What We Talk About When We Talk About Theater

In 1964, when I was five years old, my father told me that Patty Duke didn’t have a twin. Naturally I recognized this information for what it was: a bald-faced lie. Every week on The Patty Duke Show anyone could see there were two teenage girls, not one actress and…

Monologue or Monotony?

Twelve years ago Lily Tomlin opened her mouth and launched a thousand monologues. The 1986 Broadway success of The Search for Signs of Intelligent Life in the Universe spawned a generation of self-styled storytellers, from the cutthroat visionary portraits of Eric Bogosian and the neurotic ramblings of Spalding Gray to…

For the ‘Burbs

Music, as a theater insider once put it, is the food of love. Opera, on the other hand, is a series of naughty sexual escapades, repeatedly slammed doors, and horny bellhops. At least, those are the elements that drive Lend Me a Tenor, Ken Ludwig’s 1989 Tony Award-winning farce about…

Strangers When We Meet

Of all the things your mother specifically told you not to do — talk with your mouth full, go out with married men — chances are she didn’t mention the following: running off into the snow in your wedding dress. But if you did happen to desert your fiance at…

There’s Something About Jodie

Of all the people you might encounter in a solo drama, John Hinckley is not likely to be anyone’s first choice. Chances are the would-be Reagan assassin won’t be serving tea in the cozy manner of Emily Dickinson in The Belle of Amherst or experiencing high-volume sexual liberation along the…

Bard Stiff

Creating theater frequently involves assembling miracles in small spaces. Extremely small spaces, if you happen to be the Florida Playwrights’ Theatre (FPT), which is mounting its Fifth Annual Shakespeare Festival in its postage-stamp Hollywood storefront venue. Squeezing Hamlet and The Tempest — Shakespeare’s most popular play and his most magical…

That Screwball Family of Yours

There’s a moose in the guest bedroom in Michael McKeever’s new comedy 37 Postcards. The animal never makes an appearance onstage (a taxidermist crossed its path long before the play begins), but it does take part in the events that unfold when Avery Sutton, a young man newly returned from…

You’ll Die Laughing

Actor Peter Haig embraces his role as Vincent Vincent, the pivotal character in the British farce Natural Causes, as though he were gorging on the theatrical equivalent of Thanksgiving dinner. Making his way through each savory episode, Haig samples multiple comic possibilities, devouring each morsel served up by playwright Eric…

Psycho Analysis

Hollywood is openly neurotic about its hatred of psychotherapy. Witness, most recently, Barbra Streisand’s ridiculous Dr. Susan Lowenstein in The Prince of Tides who aggressively mischaracterizes the entire profession with each flick of her nails. In the theater, however, obnoxious psychotherapists tend to appear when a playwright is trying to…

Losers and Laughs

Simpatico may be the funniest play about losers in Sam Shepard’s entire prolific output. Long before we meet them, these characters have lost the loves of their lives, aged without grace, and in some cases suffered devastating reversals of fortune. In the course of the play, some suffer even more…

Between Interest and Boredom

Summer theater is the sort of oxymoron that conjures up sarcastic epithets such as “dramatic hot dog stand,” to use the term coined by George Jean Nathan, the esteemed late American theater critic. Or “straw-hat trail,” the term used by others to denote the sartorial choices of the supposed morons…

Worthy of an Oscar

The most startling scene in Gross Indecency: The Three Trials of Oscar Wilde — having its Florida premiere at the Caldwell Theatre Company in Boca Raton — opens the second act. It’s set on the stage of a twentieth-century talk show on which a fatuous TV host and a self-important…

Getting a Kick Out of Cole

In his five-decade career, Cole Porter wrote songs for Fanny Brice, Fred Astaire, Ethel Merman, Louis Armstrong, Jimmy Durante, and Bert Lahr, just to name a few. One measure of his virtuosity as a composer, however, is that no one singer really owns a Porter tune. Not even Frank Sinatra,…

The Bore of Flatbush

Milton Berle isn’t actually backstage at The Last Supper, but his voice is, if only on Memorex. The Borscht Belt comedian has loaned his name and endorsement to Artie Butler’s hapless but ambitious new musical about a hapless but ambitious guy trying to sell a musical comedy to a Broadway…

The Education of Julie

Since there aren’t many coming-out stories about lesbians in Hoboken, New Jersey, it’s easy to imagine why the folks at the Humana Festival of New American Plays in Louisville sat up and took notice in 1994 when Wendy Hammond sent in the script for Julie Johnson. What made them choose…

Stop the Clock

There’s only one genuinely dramatic moment in Cloud Tectonics, but, boy, is it a doozy. A man leaves a room and re-enters it moments later. His clothes are different. He’s carrying letters written while he was away. To him, two years have unfolded in the interim. To the characters on-stage…

Ride ‘Em, Valkyries

Imagine country-western heartthrob Clint Black inhabiting the body of Wagner’s romantic hero Siegfried and you’ll get the spirit of Das Barbecu, the Hee Haw-inspired adaptation of Wagner’s Ring cycle. Yes, that particular Ring cycle. It’s the same nineteenth-century opera series (Die Gotterdammerung, Das Rheingold, Siegfried, and Die Walkurie) that retells…

Small Packages

By June 28, the end of its third season, City Theatre’s Summer Shorts festival will have put on 48 new plays on its main stage, about three times the number of productions from your average professional company. In fact, as you read this, fifteen premieres of black-out sketches, comic monologues,…

Dirty Hands

There’s nothing like a loud bang at the end of Act One to make you impatient for the end of the intermission so you can scurry back to your seat and find out what happens next. Especially if that bang shreds every notion you had about the play up to…

No Merit Badges

Of all the theatrical hams that have wandered across the stage of American pop culture, none have endeared themselves as much as the tiny papier-mache morsel that wanders home atop the legs of Scout Finch near the end of To Kill a Mockingbird. She has just appeared in a school…

All That Chazz

Roughly the size of a double-wide trailer, the performance space at the Hollywood Boulevard Theatre is so small you can stare into the eyes of the actors, size up their varicose veins, and follow the trajectories of their spit with dumbfounding intimacy. As it happens, intimacy, or the spitting image…

Hold the Pickles, Hold the Poison

Of the potentially kooky types of people that could be dumped into a play — lawyers, clairvoyants, fast-food servers, and dying parents — the most unwieldy are the clairvoyants. Even if an audience buys the notion of second sight, the playwright is still stuck with a peculiar problem: how to…