Walking Out is a Beautiful Film About What Can Go Wrong

“This year we hunt big game. This year you get your first kill.” So says seasoned hunter Cal (Matt Bomer) to his teenage son David (Josh Wiggins), who’s arrived in rural Montana for his annual visit, and even those going in unfamiliar with the premise of Alex and Andrew Smith’s…

Only the Brave Is One Big, Manly, Beautiful Ugly-Cry

In the opening shot of Only the Brave, a flaming bear — not just a bear that happens to be burning but one that looks as if it had been created entirely from fire — lunges at the camera in the middle of a blazing forest. The image returns a…

Lucky Offers a Rare Gift for Fans of Harry Dean Stanton: His Presence

Still trudging through the blasted desertscape of the mind 33 years after Paris, Texas, Harry Dean Stanton hoofs along beneath the opening titles of Lucky, his richly aimless swan song, past cacti and scrub brush, the sparseness of the landscape suggesting something of the lead’s drift of mind. Stanton’s Lucky,…

A Tale of Two Miami Film Festival Gems From Spain

The Miami Film Festival’s mini film festival event, Gems, returns for a fourth year this week. The festival has long catered to Miami’s Spanish-speaking audience, bringing films from Latin America as well as Spain to Tower Theater. New Times was granted a preview of two films from Spain that would…

South Florida’s Best Film Festivals

Miamians don’t have as many arthouses as those spoiled cineastes in New York City, but movie fans in the 305 have plenty to look forward to when it comes to film festivals. Though local celebrations of cinema don’t garner the same glamour as Sundance or Tribeca, they’re very good at inclusivity.

Seriously, Adam Sandler Triumphs in Netflix’s The Meyerowitz Stories

Adam Sandler’s core as a performer has always been his self-loathing. In his best comedies, he weaponizes it with humiliating ruthlessness. (In his worst ones, it wafts pathetically off him like the day-after stink of a drunkard.) Now, he’s given the performance of his life in Noah Baumbach’s free-spirited and…

The Homey, Polyamorous Pleasures of Professor Marston and the Wonder Women

Writer/director Angela Robinson’s Professor Marston and the Wonder Women is achingly normal, in a good way. Robinson has proven herself capable of melding her sincere and often endearingly campy sensibilities to any cinematic style — spy spoofs (D.E.B.S.), Disney family flicks (Herbie: Fully Loaded), comic-dramas (The L Word), sexy vampire…

OUTshine Film Festival 2017’s Must-Watch Queer Films

The OUTshine Film Festival returns this year for its second edition, filling Fort Lauderdale theaters with dozens of queer features and shorts that demand to be seen. But if you’re having trouble choosing what to check out in queer cinema, fear not: New Times has these suggestions to guide you…