Those quirky kids over at the Florida Moving Image Archive are at it again, throwing the third annual film and video festival that highlights their amazing stash of archival footage. Never call this festival staid. It’s always bubbling with the unexpected, from the serious to the comically frivolous. This year…
There is one truly striking shock in the new made-in-Hong-Kong-by-Thai-directors horror flick The Eye, but unfortunately, directors Danny and Oxide Pang saved the best for first. If the film’s opening moments don’t grab you, nothing will; the Pang Brothers cut their teeth on commercials, and the first few minutes play…
What is it with women, anyway? They want to be safe walking the streets at night; they want to be able to trust strangers; they want the world to be beautiful, free, and wild. Are they nuts? Before you click SEND with the hate-mail (or, worse, with the “You said…
An Academy Award winner for Best Foreign-Language Film and winner of five Golden Lola Awards (the German Oscars), Nowhere in Africa recounts the true story of a Jewish family who fled Nazi Germany in 1938 and found refuge in Kenya. Although beautifully shot and acted, the film is hampered by…
I purposely avoided reading anything about Capturing the Friedmans till seeing the film, which has been no easy task. Andrew Jarecki’s documentary, about a Great Neck, New York family torn asunder in the late 1980s by allegations of kiddie-porn possession and the horrific sexual abuse of numerous children, has been…
It’s the end of the world as we know it, and it’s all PETA’s fault. Oh, we humored those wacky vegan extremists when they threw paint at rich bitches in hideously overpriced fur coats. We laughed when they’d come on conservative talk radio shows every Thanksgiving to get mocked for…
Once in a while a film comes along that is as sound, smart, sweet, and significant as can be, and Whale Rider is such a film. Fault the project on various counts if you like (I’ll try), but ultimately the tale is beyond reproach, a bane to cynics and a…
The hero of Ken Loach’s Sweet Sixteen is an isolated teenager mired in a gray Scottish slum with only a vague dream of family life to sustain him. Like previous Loach heroes — the impoverished boy who finds hope training a falcon in Kes, say, or the downtrodden working stiff…
The number of boring, uninspired studio pictures hitting today’s multiplexes is getting depressing. To add insult to injury, many of these mind-numbing creations come from formerly — and presumably still — talented writers, directors, and actors. Last week saw Hollywood Homicide, a tired — and what’s, worse, lazy — buddy-buddy/cop/action…
No matter on which side of the border you sit, it’s a bit uncomfortable to hear the small mustachioed Mexicano in Herod’s Law tell the tall gringo, “Don’t worry, we Mexicans are men of our word.” As any fan of old Westerns knows, the lying, scheming Mexican is as much…
The emotional, even healing, power of music is only one of the themes that interests acclaimed Chinese director Chen Kaige (Farewell My Concubine, Temptress Moon) in his beautiful new film, Together. Other, equally important concerns include father-son relationships and the way China, in its headlong pursuit of modernization, is abandoning…
Talk about your insanely ambitious projects: Filmmaker Jacques Perrin got it in his head to record, on film, the many varieties of annual migration to be found in the avian world. Animal actors in general are tough enough, but birds in particular are recalcitrant and skittish subjects, particularly when they’re…
French putz Xavier (Romain Duris) is depressed. The poor guy lives in Paris, has Amélie’s Audrey Tautou as a girlfriend, eats gourmet vegan dinners prepared for him by his free-spirited mother, and is being set up for a graduate degree in economics by a friend of his father’s. “I don’t…
For the seventh year in a row, Miami gets to be the first to view the latest crop of homegrown films from Latin America’s biggest nation during the Brazilian Film Festival. Starting on June 4, a coupling of shorts and features will take over the Lincoln Theatre (541 Lincoln Rd.,…
If you’re reading this paper, chances are you’re more literate than the average American. If you’re reading the film reviews, it’s also likely that you’ve become familiar with words like “bravura” and “eponymous,” which seem to exist only in the vocabularies of professional movie assessors. But what if you were…
The budding teenage poet in Karen Moncrieff’s Blue Car writes melancholy verse about autumn leaves falling off trees and fathers abandoning their daughters. Predictably, the girl’s floundering mother is too harried and too strapped for cash to pay much attention to her, and her troubled little sister is endlessly needy…
It’s usually right about this time of year that film critics begin to feel a slow chill of dread creep up their spines. Suppressing that urge, they generally find it quickly replaced by a sudden rush of sneering condescension and smug mock-martyrdom. “Oh no!” they cry. “This is summer, the…
Neil LaBute is back to his old self again, and the cinematic world is a better place for it. Honestly, what was he thinking when he made Possession? Did the charges of misogyny, still lingering from In the Company of Men and Your Friends and Neighbors, get to him so…
In March 2002, days before President Bush was scheduled to visit Peru, a car bomb exploded near the U.S. embassy in Lima, killing nine and injuring dozens. Government officials, here and in Peru, blamed the attack on Shining Path — a Marxist terrorist organization with roots dating to the 1960s,…
Time was, moviegoers could rely on European films for interesting ideas and unpredictable storylines. But in the 1990s, foreign producers decided that the way into the American film market was to make American-style movies. Since then we have been besieged by a series of lame comedies and generic thrillers that…
Nobody can convey more, doing nothing, than Billy Bob Thornton. His minimalist style is appropriate for the ironically named Levity, but what is conveyed never quite generates the emotional charge of Sling Blade or Monster’s Ball. Writer-director Ed Solomon is best known as the screenwriter of the two Bill &…
Long ago Eddie Murphy had grown tired of Eddie Murphy parts: the fast-talking high-jiver, the preening put-on. Even before he began parodying himself in Bowfinger, Showtime, and I Spy, the latter two perhaps accidentally, he accepted high-paying roles in low-rent movies that neutered and humiliated the character he had sharpened…
