Stately, earthy, graphic, riveting: Gabriel Mascaro’s Neon Bull is one of those art-house studies that plops the camera down someplace far from us and, in exquisite long takes, examines the lives that almost seem to just be happening there anyway. No matter how rigorously worked out each shot and its…
Richard Bridgland was given an impossible task: recreate 1970s Hollywood for Shane Black’s buddy conspiracy thriller The Nice Guys … in Atlanta. As a production designer, Bridgland’s had to make the Czech Republic look like 1930s rural North Carolina (Serena), New Orleans look like West Virginia (American Ultra) and a…
From midday strolls on Calle Ocho with a cafecito in hand, to adventures among art-filled walls in Wynwood, the best way to see a city is through the eyes of a local. That’s why for its latest short, The Economist, Economist Films journeyed around Miami with an iconic drag queen, a Cuban…
As generic and impersonal as a new credit-card offer, Jodie Foster’s Money Monster is the latest big-studio production to try to cash in on populist outrage over Wall Street abuses and New Gilded Age inequality. There’s a lot of excitable talk about algorithms (or “algos”), the overuse of the term…
Ben Wheatley and Amy Jump’s microbudget black-and-white English Civil War mushroom-trip movie A Field in England (2013) squeezed a tense and bizarre story from just a few dudes wandering around in a field. The married couple and filmmaking team — Wheatley as director and Jump as writer — previously made…
On the surface, there has been a lot of forward movement on television for black women. We’re now able to see an incredible breadth of black female characters, including Cookie Lyon (Taraji P. Henson) on Empire, Rosalee (Jurnee Smollett-Bell) on Underground and Dr. Rainbow Johnson (Tracee Ellis Ross) on Black-ish…
None of us should give a crap about anything anyone says in Elstree 1976, but such is the nature of modern fandom that we do — even those of us whose affection for Star Wars is now more an occasional indulgence than a heated obsession. Jon Spira’s documentary is a…
In an appreciation published in The Guardian a few days after the death of J.G. Ballard, in April 2009, Martin Amis noted that the paragon of New Wave science fiction was “remorselessly visual.” Ben Wheatley’s muddled adaptation of the dystopian 1975 novel High-Rise — one of many Ballard books that…
All actors possess their own personal gateway into becoming a character. Some require deep memory mining (method). Others require lengthy conversations with the director about seemingly unrelated philosophical topics. And some just need a single physical characteristic around which they can develop a character’s entire being. Susan Sarandon is a…
Like The Imitation Game, The Man Who Knew Infinity is a Great Man biopic about a man most viewers have probably never heard of. Srinivasa Ramanujan was a brilliant, self-taught Indian mathematician who in his brief time on this earth made seismic contributions to his field. That he’s largely unknown…
If nothing else, Captain America: Civil War stands as something of a corrective to this spring’s other superheroes-bludgeoning-each-other opus, Batman v Superman. While that film was severe and downcast, Civil War is expansive, at times even light. BvS strove to redefine its superheroes to fit newer, darker, borderline-sociopathic molds; Civil…
It’s easy to think, based on the marketing, that the first feature film from acclaimed comedy duo Keegan-Michael Key and Jordan Peele will be a hundred minutes of an adorable kitten dressed in a do-rag and gold chain for easy laughs, but Keanu is so so much more than that…
Is it too much to ask that all these holiday-themed rom-coms — Valentine’s Day, New Year’s Eve and now Mother’s Day — one day merge with the Halloween movies? Michael Myers might be the only one in either franchise with a truly cutting response to all the rhetorical musings about relationships romantic,…
Before Barack Obama opened diplomatic relations with Cuba, a filmmaker was breaking down barriers to shoot the first Hollywood movie there in 55 years. In 2014, after years of clearing red tape with the U.S. State Department and working with Canada, producer/director Bob Yari began shooting a film about Ernest…
If you thought the billionaire played by Steve Carell in Bennett Miller’s Foxcatcher was eerie, please allow me to introduce you to the real John du Pont. A dangerous concoction of lonely and paranoid, du Pont was blessed with money and mobility and cursed with the kind of childhood that…
In the past year, actor Hector Medina has starred in two of Cuba’s biggest international co-productions. He played Yunisleidi, the transgender love interest in the controversial El Rey de la Habana. And now, he stars as Jesus in Viva, which opens in Miami theaters tomorrow. In Viva, Medina plays a young hairdresser…
With the MiFo Gay and Lesbian Film Festival in town, there’s an abundance of options for audiences to check out some queer films. This could be your only chance — otherwise, you’ll have to wait months and hope for a theatrical or online release. Halfway through the festival, there are…
Fairy tales were meant to be oral stories. Translating the tangents of old women in far-flung villages (whose chips on their shoulders about, say, their brother’s failed shipping business might inspire long asides about the shipping industry) into written texts doesn’t always make for the most linear, easy read. In…
Actor Jesse Eisenberg is known as a jittery person who speaks with a nervous stammer punctuated by “um”s and “uh”s. That characteristic is in full effect when he apologizes for calling a New Times reporter eight minutes past the scheduled time. The Oscar nominee says that after five months of…
Last week, the film The Sun Like a Big Dark Animal (El Sol Como un Gran Animal Oscuro) – directed by Miami-based filmmakers Christina Felisgrau and Ronnie Rivera (together known as Bleeding Palm) – made its online debut. Produced by the Miami-based Borscht Corp., the short had its world premiere at the 2015…
The lure of everything Cuba is strong. It’s in the news, on top of everyone’s travel list and in our movie theaters. But the recent films about Cuba aren’t exports from the still-embargoed country. Most come from visiting filmmakers. Irish director Paddy Breathnach captures a gorgeous portrait of Cuba with…
A fractured film about a fractured family, Louder Than Bombs takes a potentially tired premise and reshapes it before our eyes. It opens on a newborn’s tiny hand helplessly clinging to a father’s finger, and ends with a different father watching his two sons sleep. In between is a story…
