The writer Willa Cather once speculated that the modern world came into existence in 1922 or thereabouts. Marisa Sistach’s El Cometa (The Comet) makes a better case for 1910. The film tells the story of two Mexican revolutions — one political, the other cultural — simultaneously evolving that year. The…
Beginning with its title — the indeterminate-sounding At Midnight and a Half — Marite Ugas and Mariana Rondon’s film cultivates a preoccupation with suspended states (a preoccupation suggested even more forcefully by the curiously circular syntax of the Spanish title, A La Media Noche y Media). Alienated lovers, lost children,…
The recently released Argentine film Yepeto has a curious timelessness about it. Although one of the characters lugs a laptop computer to the cafés and bars where she composes poetry, the central themes that drive the plot distracted Plato and Shakespeare centuries ago. Which is more beautiful: the athletic body…
A mildly retarded man who works in a grocery store believes he is Batman, the Dark Knight on a mission to free Gotham City from the clutches of The Joker. An actress playing the role of Wonder Woman becomes a spokeswoman, then scapegoat, for the Commie witch-hunters working for the…
In the rich mythology of The New Yorker, a periodical renowned for the quality of its writing and the quirks of its writers, no legend carries more weight than that of Joseph Mitchell. On the occasion of the magazine’s 75th anniversary, it is currently great sport among the literati to…
Although its themes are about as revelatory as those of the average Cathy comic strip (clothes don’t fit, job too busy, male not clairvoyant, AACK!), there’s something irrefutably charming about Philippa “Pip” Karmel’s debut feature, Me Myself I. The editor of Academy darling Shine has scripted a laundry list of…
It seems incredible that an oxymoron such as heroin chic ever entered our lexicon. But the film Black Tar Heroin: The Dark End of the Street should kill all appeal for that skinny, skanky look. It may even make people glad that cocaine remains the drug of choice in South…
The film trans, which was lauded at the Sundance and Berlin film festivals, finally has an American distributor. Some say it wasn’t picked up sooner because the hard-to-describe indie doesn’t fit into a neat category. And yet there is an apt description: a languid road movie. Shot in southwest Florida…
Even if you have devoured every word about the cinematic adaptation of Bret Easton Ellis´ 1991 novel American Psycho, about a Wall Street yuppie obsessed with using skin-care products and devouring the entrails of prostitutes, you have not read this one particular fact. And it is a fact. No one…
It’s quite possible that American Psycho is a brilliant movie. It’s also quite possible that it’s a dreary, obvious chop-’em-up dressed in Alan Flusser suits and Ralph Lauren boxers, drenched in Pour Hommes after-shave, all to disguise it as bracing satire on the greed-is-good Eighties. The option audiences choose to…
It’s Eric Mendelsohn’s turn in the spotlight. The 34-year-old stood behind the camera to shoot his first feature film, Judy Berlin, but the movie’s acclaim has turned the attention around. Mendelsohn is about to have his coming-out party, because Judy Berlin, after garnering him the Best Director award at last…
Sergio Giral’s documentary, Chronicle of an Ordinance, is not at all queer. The strait-laced title gives the first clue that the 50-minute video intends to tell, as simply as possible, the tale of the political struggle over the addition of “sexual orientation” to the long list of identity categories protected…
The Einstein of Sex is a historical drama of epic scope that manages to pull off the surprising trick of achieving low-budget aesthetics. Veteran German filmmaker Rosa von Praunheim (with more than 50 films to his credit) uses digital video in an entirely different way than his Dogme 95 contemporaries…
Gay-theme programming has made a rapid rise to general acceptance in the movie and television industries, and on the public stage as a whole. In the last month Boys Don’t Cry, an arthouse feature based on the true story of a Nebraska teen, snagged a Best Actress Oscar for Hilary…
Pretty and popular Megan (Natasha Lyonne) tromps through what she assumes is the life of a normal high school teen, while her parents secretly pray for her over dinner and plot an intervention with her friends. Quicker than you can say, “Two, four, six, eight. God is good. God is…
For a film exploring the uncharted territory of the black gay experience in West Hollywood, Punks staggers in shallow water. The film is a kind of gay male Waiting to Exhale about a couple of brothers trying to wade through the singles scene. This ensemble comedy features characters whose lives…
Even while opening night looms for this year’s festival, director Robert Rosenberg is making plans for the future. Big plans. “This festival is only two years old, and we have a lot of room to grow,” says Rosenberg, a lanky, energetic ex-New Yorker whose own film experience (he’s an Emmy…
In his award-winning memoir of life in the Middle East, journalist Thomas L. Friedman compares Beirut to a Skinner box, the maze apparatus mice are forced to navigate in psychology experiments. For Friedman, Beirut (the capital of Old World disorder) possessed a particular and brutal capacity for conditioning its inhabitants…
From its opening moments, The Road to El Dorado looks and sounds oddly out of time, as though it were removed only yesterday from a time capsule sealed and buried in 1972. With its Peter Max visuals and Elton John vocals, it’s a decidedly unhip piece of work — Starlight…
Grass director Ron Mann’s archival history of weed, Mary Jane, skunk, boo, mezz — you name it, we’ll smoke it — is damn entertaining, to a point. See, perhaps we made the mistake of actually watching it stoned, which seemed a good idea at the time; I believe the words…
It’s a brave thief who reveals his booty to the man from whom he stole it. But Jim Jarmusch could not resist showing his film, Ghost Dog: The Way of the Samurai to Seijun Suzuki, the 76-year-old Japanese director whose 1967 film Branded to Kill is echoed throughout Ghost Dog…
The gun is a coward’s weapon — always has been, always will be. Likening it to the sword is like equating rape with romance. For reasons that can only be attributed to collective insanity, however, Hollywood absolutely loves to romanticize the gun, serving as an adjunct advertising agency for the…
