Tom Hanks’s new movie That Thing You Do! is a slight but catchy little ditty that grows annoying with prolonged exposure. In other words, it’s a lot like the song of the same title that sets the plot in motion and pops up repeatedly throughout the film. Hanks, surely the…
I wasn’t even going to review Leon Ichaso’s cliche-ridden anti-Castro diatribe Bitter Sugar. Ichaso’s Cuban Romeo and Juliet seemed neither good enough to merit my praise nor bad enough to invoke my wrath; the film drifts like a sunstruck balsero in a sea of mediocrity. But then, on September 25,…
The female protagonists of the darkly funny thrillers Bound, Curdled, and Butterfly Kiss don’t fit neatly into the usual Madonna-whore roles usually ascribed to women in film. But they are cleaning ladies, in a sense: Corky (Gina Gershon) and Violet (Jennifer Tilly) mop up a Mafia money-laundering machine in Bound…
You’re a doctor on duty in a hospital emergency room. Ambulances arrive and disgorge two gunshot victims. One is a cop and the other a drug-dealing scumbag. Both men need surgery, but the drug dealer is in more immediate danger. Only one operating room is available. The cop’s colleagues, his…
With his muscled arms, deep-set eyes and wavy black hair, 2 days in the Valley writer-director John Herzfeld looks the part of Starsky’s brother, a recurring role the actor-turned-filmmaker once played on the ultra-violent Seventies TV series Starsky and Hutch. But Herzfeld’s early acting career, which included performances in two…
American filmmakers born during the baby boom have been trying — and failing — for decades to make a really great rock and roll movie. A few have gotten close — This Is Spinal Tap and Backbeat pop into mind. But more often such films tend to fall back on…
Too many thrillers start out like gangbusters only to fall apart in the final act. When one finally happens along that ends more cleverly than it opens, the temptation arises to praise it on that basis alone. The Rich Man’s Wife is such a film. The sad truth is, however,…
For a musician, Tom Petty is one shrewd son-of-a-gun. He knows that movie soundtracks these days frequently become more popular than the movies they accompany. A motion picture can be a total box-office dog, but the barrage of media hype preceding its release is sure to emphasize the flick’s signature…
David Mamet’s 1975 play American Buffalo shocked audiences with its profanity and its unsparing examination of what Mamet characterized as “the American Dream gone bad.” Mamet garnered the New York Drama Critics Circle Award with his bleak tale of a pair of lowlife schemers and their half-baked plot to rip…
Massive power crash. Phones down. No TV, no radio, no computers. Chaos and lawlessness ensue. Suburban proto-yuppies Matt and his wife Annie panic; they have a screaming baby with an ear infection. They can’t get the medicine they need to cure the infant because the pediatrician can’t call in the…
I can’t believe that with all the money they spent on casting (Marlon Brando and Val Kilmer don’t come cheap), the geniuses who remade H.G. Wells’s sci-fi classic The Island of Dr. Moreau couldn’t spring for some semi-realistic man-beast effects. This is the third and least satisfying Hollywood retelling of…
Fans of Zhang Yimou’s haunting and visually striking epic Raise the Red Lantern may want to check out Li Shaohong’s new film Blush, a lush adaption of a novel by Su Tong, who also wrote the book upon which Raise the Red Lantern was based. Like Yimou’s film, Shaohong’s provides…
Multiple Oscar-winner Nick Park’s name is well-known in his native England but remains relatively unfamiliar here in the U.S. More Americans have probably witnessed Park’s Plasticine magic in the video for the Peter Gabriel song “Sledgehammer” than in any of his other projects, despite the fact that he has walked…
You won’t see a more damning testimony to the mindlessness of war than the final scene of Vukovar. It’s a sweeping panorama of burned-out rubble where once stood the town of Vukovar, a breathtakingly picturesque jewel of a city in the former Yugoslavia. It took three months for director Boro…
If Jean-Michel Basquiat had chosen rock music rather than painting as his metier, his life story would seem so familiar as to border on cliche: gifted young artist rockets from obscurity to fame, makes buckets of money, begins to believe his own press clippings, and ultimately succumbs to the too-much-too-soon…
Emma viewers may need reassurance that they haven’t just wandered into a screening of last year’s acclaimed Jane Austen adaption, Sense and Sensibility. The two films share a wealth of connections with a real-life Emma — Thompson, that is. Although she isn’t starring in this current film, the distinguished English…
The last time Robert Altman named one of his movies after the city in which it took place, he gave us 1975’s sweeping satire Nashville, one of the defining films of its time. The country music capital and the crazy quilt of characters who gravitate to it provided Altman with…
It comes as no surprise that the recent release Kingpin has been rolling gutter balls at the box office. The promotional campaign for the film stresses the fact that Kingpin was directed by Bobby and Peter Farrelly, better known as the duo that brought you Dumb and Dumber. One might…
A lot of people, myself included, enjoyed director Andrew Davis’s wildly improbable but winning chase flick The Fugitive, which bore little resemblance to the Sixties’ TV series upon which it was based. Prior to that Harrison Ford vehicle, Davis had made a name for himself in Hollywood circles as a…
A few bombshells from the movie adaption of John Grisham’s A Time to Kill: The U.S. criminal justice system has flaws. Matthew McConaughey walks funny and has crooked teeth. Some lawyers are dishonest. Mississippi has not yet discovered air conditioning. Some cops are racists. Good guys look sexy in khaki…
Nicole Holofcener sits at an elegantly set table in the nearly deserted Mayfair Grill and studies the cover of the press kit for her engaging new movie Walking and Talking. It’s the first time that the fledgling writer-director, in the midst of a whirlwind multi-city publicity tour, has seen the…
Trainspotting is the most powerful, disturbing, and darkly funny movie I’ve seen since Crumb. The second film from the team that made 1994’s Shallow Grave (screenwriter John Hodge, director Danny Boyle, producer Andrew Macdonald, and star Ewan McGregor) delivers the kind of drugged-out nihilistic rush that cinematic adaptations of Naked…
