L.A. Witch Casts Garage-Rock Magic on Miami
If Stevie Nicks ran away from Fleetwood Mac to join the Stooges in a parallel timeline, she would have released an album like L.A. Witch. The band, a multimedia love letter to the fuzzy reverb and 35-millimeter warmth of the ’70s, embraces its influences, all the while exuding its own attitude. When it comes to postpunk, after all, somehow women musicians are often described as “derivative,” while men are “inspired.”