RZA Is (Still) Bridging the Worlds of Music, Film, and Kung Fu
In a pivotal scene of the 1978 kung fu classic The 36th Chamber of Shaolin, the protagonist poses an existential question: “Do men have a right to say what they believe in? Or must they always do what the government says?” It’s a simple line that has come to define the film’s overarching theme — the oppressed versus the oppressor — and one that resonates with the multitalented artist RZA 40 years later.