Negative Fest in Lake Worth hopes to separate itself from other horror-film festivals through a slate of international movies and short-film categories such as Female Filmmakers and Florida Filmmakers.
That elfin wit Rash plays Bernard, the schlemiel-ish old college pal/rival of David Koechner’s carousing Huey, a one-man sexual Sherman’s March blazing from the Hudson to the East River
The story, loosely adapted from Robert Louis Stevenson’s novel of the monster within, finds Gequil transformed into a murderous electric sylph after lightning strikes the high school’s laboratory
Filmworker walks a fine line tonally, as it reflects both Vitali’s admiration and awe of Kubrick, while also calling into question the way the director allowed his many projects to devour the lives of those who worked for him as well
Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast
… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel
The young newlyweds are violin virtuoso Florence (Saoirse Ronan) and history grad Edward (Billy Howle), each very much in love with but still painfully awkward around the other
The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse
The morality-tale obviousness of First Reformed’s plotting at times proves at odds with its sensitive detailing of its characters’ inner and spiritual lives
Both series unfold from the perspective of the “bad guys,” and both juxtapose a life of crime with the mundane everyday — for Barry, the world of desperately aspiring Los Angeles actors, and for The Americans, the Jennings’ domestic life …
From samurai epics to low-key dramas, here are the Ghibli movies you should be excited to see.
Teeming with abandoned buildings full of thugs to be dispatched, ruled over by shadow corporations and wicked artificial intelligence, Whannell’s film plays like the smarter-than-you’d-think 2018 version of some 1988 kill-’em-all VHS cheapie
In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout from on cue
Michael Mayer’s sunnily bleak all-star film, I fear, squirms through the first acts of Chekhov’s masterpiece the way a cast member’s 8-year-old cousin might in a theater seat
… The moment the camera pans over to blind pianist Sofia (played by Natalie Dormer, who also co-wrote the screenplay with Byrne), it’s obvious she’s the coiffed blond protagonist of this espionage tale
In The Tale, both repression and revelation take the form of stories — the stories we tell ourselves and the sometimes irreconcilable stories other people tell about us
The film follows Teresa (Paulina Garcia), a middle-aged woman who has spent most of her life as a live-in maid for an urbane, well-to-do Buenos Aires family
This is what it’s like to be 27 and kind of a mess and totally sleepy and kind of miserable and suffering a headache and not sure who you are or who you should trust
Edson Jean and Joshua Jean-Baptiste are proving you can work in the entertainment industry without leaving Miami. The Project Greenlight winners wrote and star in a new web series for Complex called “Grown.”
Don’t let the title fool you. Despite 20 or so bookending minutes in which photographer and artist Peter Beard reflects over old photos and some alluring footage about the innocent days when Montauk drew celebrities like Andy Warhol and Mick Jagger rather than mere kabillionaires, That Summer could more helpfully…
Grisebach surveys her incidents (river work, bar nights, outdoor parties, horseback reveries, confrontations between townies and outsiders) from various vantage points, honoring the perspectives of all parties
Like Rogue One, the other standalone Disney Star Wars film that suffered a famously troubled production, Solo has a just-finish-the-movie quality to it, an uncertainty about the pacing and seriousness of developments in its own story
