Steven Spielberg just might turn into a great director if only he’d stop sabotaging his movies. For the second time in as many films, he demolishes his product with a third act that renders all that’s come before it void. It’s as though Minority Report, set in a near future…
If it’s possible for a film to be simultaneously ambitious and banal, The Dangerous Lives of Altar Boys is it. There’s little here we haven’t seen repeatedly in some form or another — growing up Catholic is popular fodder for filmmakers, as is growing up in the American South, usually…
Shouldn’t have said yes, couldn’t say no. The deal was simple, and those who chose to accept it had made their own private pact with the showbiz-journalism devil. “You will spend an hour with Tom Cruise and an hour with Steven Spielberg,” said the publicist, a lovely woman from 20th…
The plot of The Bourne Identity is astonishingly straightforward. It is bereft of twists (instead we’re offered tangible explanations), free of the gaping plot holes that swallow confused viewers, and absent the cynical machinations of filmmakers who believe that to entertain it’s necessary to also bamboozle. This adaptation of Robert…
The opening-credit sequence of Windtalkers — a montage of Monument Valley — instantly invokes memories of the opening of John Woo’s immediately previous film, Mission: Impossible 2, in which Tom Cruise was dangling off a rock. It is the last moment of similarity between the two. Windtalkers is a World…
It’s no surprise that the Louisiana-born novelist Rebecca Wells has seen her wildly popular books translated into eighteen languages, with no less than six million copies in print. She’s no deep-thinking stylist, but she has an unfailing gift for injecting Southern sentimentality, low-grade neurosis, and mischievous charm into stories that…
The plot of The Importance of Being Earnest, for those unfortunates who’ve missed it these past 109 years, goes something like this: A dandified London wastrel by the name of Algernon (Algy) Moncrieff (portrayed in this adaptation by Rupert Everett) welcomes into his chambers his friend and ally, Ernest (Colin…
When this column debuted at the beginning of 2000, readers and editors scoffed at its occasional subject matter, the comic book. Kids’ stuff, they growled, junk food for adults who still live in their parents’ basements. And maybe they were right back then. The industry was dying; the art form…
Once again reels from Rio will screen on the sands of Miami Beach to kick off this year’s festival, which includes 24 films and visits by a number of actors and directors. The big treat: For the first time ever, the opening film (A Dog’s Will, reviewed below) will be…
Thirty-four years later, Carson has returned to the school to deliver a series of lectures on the power of fable and film as metaphor, and he asked Coppola, whose film was partially inspired by David Holzman, to join him. Carson–who appears in Coppola’s feature debut, CQ, and who helped Roman…
The bad news for Memento fans is that Christopher Nolan’s Insomnia is far less complex and challenging in form than the backward-edited art-house hit that sparked as much disdain as devotion among moviegoers last year. The good news for Memento-haters is that Insomnia is far less complex and challenging in…
It’s very tempting to not just dismiss Enough, the latest bill-paying gig by Michael Apted (Enigma) starring Jennifer Lopez, but shred it altogether. Ms. Lopez hasn’t exactly added to her acting credibility with a string of showy, glamorous roles in such mediocre fare as The Wedding Planner and Angel Eyes…
If you enjoy movies about a violently widowed man who’s unsure of his identity — and is covered in tattoos that remind him of his mission of vengeance — but you can’t be bothered with the frustration of watching a movie that’s edited backward, put that Memento DVD aside and…
Quick! Name a brilliant mathematician at one of the country’s leading academic institutions who, despite obvious emotional problems that keep him on the edge of a nervous breakdown, is enlisted by his government to decipher seemingly impenetrable military communications that the enemy sends to its operatives around the world. If…
When the concept of food is brought up in film, the classic Twilight Zone episode “To Serve Man” cannot be ignored. In it seemingly benign space aliens befriend humans and convince them to visit their planet. The scheme is busted when a decoding buff discovers that the book left behind…
To the woman who broke Adrian Lyne’s heart all those years ago: Stop what you’re doing right this minute. Drop everything, pick up the phone, and call him. Apologize profusely for cheating on him. Tell him it’s all your fault and you’re a worse person for leaving him. Offer him…
It’s hard to go wrong with a story by Peruvian master Mario Vargas Llosa. The naughty premise of his novel Captain Pantoja and the Special Service, about an upright military man ordered to start a prostitution service for soldiers quartered in the Amazon, is enough to keep the film adaptation…
Last month GQ ran a disquietingly flattering profile of Joe Roth, who, in January 2000, quit his gig as Walt Disney Studios chairman to “revolutionize the industry” (GQ’s words) by forming his own studio. With a billion bucks on loan from men with money and bridges to burn — among…
“This is contrary to how we grew up,” Stacy Peralta is saying a few minutes after getting dropped off at a newspaper office by a limo driver. The 45-year-old Peralta, still SoCal handsome and boyish beneath a ball cap and behind a well-trimmed beard, grins long and hard–a real hell-yeah…
American entries to the Miami Gay and Lesbian Film Festival in short supply this year? Fine. Let’s see how lesbians in Slovenia do it. That’s right, Slovenia. And judging from Maja Weiss’s excellent feature Guardian of the Frontier (Varuh Meje), they do it damn well. It being filmmaking, of course…
Peter Bogdanovich, maybe the last man alive who wears a neckerchief without irony, holds a copy of a newspaper article in which his old friend Larry McMurtry is saying nice, or not nice, things about him–Bogdanovich can’t tell which. “He’s kind of risen from the dead,” McMurtry was quoted as…
So the issue of identity as a theme in a gay and lesbian festival may seem redundant — aren’t all gay films by nature dealing with sexual identity? Well, here comes a surprise at this year’s fest: Identity in a much broader sense is indeed the theme, including what should…
