughs) all coalesced around the radiant rebel Carr…

The Best Man Holiday Marks the Return of the Black Ensemble Comedy

From the mid-1990s to somewhere around 2006, Hollywood bankrolled a number of romantic entertainments targeted to — though not made exclusively for — black audiences. Pictures like Love Jones, Brown Sugar, How Stella Got Her Groove Back, and Something New provided a showcase for actors of color, a refreshing change…

Dallas Buyers Club: AIDS Comes to Texas — and McConaughey

Weight-loss and weight-gain performances are tricky things. Robert De Niro’s heavily mannered turn in Raging Bull just has to be great — he gained 60 pounds for it, didn’t he? For his role in The Machinist, Christian Bale dropped to a sub-skeletal 122 pounds; he looked like a walking, talking…

Caribbean Wives of South Florida: A Bravo Ripoff With Island Flavor

Miami’s racial diversity isn’t celebrated nearly enough. The Magic City’s widely known as a town of Cubans, but what about the large groups of other ethnicities that call South Florida home? Name just about any place on the map, and you’ll find a robust minority group, from Canadians and Russians…

Thor Returns, Diminished

Among the Avengers, Thor should reign supreme. Sure, Captain America is the de facto leader, but even he — like the others — is just a jacked-up human. Thor is a god. Or if not quite a god, as he demurs, he’s the next best thing: a flying titan with…

A Touch of Sin Examines Tales of China’s Have-Nots

Over the past few years, our view of modern China — at least as culled from news reports — is that of a country whose economy has grown so fast that the center cannot hold. Put another way: How can the inhabitants of one country possibly buy so many luxury…

The Heart Animates MS Documentary When I Walk

“Wherever you live in this world, basically… you are alone. Even if [we] have support systems, we’re really alone.” Those words, shorn of sentimentality, are offered — and received — as motherly balm in the documentary When I Walk. Filmmaker Jason DaSilva, having turned his camera on himself to capture…