Film, TV & Streaming

“The robots were the good guys, because humans drove them. So maybe they weren’t technically robots. Well, some of them were.”

… Everything about the series, from plotting to character development to tone, feels contrived, with every speck of subtext hauled up and nailed down to the show’s slick surface

The film suggests Guillermo del Toro’s Pan’s Labyrinth, in the trust the director places in its child character to tell her own story without the adults butting in too much

Set in Cannes (which, big surprise, is also where it premiered), Claire’s Camera opens with three scenes depicting the firing of a young woman, Man-hee (Kim Min-hee), from her job at a Korean film sales company

It’s fun stuff, but in a deeply corrosive way — daring to suggest that people engaged in a soul-sickening endeavor will find, well, their souls sickened

The 35th Miami Film Festival announced its award winners before the closing-night screening of Holy Goalie at the Olympia Theater this past Saturday. A diverse group of films won, and the names of audience picks were shielded until the fest came to a close last night. After every audience vote was counted, The Last Suit won for best feature, and The Driver Is Red scored big for best short.

The film tells the story of a terrorized woman in a mental hospital who’s trying to convince the staff and patients that she shouldn’t be there and is being held against her will

Even as Maoz seems to be addressing his themes head on, he’s cleverly setting up the conditions for tragedy, and when it hits, it’s somehow both shocking and inevitable

Knowing the real-life inspiration for On the Beach at Night Alone may help one appreciate the film’s moral trajectory a bit better

Uthaug’s film, like the recent reboot of the video-game series, gives us a grittier Lara Croft, one stripped of the advantages of her wealth and all bruised up from the rigors of her adventure

If you’ve ever wondered what it might look like to crossbreed an edgy cable comedy with a jovial network sitcom, A.P. Bio, created by former SNL writer Mike O’Brien, suggests just that sort of Frankenfood

Making it rain has long been mainstream, but the FX show presents a more novel sight: average Atlanta residents, reckoning with what often gets treated as a national rite of passage

Venezuelan filmmaker Claudio Marcotulli’s short film turns mundanity into magic.

On March 16, Miami Film Festival will honor one of the most talented actresses in modern cinema. The night will reflect on an extensive career that spans more than a hundred films, highlight one of her latest leading roles, and finish with a birthday celebration on the stage of the Olympia Theater. This performer is Isabelle Huppert.

… it’s worth reconsidering The X-Files’ feminism today, especially when so much of the series’ fan goodwill is based on the quietly political leaps it made in the last century

Here is a movie made for and about the people who believe they are the essence of American normalcy, a movie that dutifully flatters and celebrates them even as it works to expand who that normalcy actually includes

It has impenetrable technobabble jutting up against awkward football metaphors and a reverie on peanut butter-and-jelly sandwiches sandwiched between a monologue on climate change and the triumphant revelation of a character’s hidden home arsenal.

The 2008 horror movie The Strangers, which found Liv Tyler and Scott Speedman being terrorized in a remote country house by three creepily masked young people, was harsh and unnerving and, thanks to affecting work by it stars, memorably sad. The low-budget flick made big money, but somehow — in…

Last year, around this time, Blake Jenner, the actor most people know for playing the dyslexic golden boy Ryder Lynn on Glee, was to make a homecoming at last year’s Miami Film Festival. Jenner, who grew up in Kendall, was traveling from his home in Los Angeles for the world premiere of his first script turned into a movie…

The film sends the simultaneous messages that it’s futile to coddle children but also that it’s OK to feel the icky stuff that you feel, because even your weaknesses can be transformed to strengths

Thoroughbreds’ best trick is to convince us, through the aching stillness of its stars’ eyes, that it might not actually be a twisty, twisted thriller inspired by the likes of Strangers on a Train

Kersey is the everyman, and Roth’s movie, whether he likes it or not, is the good-guy-with-a-gun propaganda the NRA is just lapping up straight out of the toilet