Mel Gibson’s Hacksaw Ridge is a film at war with itself. Which makes perfect sense, because it’s about a man at war with himself, and I’m pretty sure it was also made by a man at war with himself. The true-life story of Desmond Doss — a Seventh Day Adventist…
“Are we really in our generation going to allow the biggest mammal on earth to disappear?” asks a conservationist late in Richard Ladkani and Kief Davidson’s propulsive ivory-trade doc. That simple question cuts to the heart in ways that much of this showy, desperately dramatic pseudo-thriller doesn’t. The title is…
Netflix’s The Crown, a drama series about the life and times of Queen Elizabeth II, is the kind of sumptuous but tasteful British royals porn you’d expect from Ye Olde Masterpiece Theatre, not from the streaming giant that gave us BoJack Horseman and Stranger Things. A $130 million joint American/British…
I’m not afraid to admit that I get a kick out of Dan Brown’s Robert Langdon thrillers. Yes, they’re indifferently plotted and predictably written. But I’m a sucker for ludicrous, centuries-spanning conspiracies and indulgent faux-gnosticism. The books serve, if nothing else, as gripping tours through art-world apocrypha, and Brown’s know-it-all…
Right now, Disney XD is probably best known for its increasingly relevant Star Wars Rebels series, as well as for being the only cable channel with an emoticon in its name — at least until the inevitable debut of the Trump 🙁 Channel. Disney XD is also on probation with…
A wall of white and black hats. Terrifying darkness. A woman staggering through a medical facility with her guts ripped open. And always, in the background: the player piano ticking along according to its programming, playing modern-day ballads to the denizens of a future world. Welcome to Westworld, a slick…
Boo! A Madea Halloween was the number-one movie over this past weekend, baffling Hollywood once again and making the Hotep crowd pissed that a movie starring a black guy in a dress made more money than alleged rapist Nate Parker’s still-struggling The Birth of a Nation. (Meanwhile, these woke brothas…
At what point do we stop looking at a show like Black Mirror as a sign of things to come and start acknowledging it as a reflection of where we already are? All the Terminators and 2001s in the world couldn’t prevent us from lusting after self-driving cars, asking Siri…
The Handmaiden, Korean director Park Chan-wook’s Gothic lesbian tale of romance, revenge and (light) bondage, is the kind of electrifying indulgence only he can make. The film is a loose adaptation of Welsh novelist Sarah Waters’ 2002 thriller Fingersmith, about a female pickpocket who poses as a maid for a…
When Sarah Waters published her gothic lesbian suspense novel Fingersmith in early 2002, the U.S. was beginning a relatively speedy transformation on the LGBT front, building to today’s legalized same-sex marriage and a presidential candidate’s full-throated support for expanded LGBT rights. Buoyed by that shift, Waters’ story of clandestine female lovers…
Coming out wasn’t easy for Tarell Alvin McCraney. The playwright, born and raised in Liberty City, has earned a MacArthur Fellowship with plays about Hurricane Katrina, the projects of Louisiana, and adaptations of Hamlet. But he’d never found a way to tell his own tale of coming to terms with…
A question is posed to the main character of Barry Jenkins’ wondrous, superbly acted new film, Moonlight: “Who is you, man?” The beauty of Jenkins’ second feature, which follows his San Francisco–set black-boho romance Medicine for Melancholy (2008), radiates from the way that query is explored and answered: with specifics…
America never understood Oasis’ hugeness. By that I don’t just mean the band’s epochal mid-’90s global popularity or the nationalistic fervor it stirred in the U.K. I mean, simply, its hugeness of sound. In the States, only the ballads connected, the glorious/meaningless Beatle raptures “Wonderwall,” “Live Forever” and “Champagne Supernova”…
An archeologist, a North Korean dictator, a Norse god, two photographers, the people of Indonesia and a tribal chief who believes Jesus is actually black American WWII soldier John Frum all look into a volcano and see their fates. That’s not the beginning of a joke; it’s the premise of…
Writer/director Osgood Perkins has been peeking at my Shirley Jackson book collection, and he’s already read through my favorites: The Haunting of Hill House and We Have Always Lived in the Castle. Jackson, who penned chilling ghost stories and moral tales in the ‘40s, ’50s and ’60s — like her…
Before we get into the matter of Jack Reacher: Never Go Back, we must first address the issue of the man actually playing Jack Reacher. Resolved: Tom Cruise has absolutely nothing in common physically with author Lee Child’s crime-solving ex-military drifter.
It’s rare for a franchise, especially in the horror genre, to actually get better as it progresses — doubly so if the final part of said progression is a TV series. Yet in six-part miniseries form, currently airing on the you-didn’t-know-you-had-it Pop network following a broadcast in Australia earlier this…
Between The Night Manager, Veep and now Chance, a new Hulu series adapted from a nasty Kem Nunn novel, Hugh Laurie has had an exceptional year in television. The Hulu program stands out slightly above the rest, considering its resonant dialogue with the Oxford-born Laurie’s most famous role. Like House,…
If any city deserves the Ryan Murphy treatment, it’s Miami. The screenwriter, director, and producer behind Glee and American Horror Story has a fetish for camp, crime, and color. So it’s no wonder that American Crime Story, the Murphy-led TV series that recounted the O.J. Simpson murder investigation and trial…
In André Téchiné’s vibrant new film Being 17, two teens wrestle with desire and hostility in a mountainous corner of France. The subject matter is not new for Téchiné, who has for more than 40 years explored sexual self-awakening, alienation and family strife in films notable for their consistency and…
If I have to hear Ti West’s movies called “slow burns” one more time, I might set my laptop on fire right quick. West’s breakthrough hit, The House of the Devil, was a leisurely paced throwback to early ’80s Satanic panic — before the slasher, with plenty of obvious jump…
“How could a big man like you fuck up like this?” That’s the question that Nathan Zuckerman fears being asked — in Philip Roth’s Pulitzer-winning American Pastoral (1997) — if he were to show the book he’s written about the tragic life of his old Newark classmate Seymour “Swede” Levov…
