In Thanks for Sharing, a Great Romance Elevates a Sex-Addiction Drama

Forbidden fruit has never seemed so poisonous than in Thanks for Sharing, a remarkably sensitive and surprisingly romantic ensemble drama about sex addiction. A winsome mix of funny, harrowing, and smart, it’s most commendable for making characters who are addicted to bad behavior — and who refuse to blame themselves…

La Camioneta: A Powerful, Beautifully Shot Doc About Buses

It might take the viewer a moment to realize that the voiceover guiding us through director Mark Kendall’s documentary La Camioneta is meant to be the thoughts of one of the refurbished buses that are part of the film’s focus. In dulcet tones, the audience is served a healthy portion…

Adore‘s Creepy, Quasi-Pedophiliac Entanglement

There’s something unsettling about Anne Fontaine’s Adore, and, surprisingly, it has nothing to do with the film’s two middle-aged women who fall in love with each other’s teenage sons. The cougars in question are Lil and Roz, best friends since childhood played with notable earnestness by Naomi Watts and Robin…

Avoid Garbage Like Touchy Feely

Just as tedious as waiting in a dentist’s office for an hour and a half, Lynn Shelton’s latest fumblingly cutesy outing ought to be her last. (Sadly, it is not — she’s already wrapped production on a dark comedy starring Keira Knightley and Sam Rockwell.) Using a script instead of…

The Wizard Of Oz Is in 3D for Some Reason

You have every reason to be skeptical. We’ve suffered years of 3D cash-grabs. This spring visited upon us a cheap-jack James Franco grimacing through the stubbornly un-magical Oz the Great and Powerful. And the movies have only gotten L. Frank Baum right precisely once, in 1939. Return to Oz,Walter Murch’s…

Generation Iron: A Gorgeous Meditation on Age-Old Existential Concerns

Early in the documentary Generation Iron, bodybuilding icon Arnold Schwarzenegger observes that “Bodybuilding falls into this unique category of being a sport, entertainment, being a way of life, and art.” It’s an uneasy quartet of ideas forced to harmonize within bodies intentionally made freakish and/or beautiful. Director Vlad Yudin spends…

The Mainframe Madness of Computer Chess

In Andrew Bujalski’s admirable, vaunted 2002 debut, Funny Ha Ha, the microbudget auteur and occasional actor’s nervous temp, Mitchell, ineffectually attempts to seduce an aloof young lady over a bedroom chess match. As if pawns themselves, dependably obeying the established rules of conduct, the characters in Bujalski’s films are consistently…

Short Term 12: A Potent Story of Kids on the Edge

Like The Wire or Romanian director Cristian Mungiu’s oeuvre, Short Term 12 is the kind of film that sounds agonizingly depressing on paper but mesmerizes onscreen. It’s a delicate yet passionate creation, modest in scope but almost overwhelming in its emotional intricacy, ambition, and resonance. Easily one of the best…

Terms and Conditions May Apply Probes the Death of Privacy

“There’s some definite movement in the yard!” If you imagine that line spoken by the pimply, squeaky-voiced teen who works every drive-thru on The Simpsons, you get some sense of the awkward confrontation that director Cullen Hoback has with Facebook founder Mark Zuckerberg during the riveting climax of his death-of-privacy…

Andrew Bujalski Talks Computer Chess

“When Beeswax came out in 2009, I felt like there was a sense in the world of, ‘Well, that’s another one of the same from him,'” writer-director Andrew Bujalski says by telephone. “That frustrated me. I wanted to shake everybody by the collar and say, ‘No, can’t you see that…

Pleasure in the Rubble: Why the Summer’s Last, Smallest Blockbuster Was Its Best

We’ll always have Iron Man, they must be telling each other in Hollywood. As summer wanes, the hulking corpses of would-be blockbusters litter the home-video distribution channels like fallen Kaiju from Guillermo Del Toro’s giant-‘bots-vs.-giant-beasts movie Pacific Rim, the most enjoyable of 2013’s many urban-renewing summer blockbusters. In Del Toro’s…

Insidious Chapter 2: Classic Horror Cliches and Mythological Mumbo Jumbo

Insidious Chapter 2 picks up where its predecessor left off — in abject silliness. As before, director James Wan and screenwriter Leigh Whannell’s wannabe-scary story indulges in innumerable demonic-possession tropes before closing with a ridiculous finale set on an “astral plane” known as “The Further” where evil spirits lurk. That’s…

Brian De Palma and His Women

Brian De Palma had a good reason for remaking the erotic French thriller Love Crime: He could do it better. “I think it’s very dangerous to remake a classic,” says De Palma. “Leave it alone.” But the 2010 corporate cat fight flick about two female frenemies had a framework he…

The Top 12 Movie Romances of Summer 2013

Summer 2013 was a strong season for that oft-maligned genre, the romantic comedy. Excellent films like The Spectacular Now and Drinking Buddies for the most part avoided rom-com cliches, and reinventions like Joss Whedon’s Much Ado About Nothing made timeless story lines seem fresh. Still other on-screen romances were held…

Chad Johnson Stars in New Overtown Movie Filming in Miami

In Hollywood, they say if you don’t see movies or roles out there that properly represent you, write them yourself. That’s what filmmaker Cess Silvera did with his latest film, Overtown, which is set to film in Miami this month. Silvera, whose previous work includes Shottas (2002) and G.E.D. (2009),…