Andrew Niccol keeps making the same movie over and over again and dressing it in slightly different clothes: the sleek charcoal Hugo Boss grays of Gattaca, the crisp Crayola hues of The Truman Show, and now the silk-and-satin Hollywood resplendency of Simone. Niccol, writer and director, is obsessed with a…
If nothing else, give French actor Yvan Attal credit for his faith in domestic bliss. At a time when matrimony has a shorter lifespan than mayonnaise, Attal has sought to mingle the joys and traumas of his own marriage (to actress Charlotte Gainsbourg) with his piquant views on the ambiguities…
The weird thing about Rain is that there’s virtually no rain in it. Characters mention precipitation briefly and metaphorically, but the cloudburst never happens. Fortunately we get light showers of emotion a couple of times, but then — strangely — these wane to an inconsistent and ultimately unsatisfying drizzle. It’s…
A press pass, reporter-turned-novelist Gregory McDonald once said, is good for one thing: It allows the journalist to ask very smart people very stupid questions. Certainly, that’s how it feels after this 45-minute drive from downtown Dallas to the Allen home of Stan Liebowitz, professor of economics at the University…
The first generation to be labeled with a letter suffered through some serious metaphysical shit in the Nineties (if you doubt this, try listening to the period-specific music — emphasis on try), but now this societal clusterfuck is searching for antidotes to its own pop-culture poison. Evidence of a renewed…
It’s not exactly a good sign when a movie starring Tim Allen, Christian Slater, and Richard Dreyfuss gets dumped into one or two arthouse theaters after a couple years on the shelf. Even if none of them is a guaranteed box office draw (though Allen was, until Joe Somebody and…
Cementing his reputation as one of the most important modern Italian filmmakers, writer-director Gianni Amelio’s latest drama, The Way We Laughed, deals with the plight of two Sicilian brothers who go north to Turin in search of a better life. Luchino Visconti’s 1960 film Rocco and His Brothers followed five…
If there’s any truth to reincarnation, the spirit of Napoleon may walk among us today. It’s not unreasonable to conjecture that he has taken up residence in Bill Gates or Joel Silver, but — perhaps more likely — the little conqueror with the big hat has fragmented and landed in…
Like George Clooney says in Ocean’s Eleven, do the math: four Canon XL1 digital cameras, one dual 800 MHz Power Mac G4, a copy of editing software Final Cut Pro 3, eighteen shooting days, a two-million-buck budget, one Oscar-winning Best Director, and nine high-profile actors (among them Julia Roberts, Brad…
Not much has changed in the eleven years since Mike Myers used the Wayne’s World movies as a personal launch pad, only tipping his James Bond-spoofing Austin Powers hand when he was strong enough box office to reap the rewards of his licensed characters. Now those spy-movie sendups — the…
Merchant Ivory productions — Howard’s End and A Room With a View being two of the most notable — are famous for their almost tactile sense of time and place. The company’s latest effort, The Mystic Masseur, which was not directed by the team’s customary director, James Ivory, but by…
Long before chart-toppers We Are The World and Feed the World, French woodworker and lyricist Eugene Pottier accomplished what Michael Jackson and Sir Bob Geldoff only feigned at doing: igniting a social movement and uniting the world with a simple song. With the words to the 1871 Internationale, the Frenchman…
At this very moment, members of the Television Critics Association are gathered at the Ritz-Carlton in Pasadena, California, to preview this fall’s new series, interview those responsible for them and, finally, gorge themselves silly and drink themselves stupid on the networks’ dwindling dime. This event, the so-called “press tour,” takes…
Think of it as Todd Solondz light — loads of dysfunction but, thankfully, none of the perversion. In fact despite deep-seated neuroses, occasionally inappropriate behavior, and a propensity for unhealthy relationships, the four females who are the Marks family are a fairly benevolent lot. As observed by writer-director Nicole Holofcener,…
It took the creative giants behind MIIB (a.k.a. Men in Black II) five years to come up with a disappointingly flat and uninspired sequel that not only treads familiar ground but does so with far less pizzazz than the original. It took the forces behind Stuart Little 2 a mere…
The founding fathers of democracy, the greatest warriors and fearless revolutionaries who shaped modern societies and died for their causes, have been reduced, over centuries, to meaningless symbols that decorate parks and national plazas. Their bronze statues are seen in grand majesty throughout the world, but as the Colombian film…
A pal asked last week, “Who you writing about?” Told him, “Art Linson,” which screwed his face into a big ol’ question mark. “He’s a movie producer. He made Heat, Fight Club, Fast Times at Ridgemont High, The Untouchables, Car Wash…” Said said friend upon hearing that last one, “Dude…
This is not your average film festival, of which we know there are far too many. This is a multimedia mix that’s all about archival images; if that sounds out in left screen, it’s maybe because it is. Documentaries from Ron Mann (one reviewed below) are some of the most…
They stream in and out, all day and all night, one after the other: band members, producers, business associates, friends, family, strangers, hangers-on who stare at the familiar face made infamous long ago. The tour bus, this parked sanctuary where he can roll his joints and drink his bottled Starbucks…
At 82, Eric Rohmer is the oldest of the original group of French New Wave directors — the others include Claude Chabrol, François Truffaut, and Jean-Luc Godard — whose careers in film started with the journal Cahiers du Cinema. Yet as is apparent from his latest film, The Lady and…
Like a Jawbreaker that changes color every few seconds that you suck it, MIIB: Men in Black II delivers a quick buzz, lots of stuff to look at, and a totally nonnutritious joy that can only be attained with the aid of artificial flavorings and Yellow #5. In a nutshell,…
Talk about trading down: Adam Sandler now stands in for Gary Cooper, Winona Ryder for Jean Arthur, screenwriter Tim Herlihy (The Waterboy, Billy Madison) for Robert Riskin (It Happened One Night, Meet John Doe), and director Steven Brill (Little Nicky) for the immortal Frank Capra. The mind reels at the…
