Grown-ups may wince, but Paul Dalio’s earnest, ambitious manic-poet romance Touched With Fire is a gift to the young and passionately creative, to the brains-a-poppin’ kids caught up in invention and each other and the invention of each other. You don’t have to be bipolar to get caught up yourself…
Life is uncertain and ever-shifting in Luchino Visconti’s 1960 masterpiece Rocco and His Brothers, the tale of a family’s migration from farm life in southern Italy to Milan — and its near dissolution when faced with the city’s temptations. This 4K digital restoration is gorgeous, of course, brightening the corners…
On the surface, there isn’t much to object to in How to Be Single. Look, it says! No matter how fabulous their lives may seem, everyone wants to be happier and more fulfilled. Everyone is looking for something more, just like you! And really, Christian Ditter’s film (based on the…
The Albert Einstein quote “Logic will get you from A to B. Imagination will take you everywhere” aptly sums up the point NatGeo’s hit show Brain Games tries to make. Our brains interpret information and influence every millisecond of our lives, yet the average person knows little about the most important part of the…
HBO’s Vinyl is the latest in a series of cultural hard-ons for the rough-and-tumble world of pre-Koch NYC: From novels like Rachel Kushner’s The Flamethrowers and Garth Risk Hallberg’s City on Fire to online photo galleries of graffiti-splattered subway trains and can-you-believe-this-juice-bar-used-to-be-a-crack-den slideshows, there’s a hunger for what Manhattan looked,…
The first Zoolander, Ben Stiller’s dopey, fitfully funny fashion spoof, was released less than three weeks after the September 11 attacks. Its sequel shows the extent to which another kind of nefarious plot — the cynical quest for world domination through cross-brand synergy — has proven impossible to eradicate on…
It has been weeks since the Oscar nominees were announced and Carol, which many viewers and critics alike were rooting for, found itself robbed of a Best Picture nomination. “You know, it happens,” says the film’s producer, Christine Vachon, shrugging it off. “We got six nominations. I can’t engage in…
A guy I grew up with had the superpower to make anything dirty. No matter what you’d say to him, he’d manage to make it about his dick, or about anal sex, or about how girls — so he had heard — smelled like fish. I asked him what he…
“I’ve turned into this kind of crazy optimist,” Michael Moore admits in his new documentary Where to Invade Next, his first film in six years. At 61, the gadfly savant has mellowed. Instead of charging into rooms, he shuffles, the American flag wrapped around his shoulders like a grandmother’s shawl…
Another month has passed and another arrived. Cinema remains much the same. Most of what is new in theaters this month isn’t worth your time, and with Oscar-nominated films being replayed to death, it’s better to turn to the classics. Here’s what’s showing in Miami this month: Christine Vachon and…
The biggest story at this year’s Sundance Film Festival was the record-breaking bidding war for The Birth of a Nation, a prestige biopic about rebellious slave Nat Turner. When Fox Searchlight snatched it for $17.5 million — $5 million more than any other flick in the festival’s history — their…
You’re probably right if you think you might get a couple laughs out of a movie titled Pride and Prejudice and Zombies. You’re also right if you’ve guessed that this gung-ho but cruddy-looking mashup fails from A to Z: It’s neither good Austen nor good zombie flick. But in those…
A kick for those who’ve distractedly thumbed through Kenneth Anger’s Hollywood Babylon, Joel and Ethan Coen’s bustling comedy Hail, Caesar! looks back to the waning days of moviedom’s golden age: specifically, to 1951, when big-studio fixers were still tidying up the messes left by the talent (scrubbing now done by…
Three years ago, Michael Moore wrapped up a TV interview about the Sandy Hook massacre and asked the producers to leave him alone. “You guys call me every time there’s a school shooting,” he sighed. He had, after all, made Bowling for Columbine, which blasted the NRA and the nightly…
Jane Got a Gun’s reputation precedes it, but it shouldn’t define it. After a tortured production that included the departure of original director Lynne Ramsay (Morvern Callar, We Need to Talk About Kevin) and a revolving door of leading men, the Western arrives in theaters long after popular opinion declared…
Patrick Warburton is that rare voice actor who looks like he sounds. His imposing, muscular physique complements his deep basso voice, but his warm tone gives a touch of soul to his many memorable performances as lunkheaded alpha males. Quite likely your ears perk up when you hear him. He…
The queasiest thing about American Crime Story’s (FX) retelling of the 1995 O.J. Simpson murder trial is how easily such a flagrant miscarriage of justice could happen all over again. The twin forces that most warped that case, after all, still plague us today: a tabloid culture that reduces flesh-and-blood…
A sneak attack from the Italian jukebox hipsterlands of 1965, this neglected autopsy of modern showbiz culture would be a satire if it were funny — instead, and despite a bouncy esprit radiating off star Stefania Sandrelli, the movie’s narrative goes down like gelato and then slowly clots in your…
Miami International Film Festival ‘s official lineup will include 12 world premieres, four by Florida filmmakers: Hearts of Palm (directed by Monica Peña), The Rebound (directed by Shaina Allen), Star Child (directed by Tommy Demos), and Sweet Dillard (directed by Jim Virga).for its . The 33rd edition of the festival,…
Few filmmakers explore the mysteries of coupledom as touchingly as Philippe Garrel, who specializes in mapping out romantic triangles (whether acute, obtuse or oblique). The rich enigmas of his latest movie, about a husband and wife, both in their forties and each unfaithful to the other, start with its evocative…
Here’s an odd thing to say of a lavishly expensive 3D IMAX maritime disaster flick that hits theaters just a month after the last one: They don’t make them like this anymore. There’s a reason for that, of course — the parents and grandparents who like ’em stolid and corny…
There are worse ways for a television star to transition into film than a horror movie. There are also better movies to do it in than The Boy. Still, Lauren Cohan of The Walking Dead shines bright in William Brent Bell’s dim genre exercise, a vital presence opposite a lifeless…
