Weezer and Pixies Rocked Coral Sky With Nostalgia

Last night, West Palm Beach was the launching pad for this summer’s Weezer and Pixies double-headliner tour. Fans were privy to a trifecta of bands that made for the perfect evening of rock ‘n’ roll, simultaneously presenting the past, present, and future of rock.

Pixies Power Through 41 Songs at Secret Show

Last month, when a band named after the Pixies song “Debaser” was announced the night before the Pixies were in town to coheadline a tour with Weezer, the hint seemed pretty clear: The Pixies were using an alias, which happened to be the name of one of their most popular songs. Although there was no official confirmation, enough people took a leap of faith to sell out the room. They were amply rewarded with an action-packed set that was almost like a riddle or an SAT math question. How can a rock band play 41 songs in two hours?

How Not to Interpret the Pixies

I got into the indie-rock legends not long after they had broken up in 1993. It took a couple listens for me to fall into their spell of the dynamic that inspired Nirvana, Radiohead, and every other band of the era. Their music had no dead spots. It was all energy and drive. The lyrics, though, were what kept me coming back. They were mysterious enough that it was hard to know what singer Black Francis was hollering about.

The Perfect Trip: Miami Psych Fest Brings the Weird and Avant-Garde to Downtown Miami

With only one year under its belt, the amount of coups the Perfect Trip: Miami Psych Fest has been able to pull off for its second edition is almost absurd: besides expanding to occupy both the Ground and Floyd along with netting seemingly miraculous gets on the lineup, event organizer Adam Arritola (he prefers just to go by Adam) says word of the festival has already traveled out of Miami, garnering attention from the likes of the Big Ears and Vision Festivals in Knoxville, TN and Brooklyn respectively. What’s more, critic and anthromorphic meme Anthony Fantano – the internet’s busiest music nerd – recently gave the festival a shout-out during a live stream. While many festivals of a similar scale and ambition struggle out of the gate, Miami Psych Fest has had no problem asserting its identity or reaching its target audience.

Rüfüs Du Sol Returns to Miami for a Victory Lap at the Fillmore and Space

A crucial part of Rüfüs Du Sol’s charm is the uplifting quality of the music. Since the release of the Australian electronic trio’s first full-length album, Atlas, in 2014, it has forged ahead with a sound that’s as sweeping in emotion as in scope, enveloping listeners and concertgoers in immaculately produced soundscapes and dreamy vocals courtesy of guitarist Tyrone Lindqvist.

Crud Stages a Heavy Homecoming at Las Rosas

Of the Miami-born-and-bred acts you won’t see performing at Floyd or Electric Pickle, Crud is among the most exciting. Since 2015, the three-piece has been consistently serving up riffs of the heaviest variety, assailing listeners’ ears — in the best way possible — with the band’s preferred blend of death doom and sludge metal.

Zanias Says Musical Rhythm Is What Separates Us From Apes

Berlin-based electronic artist Zoè Zanias, known simply as Zanias, believes music is what separates us from other animals. She spent much of her childhood trekking through the rainforest with her mother, a tropical biologist, and falling asleep to the sounds of the jungle. Beautiful though exotic bird songs, she says, lack a key element: rhythm.

Sugar Candy Mountain Is a Psychedelic Dream

At the age of 16, Ash Reiter, the singer/guitarist of the dreamy psych-rock band Sugar Candy Mountain, tooled around Sonoma County while listening to impressionable music that would eventually lead her to start one of the genre’s most refreshing bands. “We would just drive out to the beach and listen to Beatles records, which is about as good as any introduction to psychedelic music you can get,” Reiter reminisces.

Miami’s Best Music Acts and Nightlife Venues, From Get Face to Oscar G, E11even, and Treehouse Miami

Miami’s best electronic act? Get Face, a 25-year-old kid from Tampa. The city’s top dance club? Treehouse Miami. The finest band? Viniloversus, Venezuelan musicians who had “built a sizable following in their native South American nation and were already Latin Grammy winners by the time economic and political turmoil forced them to emigrate to the United States.”