On November 4, some 1,800 television personalities–actors, writers, producers, show-runners, network executives–will, finally, parade into a Los Angeles theater to award their peers and themselves for a job well done. They will, at long last, hand out the golden statues known as Emmy, just as it has been done every…
The air of danger that surrounds Catherine Breillat’s Fat Girl (À Ma Soeur) never lets up, which is unusual for a film that doesn’t mean to be a thriller. Rather it’s a merciless look at adolescent insecurity, the mixed signals of emerging desire, and the ruthlessness of carnal gamesmanship that,…
Not long ago you could look and look and look for revivals, and the screen would remain blank. No more. Apocalypse Now Redux pulled in large crowds, and The Wide Blue Road also did well. Re-releases of classics from Fellini, Godard, and Melville are planned for the next couple of…
Two weeks ago, it would have been possible to use the name of the man interviewed below; indeed, it would have been expected, as he is no mere “spokesman,” the only identifier by which he is to be referred. Two weeks ago, it would have been possible to point out…
What is pornography? If someone can give me a workable definition, I’d have a better handle on Baise-Moi (Rape Me), a new French film about two women on the run that contains extreme violence and hard-core sex. Apparently the French government was shocked by this film and banned it as…
Ask David Lynch and he will tell you apple-pie America just isn’t what it seems. People behave strangely, sometimes violently, and sometimes they even transform into different people without being polite enough to warn you first. Eerie and freaky, shot through with sporadic bursts of humor and sex, Mulholland Drive…
On October 3, there appeared in The New York Times an article about how movie studios are struggling to find new villains in a post-September 11 environment. Writer Rick Lyman rounded up the usual suspects: a few film producers, a couple of screenwriters and the requisite amount of film scholars,…
The Italian film Bread and Tulips is a first cousin once removed of the American comedy Home Alone. A tremendous hit in Italy (it won nine Donatello Awards last year, the Italian equivalent of the Oscars), it concerns a woman who, on a bus holiday with her family, accidentally gets…
In the new low-budget indie comedy Haiku Tunnel, former temporary office worker Josh Kornbluth plays “Josh Kornbluth,” a temporary office worker who, early in the film, faces a premature midlife crisis: whether to stay a temp or “go perm.” After great hesitation the company makes him an offer he can’t…
Before he was editor in chief at Marvel Comics–which, by all rights, makes him the man who tells Spider-Man what he can do with himself and the X-Men where to go–Joe Quesada illustrated a comic book titled Ash. The title did not last long; there was, perhaps, little market for…
Together is the second feature from Swedish director Lukas Moodysson, whose 1998 Fucking Amal was shown here two years ago under the title Show Me Love, renamed for obvious reasons. Together is an ensemble piece — a sharp, perceptive look at a Swedish commune in a suburb of Stockholm, circa…
Ah, the backstage show-biz story. A classic movie genre. Think Bullets over Broadway, think Shakespeare in Love, think The Producers. Seen one, seen ’em all, you say? Consider this real-life scenario: A musical director from India plans to produce an Italian opera in Italy. He asks a Chinese director to…
Rene Balcer, like you and everyone you know, can’t stop talking about what we now refer to simply as The Attack. We may resume our lives, fall back into our routine until it again feels mundane and comforting, but sooner or later, The Attack becomes the only topic of conversation…
The cynic may notice only how Hearts in Atlantis plays like a Stephen King best-of compilation, a reheating of familiar stories and favorite themes. At times it feels so much like Stand By Me — with its nostalgic, flashback tale of cherubs and bullies accompanied by sad and weary narration…
On September 13, at 11:30 a.m., Bryce Zabel was to have met with USA Network executives about a miniseries he was pitching to the cable outlet. Zabel, creator of such television shows as Dark Skies and The Crow: Stairway to Heaven, had the conference on his calendar for weeks. But,…
The beautiful little conceit at the heart of Brad Anderson’s Happy Accidents is that audiences will sit still once more for the crackpot notion of time travel — and in a movie that’s not science fiction. To his credit, and with an implied bow to Back to the Future and…
Let’s see — which movie sports the most clichés? Outside of the Naked Gun-style spoofs, The Monkey’s Mask, a new murder-mystery from Australia, is a serious contender for that dubious honor. The Monkey’s Mask is essentially a run-of-the-mill film noir whodunit with a central twist: The wisecracking, lonely gumshoe hero…
Julie Davis’s All Over the Guy is yet another entry in the ever-growing genre of gay romantic comedy. Ten years ago one would have led off by saying, “It’s a romantic comedy but with a twist: They’re both men!” or “It’s When Harry Met Solly…!” It’s a step in the…
When marching-band director Tyrone Brown asks his Jackie Robinson Steppers, “Are you motivated?” he’s not so much inquiring as presenting a challenge. It’s the middle of a sweltering summer in Brooklyn’s Crown Heights neighborhood, where tensions, temptations, and distractions are omnipresent. Synchronizing 60 players — while diverting some of them…
The cold-bloodedness of some entertainment journalists is a thing to be admired; they’ve balls for brains, which gets you far in this profession. The Hollywood press corps’ cynicism is the source of its strength, and God bless the famous fool who plays along, answering every crooked question with the straightest…
A year after Cameron Crowe climbed back aboard the tour bus for one last spin through rock’s golden days of giddy hedonism and phony heroism comes a film set a decade later, in the mid-Eighties, when the parties got harder, the music louder, and the musicians prettier. The world of…
Judd Apatow tries not to think of what became of Sam and Lindsay Weir, Neal Schweiber, Bill Haverchuck, Daniel Desario, Nick Andopolis and the other freaks and geeks Apatow knew back at McKinley High School. Those kids were his family, the children born when Apatow and writer Paul Feig created…
