Tom of Finland Gives a Boldly Gay Artist the Too-Polite Movie Treatment

When same-sex marriage became legal in Finland this past March, the government celebrated by releasing an official emjoi — a leather-clad man with a drooping mustache and a police-style cap emblazoned with the word “Tom.” No explanation was necessary, for “Tom” was clearly a nod to Tom of Finland —…

Thor: Ragnarok Shows That Marvel Movies Can Still Hit Where It Counts

Like most of the better Marvel efforts, Thor: Ragnarok feels like the work of a unique sensibility instead of a huddle of brand managers. While the studio’s films demonstrated plenty of comic flair right from the start of its shared-universe experiment, with 2008’s Iron Man, recent efforts have veered too…

A Jane Goodall Documentary Proves Entirely Worthy of Its Subject

When I first saw Brett Morgen’s 2002 documentary The Kid Stays in the Picture, I was shocked that the film somehow matched the rollicking, mercurial energy of its subject, producer Robert Evans. Morgen reimagined the use of archival footage and voiceover, and the style he pioneered has now been mimicked…

Netflix’s Joan Didion Doc Does Justice to Its Epochal Subject

Joan Didion has set an impossible standard for any documentarian who would want to cover her life. She’s essentially already done it herself, brilliantly, in her essays, novels and films. Still, Didion’s nephew, actor/director Griffin Dunne, takes a shot with his new Netflix film Joan Didion: The Center Will Not…

In All I See Is You, a Blind Woman Gets Her Sight — and Looks Disappointed

This fall, mainstream films are subverting expectations all over the place. Darren Aronofsky’s Mother! proved too much for some audiences looking for a moody drama who were then shocked by gory, allegorical narrative. Blade Runner 2049 sloughed off most of its predecessor’s lower-brow populist action for a somber tone and…

With Breathe, Andy Serkis Asks How Much Fun a Polio Movie Can Be

The last few months have seen some welcome innovation in the cry-along subgenre of dramas about finding the will to keep living after bodily catastrophe. First, in the notably sincere and unsensational Stronger, director David Gordon Green and his crew strove to strip away as much of such films’ usual…

Walking Out is a Beautiful Film About What Can Go Wrong

“This year we hunt big game. This year you get your first kill.” So says seasoned hunter Cal (Matt Bomer) to his teenage son David (Josh Wiggins), who’s arrived in rural Montana for his annual visit, and even those going in unfamiliar with the premise of Alex and Andrew Smith’s…