Why Is Tom Cruise Even in The Mummy?

Over the years, Tom Cruise has been many things, but he’s almost never been marginalized — not in one of his own movies. Oh, he’s played supporting parts and done cameos here and there, but even in those smaller roles (in films like Tropic Thunder or Rock of Ages), he…

One Man’s Quest to Watch 1,001 Movies and Take Miami Along for the Ride

Alexander Sorondo likes movies. A lot. Probably more than you like almost anything in your life, at least anything that isn’t related to you by blood. The 25-year-old Miami native loves movies so much that he has taken on the challenge of watching, and writing an essay about, every movie that appears in the 2012 edition of Steven Jay Schneider’s 1001 Movies You Must See Before You Die. He calls it the “Thousand Movie Project,” and he’s inviting you to join him.

The Chilling My Cousin Rachel Harrows a Dopey 19th-Century Misogynist

The trailer for Henry Koster’s 1952 adaptation of My Cousin Rachel channels hysteria as the voiceover asks, “Was she woman or witch? Madonna or murderess?” Unfortunately, the film itself proved far tamer than the marketing suggested. The novel’s author, Daphne du Maurier, who also penned The Birds and the psychological…

The 12 Best Movies From the 2017 Cannes Film Festival

The 2017 Cannes Film Festival wrapped up last Sunday with a slate of generally predictable (and perfectly worthwhile) awards. And while it may have been a somewhat lackluster year for the festival’s main competition, there were plenty of cinematic treasures to be found on the Croisette – even a couple…

Neorealist Jewel I, Daniel Blake Slices the Systems That Crush Us

Sure, we’ve all gotten desensitized to screen violence, but that doesn’t mean we can’t be shocked. Ken Loach’s quietly furious I, Daniel Blake will likely jolt you with its depiction of a different kind of killing: the paperwork, on-hold music and long-wait rigmarole a widowed English woodworker endures while trying…

Trey Edward Shults’ It Comes at Night Is a Horror Triumph

A red door is, biblically speaking, a sign of protection, an echo of the blood rubbed on posts and lintels during Passover to keep God from smiting you and your home. But like most things that the Bible insists are positive, the red door also comes with an undercurrent of…

Here’s All the TV Not to Miss in June Before the World Ends

It’s summer! Time to stay inside and watch TV! Duh! I’m Dying Up Here (Showtime), June 4 Peak TV giveth, and Peak TV taketh away. And sometimes Peak TV confuses the shit outta ye. Case in point: this new drama about LA’s stand-up comedy scene in the 70s. I mean,…

Again With the Sad Clowns: The Missed Opportunities of I’m Dying Up Here

Mythologies are built on pain. It’s why nations remember the invasions they’ve suffered better than the ones they’ve perpetrated, why religions celebrate their martyrs, and why Disney princesses — among the most privileged individuals in their respective kingdoms — sing about wanting more. Comedians have their own mythology, too —…

Churchill Squanders History and an Ace Brian Cox Performance

There will always be, it’s become clear, one more Winston Churchill story to tell: one more slant on a weekend, a summer, a year in the life of the 20th century’s most formidable leader, a man whose history includes two world wars and speeches so glorious that future dramatizations were…

Give a Chance to Hank Azaria’s Brockmire, That Prick

For some reason, I can’t bring myself to hate Jim Brockmire. Played by comedian Hank Azaria, best known for his voice work on The Simpsons, Brockmire wears a perpetually wounded and somewhat confused expression, the look of a man coming off a bender who can’t find his car. His loud,…

Wonder Woman Emerges to Save the World but Risks Losing Herself

Perhaps Wonder Woman’s greatest superpower is enduring for the past 75 years as a wildly unstable signifier. Patty Jenkins’ Wonder Woman, starring Gal Gadot in the title role, further adds to this complicated, contradictory cluster of signs and symbols. Forged from deeply feminist sympathies, the character debuted in All Star…

Thomas Vinterberg’s The Commune Loses Sight of the Individual

Thomas Vinterberg’s The Commune is partly autobiographical: The Danish director of The Celebration and The Hunt lived in a commune between the ages of 7 and 19, at a time when collective living had become popular in Scandinavia. (The phenomenon also inspired Swedish director Lukas Moodysson’s 2000 masterpiece, Together.) Maybe…