A Boy’s Double Life Threatens to Blow Up in Beach Rats

In Eliza Hittman’s debut feature, It Felt Like Love, a young girl tests the waters of adult sexuality, offering her body up to the statuesque bros who live in her Eastern Seaboard beach town. She tries her hardest to mimic the women in pornos, the ones all the boys want,…

Crown Heights Tells a Compelling True Story with Jarring Impatience

In adapting for the screen the long, hard story of Colin Warner — a Trinidadian native who, as a Brooklyn teenager in 1980, was wrongfully convicted of murder and sent to prison for more than 20 years — Matt Ruskin’s Crown Heights moves along in a counterproductive hurry. Scenes rich…

Resisting Trump With The Sound of Music

November 2016 wasn’t the best time to have a baby. My water broke two weeks after Donald Trump was elected president. The world suddenly felt unstable — and my political worries were compounded by the wails of an alert newborn for whom sleep was not on the agenda.

Lafosse’s After Love Lays Bare the Economics of Breaking Up

The original French title of Belgian director Joachim Lafosse’s latest domestic drama is L’economie du couple, which translates (awkwardly) as “The Economy of the Couple.” It’s understandable that a U.S. distributor would opt instead for the rather nondescript and bland After Love — who the hell wants to see a…

Spielberg’s Close Encounters Returns in All Its Confounding Glory

In one sense, Steven Spielberg’s 1977 UFO bliss-out, Close Encounters of the Third Kind, is reprehensible. It is, after all, the story of a daydreamer dad (Richard Dreyfuss) who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another: Teri Garr for…

Feel-Good Rapper Comedy Patti Cake$ Doesn’t Earn Its Mic

The story beats of Patti Cake$, a socioeconomic-sermonizing comedy about a thick young white woman with huge hip-hop dreams and little prospects, are as predictable as the ticking of an egg timer, as generic and tinny as the pulses of a drum machine. I rooted not for Patricia Dombrowski (Danielle…

Whitney: Can I Be Me Surveys the Pressures Faced by a Pop Great

In the February 2016 issue of ESPN The Magazine, Danyel Smith penned a powerful essay on Whitney Houston’s chill-inducing rendition of “The Star-Spangled Banner” at Super Bowl XXV, perhaps the pinnacle of national anthem performances. Smith frames Houston as a pioneer, a symbol of strength, singing that crisp winter night…

The Trip to Spain Feasts Upon Its Stars’ Fear of Obsolescence

Once more, into the brie — or, in this case, the Manchego. For the third time, now, for Steve Coogan and Rob Brydon, it’s the feast as improv proving ground, the sumptuous meal as arena of competitive discernment: Who can better parse and parody the particularities of some beloved British…