Barn of the Naked Dead (Koch Vision Entertainment) The Bela Lugosi Collection (Universal) Bruce Springsteen: VH1 Storytellers (Sony Music) Charmed: The Complete Second Season (Paramount) Crash (Artisan) The Deer Hunter: Special Edition (Universal) Dragnet: Volumes 1-3 (Delta Music) Fat Albert’s Halloween Special (Ventura) Fraggle Rock: Season 1 (Hit Entertainment) Greta…
A rich family returns to its nice home after a vacation, but something isn’t quite right. The place has been … burgled? No, not quite. The stereo that’s missing — it’s in the fridge. The chairs have been stacked into a tower. And there’s a note attached: “Your days of…
The Exorcism of Emily Rose, which is based on a true story the same way Harry Potter and Star Wars movies are, is the latest — though certainly not the last — movie of this bloody (awful) year trying to scare the money right out of your wallet. It has…
At the opening of The Constant Gardener, Brazilian director Fernando Meirelles’s adaptation of the novel by John Le Carré, we hear a conversation before we see it. The screen remains black, still running credits, as a man and a woman negotiate a departure. Slowly the scene dawns, revealing the couple…
Viewers of those VH1 nostalgia countdown shows are familiar with the term awesomely bad, denoting a song one hates to love because it’s unintentionally tacky and awful, yet there’s something about it that won’t let you dismiss it entirely. It’s also a fine way to describe The Cave, but chances…
Ain’t nothing in this world more tedious than highbrow erotica, which works itself into a lather and then wipes off the sweat before anyone notices how awfully and inappropriately worked-up it got. Asylum, adapted by Closer’s Patrick Marber and Chrysanthy Balis from the novel by Patrick McGrath, is just that…
Remember Nick Cannon? For a while there he seemed to be the next big young heartthrob, right after starring in the marching-band movie Drumline and the remake of the Eighties comedy Love Don’t Cost a Thing. When Dave Chappelle joked that his son was leaving him for Nick Cannon, people…
I always cannot understand why girls don’t wanna be with me for a long time,” says Timothy Treadwell, subject of the documentary Grizzly Man. “I have really a nice personality — I’m fun, I’m very, very good in the … umm, well, you’re not supposed to say that when you’re…
Terry Gilliam’s last film featured the former Monty Python troupe member as an eccentric, demanding, and difficult director prone to destroying his ambitious projects before a single frame of footage was ever shot. “If it’s easy,” he says in the movie, “I don’t do it.” Alas, this was not a…
Sure you want to be inside Sophie Jacobs’s head? The poor woman’s cabeza is so stuffed with guilt and fear, so tormented by grief and what might be delusions, that to spend even five minutes in there poses an obvious risk to your own sanity. At least that’s the way…
Red Eye may not seem to be your typical Wes Craven movie. It’s not really horror, there are no marketable monsters, and unlike Cursed, Scream 3, and other recent Craven offerings, it’s actually an enjoyable time at the movies. But heroine Lisa Reisert (Rachel McAdams) is very much in the…
The contentedly independent filmmaker Jim Jarmusch has brought his restless energy to a series of surreal road movies that move nicely along on the strength of rare characters, quirky humor, and a willing embrace of chance adventure. These quest stories for hipsters have transported Jarmusch’s fiercely loyal audience from New…
Toward the end of Saraband, the uneven new film from legendary director Ingmar Bergman, a character sits down with his daughter, a taut girl obviously under emotional distress. “I have the feeling that some sort of discussion is coming on,” he says. Indeed it is — as it has been…
And so, once more, the cineplex emits the stink of the network rerun, this week offering yet another worthless big-screen take on small-screen detritus. As Hollywood wonders — cries, actually, over spilt spoiled milk — why audiences are staying away from theaters, offering theories ranging from the absence of such…
Must Love Dogs, it should be clearly stated, is not the greatest romantic comedy ever made about a quirky couple who meet at a dog park. That honor goes to Dog Park, the oddball 1998 flick starring Luke Wilson and Natasha Henstridge, written and directed by former Kids in the…
Hit me,” says Mark Zupan — begs, actually, like a child clamoring for a new toy. “I’ll hit you back.” He means it too, and his ripped pecs and buzzed scalp and tattooed back and arms and bushy gangster goatee promise just as much menace. The dude is bad and…
British indie filmmaker Sally Potter, a former dancer, lyricist, and performance artist, clearly has a taste for adventure. In 1992 that led her to Orlando, a screen adaptation of the experimental Virginia Woolf novel about an Elizabethan nobleman who hangs around for 400 years, eventually morphing into a hip twentieth-century…
No, it’s not the big one. But the Summer Mini-Fest presented by the Miami Jewish Film Festival does offer a welcome respite from the blockbuster madness that rules at your local multiplex. True, this time around there is nothing here on the level of previous festival discoveries such as Walk…
If you’re short on reasons to be grateful these days, look no further than March of the Penguins, the astonishing if imperfect nature documentary from first-time director Luc Jacquet. Hard times may have befallen you, but at least you are not a penguin, an animal destined to repeat a devastating…
Roald Dahl’s inner child was evidently a contrary lad — precocious, dark-minded, contemptuous of adult supervision, and fueled by a sense of justice that often proceeded via cruel whim. In Dahl’s twisted children’s stories, villains throw kids out of windows, beautiful women turn out to be hideous witches in disguise,…
If Vince Vaughn puts any effort into what he’s doing, it doesn’t show, which is perhaps one of the benefits of always appearing to be hung-over. The man probably has to check the bags under his eyes at the airport, and he’s about as in shape as a toddler’s fistful…
So little time, so much trouble. In the 24-hour period that’s dissected in Heights, the first feature from Harvard/Cambridge/USC film-school-educated Chris Terrio, an aspiring Manhattan photographer named Isabel (Elizabeth Banks) gets cold feet about her upcoming marriage to a dull but pleasant lawyer named Jonathan (James Marsden); a needy Broadway…
