In Clubland

The party people at Bash (655 Washington Ave., Miami Beach, 305-538-2274) are busy this week putting on a couple of specials that include catwalks, live Cuban music (yes, Miami, a Cuban band), an Internet simulcast, and a Dolphin. On Thursday Ocean Drive magazine hosts a fashion show featuring Body Map…

Girl, They’ll House You

I am the creator and this is my house, and in my house there is only house music. But I am not so selfish, because once you enter my house it then becomes our house and our house music…. You may be black, you may be white, you may be…

Basement Jaxx Sidebar

1. DJ Spen — “Disco Dreams” “I still love Sister Sledge, but I’m not a disco ‘head.’ There are a lot of terrible camp songs from that era to avoid. But I love where disco evolved to in the early ’80s, and this song really captures that feel.” 2. Beaumotplage…

Mose Better Blues

After almost 50 years in the spotlight, Mose Allison remains a pianist, singer, and songwriter with a dilemma. It seems the blues roots of the Tippo, Mississippi, native clash with his current jazz identification, creating something of a categorization crisis. Although Gimcracks and Gewgaws, Allison’s most recent release, beautifully exhibits…

The Arsonists

“We are not underground or commercial: We are hip-hop.” So write the Arsonists in the liner notes to their full-length debut LP, As the World Burns. If that statement of purpose isn’t clear enough, this Brooklyn-based, five-man crew breaks down its shtick even more clearly on the track “Underground Vandal,”…

Wawa and the Oneness Kingdom

Besides the irresistible dance-floor groove of Haitian compas, another musical style that combined seemingly disparate elements such as vodou rhythms and rock guitar emerged in the ’80s as rasin (roots music). Popularized by groups like Boukman Eksperyans, Samba Yo, and later by Boukan Guinen, rasin’s lyrics addressed a wide range…

In Clubland

Live music may be limping ’round these parts, but at least local musicians look out for their own in times of trouble. At old rock and roll suturer Churchill’s Hideaway (5501 NE 2nd Ave., 305-757-1807) this Saturday, area bands stage the first of two benefit shows (the second is at…

Kenny Millions vs. the Free-Jazz Mafia

The altrock movement of the early ’90s came as a welcome antidote to the slick sheen of popular music that had dominated the radio airwaves in the previous decade. After a long absence from mainstream exposure, progressive sounds began to receive the recognition and respect they had lacked for so…

Hip-Hop’s Clown Heavy

In Kool Keith Thornton’s world, the traditional rap skit often takes a turn toward the disturbing, but not via hoochie-mama sex scenes or gangsta violence (to which rap fans, of course, have become accustomed and inured). No, Keith’s raps involve dramatic elements such as a quiet scene in which he…

Rotations

Cuban Roots Cuban Roots Revisited (Cubop) If Cuban Roots Revisited were simply a tip of the hat to an influential Afro-Cuban recording of 30 years ago, it still would be worth the time and effort. The original Cuban Roots album, released in 1968, was enormously influential (and currently impossible to…

Cuban Roots

Cuban Roots Cuban Roots Revisited (Cubop) If Cuban Roots Revisited were simply a tip of the hat to an influential Afro-Cuban recording of 30 years ago, it still would be worth the time and effort. The original Cuban Roots album, released in 1968, was enormously influential (and currently impossible to…

Faces

Faces The Best of Faces: Good Boys … When They’re Asleep … (Warner Archives/Rhino) Respect never came easy for Faces, even during their early-Seventies heyday: Written off as a stumbling, inferior version of the Rolling Stones when they weren’t regarded as merely the back-up group for its vocalist Rod Stewart,…

Fusion of the Spirits

Musical rebellion American style too often amounts to little more than bawdy lyrics, guitar noise, body piercings, tattoos, ambiguous sexual identity, and ultimately meaningless tussles between artists and the recording industry. Madonna manipulates images of women, and risks upsetting those who already had written her off. Pearl Jam takes on…

The Tide Is In

It’s a summer day in Brooklyn, and the dogs barking, cars passing, and a female voice speaking in the background all suggest Blondie guitarist Chris Stein is taking a stroll while talking on a cell phone. “This is good,” he exclaims. “Wow!” Stein isn’t excited to talk to a reporter…

Tricky

Recognized along with Massive Attack and Portishead as one of trip-hop’s architects, Adrian Thaws, a.k.a. Tricky, has always been the most downbeat of the bunch, with each of his records filled with murky textures and beats caught between laid-back hip-hop and near-somnambulation. The music’s sensual creep was best described by…

Blondie

Perhaps I’m dating myself, but the first record I ever owned was a K-TEL compilation that included hits by Rick James, the Police and, my personal favorite, “Rapture” by Blondie. In fact I listened to “Rapture” so many times that to this day, it’s still committed to memory word for…

Cars That Go Boom

Some music genres measure success with hit records, others with critical kudos. But in the world of bass, the sound of breaking glass can be the ultimate compliment. “A guy came up to me at a car show when he found out who I was,” recalls Neil Case, better known…

Blades Sharpens New Image

Ruben Blades’s Tiempos may surprise fans who identify the singer with the socially conscious salsa that was his trademark in the Eighties, a time when his albums served to introduce more than a few Anglos to Latin music. His introspective new release consists of fourteen interrelated tracks that, at times,…

Goin’ Down Slow

Grady Champion is nothing if not an opportunist, in the best sense of the word. When the limelight is nearby, he’s not too shy to step right in and reap the rewards. For evidence check out the April issue of National Geographic magazine. The venerable publication’s feature on the blues…

Owner of a Lonely Heart

The search to find what wasn’t there has brought him back to you. — Skip Spence, “Cripple Creek,” 1968 There are few albums in popular music as elusive as Skip Spence’s Oar. Spence made a name for himself in the ’60s as a drummer and guitarist, respectively, for the Jefferson…

Harry Connick, Jr.

Harry Connick, Jr.’s new album Come by Me features a picture of him, his hair tousled, his tie askew, his face plastered with a little Mona Lisa, and he’s doing this swinger thing with his hips. Okay, I guess you have to admit that the man is sexy (I’ve always…