Just as we thought the “bromantic comedy” had overstayed its welcome, the genre reaches its high point with writer-director John Hamburg’s best film yet. The subtext is finally the text — it’s right there in the title. It delivers an absolutely complete, fully realized, delightfully novel redo of the hoariest…
At the end of 2008, DreamWorks Animation bossman Jeffrey Katzenberg embarked on a cross-country tour, toting 20 minutes’ worth of Monsters vs. Aliens. The reason for his trek? To convince critics that 3-D movies are no longer the snake-oil salesman’s hustle, but the future of filmmaking — if not the…
No longer weighted down by the perukes she had to wear in The Duchess, Keira Knightley returns to the simpler chignons of Atonement in another World War II-set prestige piece with a starchy literary pedigree — this one scripted by her mum, Sharman MacDonald. Knightley sings and affects a Welsh…
No one does raging unlovability quite like John Malkovich, who’s a total gas when he drops the bombast that often bogs down his more serious roles. Not that Buck Howard, the once-great mentalist now playing to half-empty theaters in Hicksville, lacks for pathos — or glory. His lounge act is…
Whether it’s the amnesiac super spy of the Bourne franchise or the weary law-firm fixer of Michael Clayton, Tony Gilroy specializes in characters who wear so many masks that, memory loss or no, they scarcely know who they are anymore. Guided by instinct, his soldiers of fortune patrol a ruthless…
When the unfinished version of “The Pale King,” David Foster Wallace’s posthumous novel about a group of IRS agents, is published next year, boredom will have officially become the new aesthetic ecstasy. It may be already. One of the standout films of this year’s Miami International Film Festival, Enrique Rivero’s…
That was the most offensive display of sexualized violence I have ever seen,” one wilting fellow in need of a camphor hankie was overheard saying in the elevator. Such blanching is the reaction Last House on the Left is trolling for, but I doubt it will be typical. Permissibility has…
Two Sundays ago, Academy Awards host Hugh Jackman triumphantly declared, “I am Wolverine!” in a powerful, firework-aided falsetto that ended his introductory routine and simultaneously confirmed just how far Hollywood’s self-esteem has fallen. Ironically enough, Jackman’s jab at himself was the funniest moment of the night, but it begs the…
Haven’t we been here before? The inbred mutant offspring of Crash and Babel, writer-director Wayne Kramer’s Crossing Over treats the subject of illegal immigrants in Los Angeles with the same vulgarity Kramer brought to his 2006 children-in-peril thriller Running Scared, this time (barely) concealed under a paper-thin plaster of Oscar-worthy…
When we last saw Tyler Perry’s signature character — the bosomy, blunt-smoking, Glock-yielding Georgia granny — she and her brother, Joe (also Perry), were being pulled over by the po-po in a cameo in last March’s Meet the Browns (this is Perry’s third film in 11 months). Wearing a fat…
The Confessions of a Shopaholic we need right now would be a handheld doc featuring former Merrill Lynch CEO John Thain sobbing into the camera and begging the American public to forgive him for purchasing a $35,000 commode. With its curious release date — the film is meant to be…
If Alice in Wonderland were retold by the Mad Hatter, it might look something like Henry Selick’s 3-D, stop-motion Coraline, in which the bored, blue-haired 11-year-old of the title (voiced by Dakota Fanning) travels through the looking glass and ends up in a world that strangely resembles her own —…
Tom Tykwer’s The International is one of those movies in which shadowy men meet in parked cars, abandoned buildings, and inconspicuous public spaces (museum galleries are a particular favorite), travel under assumed names, and always glance nervously over their shoulders, fearful of being spied on through a sniper’s lens. Some…
If Joaquin Phoenix, who plays a lovelorn bachelor in James Gray’s Two Lovers, were 12 years old, the movie might make a touching, if not noticeably fresh, romantic drama for tweens. Not that adults don’t nurse unhealthy crushes and regress madly under the pressure of hopeless infatuation, which might be…
There are maybe two or three laugh-out-loud moments and a handful of chuckles to be culled from Steve Martin’s overlong Pink Panther 2, the latest installment in the lackluster overhaul of Blake Edwards and Peter Sellers’s iconic Pink Panther comedy franchise. That’s as good as it gets. After several of…
The smirky, overbearing, and subliminally hostile romantic primer He’s Just Not That into You — which sold a regrettable two million copies when it was published in 2004 — seizes on some partial truths about the gender wars and blows them up into evolutionary gospel, as follows: Since cave-dwelling times,…
Two weeks after the reach-out-and-touch gore of My Bloody Valentine in 3-D, the splatter-free teen chiller The Uninvited feels sweetly old-fashioned. Sixteen-year-old Anna (Emily Browning), who attempted suicide after her mother’s death, leaves a psych hospital and returns to the gorgeous Maine lake house of her novelist father (David Strathairn)…
She’s too thin. She’s a bobble-head. Her forehead doesn’t move. Where has that Jerry Maguire girl gone, the one we once knew and loved? Did the Oscar from Cold Mountain ruin her forever? Or is Kenny Chesney to blame? It’s not easy being America’s sweetheart. Nor any easier being Lucy…
The original Underworld, released six years ago, introduced a high-concept/low-excitement war between vampires in fetish gear and videogame-caliber werewolves — and “in the spirit of equanimity,” someone wrote at the time, “the movie both sucks and bites.” No such draw here: This deadly prequel explaining the roots of the bloodsucker-fangface…
Attention, Jews of generations X through Z: In case you missed it, novelist Joseph Epstein laid down a pretty severe gauntlet in last week’s issue of Newsweek. After deriding your parents for giving you inflated trust funds and WASPy first names, he accused you of frivolity, assimilation, and too-frequent intermarriage…
Brendan “Kids’ Choice” Fraser returns to the multiplex day-care as “Mo” Folchart, antiquarian-book-repairman-cum-adventurer. In Inkheart’s opening chapter, he’s identified as a member of a race of “Silvertongues” — those who, when they read aloud, can suck people out of and into the texts from which they’re reciting. Mo has abstained…
In theory, 3-D filmmaking should amplify the effect Roland Barthes foresaw in Cinemascope — that of the viewer becoming a “little god” free to float about at will in the frame’s capacious space. In practice, it’s typically like watching a shitty movie with the added sensation of getting poked in…
