The Hollars tells the familiar tale of a dysfunctional family pulled together by unfortunate circumstances. John Hollar (John Krasinski, who also directed) is a frustrated graphic novelist with a pregnant girlfriend, Rebecca (Anna Kendrick). When he gets the news that his mother, Sally (Margo Martindale), has a brain tumor, he…
“Hi! My name is Harold. I’m 31 years young, just a normal American guy.” Harold wears a striped polo shirt buttoned to the top and his hair in a long, John Oliver-esque shag. Speaking with the mild-mannered lilt of a suburban dad, he describes his hobbies: gardening, hula-hooping, eating pizza…
Bridget Jones mines the riches of embarrassment. Her gaffes, blunders, stumbles and pratfalls provide the laughs in the atypical romcoms built around her, films that rely heavily on the comedy of idiosyncrasy. Bridget is no outsider: She’s a straight, white, middle class, university-educated woman with a London apartment, a media…
“I don’t have any answers,” Krzysztof Kieslowski once said, “but [I] do know how to pose questions.” Not an uncommon stance for an artist, certainly, but perhaps surprising for one who made a massive, 10-part miniseries based on the Ten Commandments. Later, trying to explain why he and screenwriter Krzysztof…
Since III Points launched in 2013, its mission has been bringing the most innovative talent in three industries—music, technology, and art—to Wynwood. This year, the festival is expanding its definition of art with the addition of Vanguard Film Week, a four-day series of films from prestigious festivals like Sundance and…
The Circus: Inside the Greatest Political Show on Earth airs Sundays on Showtime In filmmaking, an assembly cut is when recent dailies are strung together in rough narrative order to create the first, very raw draft of the movie. Though it by no means lacks polish or editorial intent, Showtime’s…
The Bachelor stands erect as the vanguard of heterosexual romance competitions. Bachelor in Paradise (BIP), whose third season concludes this week, is the sunburnt, daydrunk cousin of the ABC franchise. Set in the Ewok Village on the Planet Endor (the perfect place to fall in love), the summertime distraction stars…
The most destructive villain in this year’s summer movies isn’t some super-powered fiend. It’s us, the consumers of North America, whose desires shape the world. The U.S. looms over Jayro Bustamante’s patient, observant, exquisitely painful debut feature Ixcanul, just as it looms over the Guatemalan coffee plantation in which Bustamante’s…
Eight minutes into the pilot episode of Cinemax’s new crime show Quarry — an uneven but largely rewarding translation of Max Allan Collins’ crime books into emotionally challenging, character-driven television — Marine Lloyd “Mac” Conway, Jr. (Logan Marshall-Green) returns home a day early from his second tour in Vietnam. By…
Like American Sniper (2014), Clint Eastwood’s Sully is a movie of nightmares. In Sniper, Chris Kyle (Bradley Cooper) sits rigidly in the living room, imagining the gunfire, roaring helicopters and wailing bystanders of Fallujah playing out on a turned-off television as his children race through the house. In Sully, Chesley…
Before The Eric Andre Show came along, I always thought acting like a complete lunatic on television was mostly a white-people thing. As a culture, African-Americans generally frown upon the idea of being unabashedly clownish for the masses — black folks call it “showing your ass.” All those years of…
Barbara Kopple’s Miss Sharon Jones! tells the kind of true story that makes you want to kick creation itself square in the crotch. Here’s that firecracker soul singer, nearing her 60s, her boogie still majestic, her band still a tight retro marvel, her wail still the southern end of a northbound…
In contemporary film, it’s typical for an African-American character to be the sole person of color in the story, only existing to reveal hidden racism or make white people uncomfortable with themselves. Black characters rarely get to talk to other black characters. Last year, Manohla Dargis suggested a new Bechdel-type…
Where were you when you learned that you’d be making your DJ debut at the biggest rave of the year? And that said rave was only eight hours away? Ethan, the sheepish main character of Netflix’s straight-to-streaming EDM movie XOXO, gets the news in his kitchen, where his mom is cooking breakfast…
When Pablo Escobar’s beachfront Miami mansion was torn down earlier this year, some felt it closed the books on a bloody chapter of history that tied the city to the reportedly richest drug lord ever. The tale of the infamous narco king spanned two continents, claiming the lives of thousands…
Were we wrong to root for Kevin Smith? When he burst onto the scene in 1994, it was the most improbable of rags-to-riches movie narratives: bankrolling Clerks by selling his comic book collection and running up thousands of dollars in credit card debt. Almost overnight, he joined the likes of…
Aspen, Sundance, and Tribeca may be the best-known U.S. film festivals, but none of them have the commitment to South Florida exhibited by the Miami International Film Festival. The homegrown event has expanded into a year-round programmer of films designed to resonate with Miami audiences, and this October’s GEMS Film…
As the summer season comes to a close and we slip into fall, September hits us with a cool bundle of classic films that provide a variety of things to check out over the upcoming weeks. Here’s what to look forward to. Coral Gables Art Cinema Gables Cinema’s After Hours…
Ben Kingsley has spoken many words of wisdom in his lifetime, few more insightful than when he told the Observer earlier this summer that, when a male actor is directed by a woman, he “is almost given permission to be vulnerable.” In Alice Winocour’s new feature, Disorder, which lays bare…
The attempt to reconcile the personal with the political has been the great theme of Nanni Moretti’s cinema, as it was for many of the legendary Italian directors before him. In Mia Madre, it finds one of its more vivid examinations. The film’s concept is blunt — a director struggles…
Nepotism is occasionally a positive, and not just for the direct beneficiary. Ridley Scott gave us Alien, with heroine Ripley and a memorable cast of ne’er-do-wells and villains with defined personalities. And now Scott’s son, Luke, who’s been shadowing his dad on his last few big-budget films, has delivered unto…
Tension and release is the driving principle of a tearjerker, where every good fortune is countered by something worse. And as dismissive as critics often are of the genre, it’s actually quite difficult for a director to make people cry en masse and genuinely feel things. Derek Cianfrance’s foreboding melodrama…
