Film, TV & Streaming

After The Fate of the Furious premiered, talk of that franchise’s ever slicker, more over-the-top future turned to the promise (and hope) of F&F jumping the shark right into space. But what if … it was already there? And it was named, instead, Guardians of the Galaxy Vol. 2? In…

It’s easy to giggle at The Circle, the movie, just as it’s easy giggle sometimes at Dave Eggers, whose novel is the film’s source. James Ponsoldt’s adaptation (co-written with Eggers) is, like Eggers’ books, nakedly earnest, engaged with nothing less but The State of Things Now, more smart than its…

It’s April 1992, and ABC commentator Judith Miller’s voice has an exasperated tinge as she reports to her audience that not one of the officers who beat Rodney King on that infamous videotape has been found guilty of any charges. Soon, riots break out in Los Angeles. Thousands of stores…

The Handmaid’s Tale premieres April 26 on Hulu In the first episode of The Handmaid’s Tale, Margaret Atwood herself shows up to slap our heroine in the face. The grande dame of dystopian fiction plays an aunt, one of the abbesses in charge of a new order of so-called handmaids:…

If you don’t have religion, you should at least have The Leftovers. HBO’s rapturous drama hasn’t found much of an audience during its brief time on Earth, but those who listen to its sermon long enough tend to convert — nothing else on television seeks, so nakedly and unironically, to…

Twice I’ve described Kitty Green’s curious, alienating docu-whatzit Casting JonBenet to friends, and twice I’ve been asked, with surprising heat, “Why?” and “What’s the point?” So, this time, before we get into the specifics of what this documentary actually documents, let’s take a moment to consider what the film isn’t…

Down the street from the bums on Brickell and around the corner from Blackbird Ordinary, there is a gleaming, chrome and concrete monolith poised to transform one of the more blighted and ignored areas of downtown.

In Eric D. Howell’s adaptation of Silvio Raffo’s ghostly 1996 novel, Voice From the Stone, a timid woman finds employment as a nanny with a rural family ravaged by grief. The longer she stays in their cavernous, stone-and-stucco villa, the more she comes to act, talk and look like the…

Keep your eyes on the magician’s hands. She’ll attempt to distract you with compliments and silly quips, but her most effective feint will be the story she tells as she shuffles the cards. She might give quaint mention to a lover’s spat between the King of Hearts and the Queen…

Everyone has, at some point, fantasized about being someone else. In Julia Ducournau’s Raw, we see that longing literalized in an unusual way: not just by dressing up like other people or copying their actions, but by eating them.

Clad in his trademark all-white garb, with a matching bandanna and Panama hat, Alan Faena is the namesake of the city’s most upscale hotel, Faena Hotel Miami Beach. With his wife and close collaborator Ximena Caminos, he launched the Faena District to house the North American operations of Faena Art during Art Basel Miami Beach in December 2016.

The latest edition of the MiFo LGBT Film Festival will screen a variety of queer films April 21 through 30. For ten days, you can catch movies that offer something different from the straight white nonsense you endure daily. But given dozens of films, which should you prioritize? We’re here to help.

Two seemingly incongruous categories — the small-scale romantic doodle and the rampaging-creature feature — are brought together in Nacho Vigalondo’s Colossal, a film that never really fulfills the potential of its adventurous premise. This monster mash-up argues the opposite of what Humphrey Bogart declared in Casablanca: The problems of two…

Filmmaker Nacho Vigalondo has depicted many extraordinary events in his work: time travel, alien invasion, bomb threats, the apocalypse. His latest, Colossal, tells a tale of giant-monster attacks. “It’s always really exciting when you bring together the rules of fiction and the rules of reality, or rather the lack of rules of reality,” Vigalondo says.

“I’ve been trained for this.” Those words — or some variation — come up several times throughout James Gray’s The Lost City of Z, and they serve as one key to this strange, sprawling, majestic film. In adapting the 2009 nonfiction book about the search for a fabled city in…