But 11/9 plays not like a much-needed blast of truth but like an all-purpose Michael Moore sequel, a self-congratulatory follow-up to several of his films, with Parkland material in the Bowling for Columbine vein, references to Sicko and even excerpts from 1989’s Roger & Me
Its centerpiece is a breathless break-in at the National Anthropology Museum in Mexico City, as two 30ish suburbanites, played by Gael Garcia Bernal and Leonardo Ortizgris, attempt to loot artifacts from what is known as the Mayan room
Cosmatos delivers (as fans say) on the blood and guts, on cathartic slaughter, on the disreputable pleasure of watching a bereaved hero regard a new weapon and envision nasty uses for it
This latest entry, directed and co-written by onetime wise-ass action screenplay wunderkind Shane Black (Iron Man 3, The Nice Guys), wears its self-aware humor as a talisman against the predictability of its plot and the gratuitousness of its carnage.
It’s not easy to describe the wonderfully transgressive experience that is The Wild Boys. Sex and violence linger everywhere, be it on a ship full of masculine power plays or a jungle of phalluses begging to be sucked. With his feature debut, Bertrand Mandico has created a work of art that’s as full of angst as it is horny, a queer fever dream that’s as much a nightmare as it is an erotic fantasy.
Shot with a crew of four on 16 mm, the film is a gritty, stripped-down character piece, featuring Loden herself as Wanda and Michael Higgins as the thief, Mr. Dennis, alongside a cast of expressive and peculiar non-actors
The film, I suspect, will have some minor historical value, but I fear that watching Stern well up on election night won’t offer much insight to people alive now
For the family at its heart, everything seems to be in constant, even terrifying disorder, and yet nothing really changes — not after one son discovers he’s different, not even after dad knocks out mom’s teeth
Walk through your favorite Downton sets, check out more than 50 costumes from the show, and enjoy exclusive footage in West Palm Beach this fall.
White Boy Rick has reams of story to tear through, but at heart it’s a family drama, one more concerned with the Wershes than with crack, the feds or Detroit itself
Again, Gyllenhaal is the main draw here, turning in a career-best performance, though the emphasis on film makes The Deuce’s sophomore season more self-reflexive and more focused than the first
Spastic and impressionistic, Random Acts of Flyness is the free jazz of television, a searing collage of black life in America with a rhythm all its own
Bujalski frames most of Support the Girls as an almost real-time delineation of chaos, but his storytelling elegance — delicate, nearly invisible foreshadowing; cogent evocations of backstory — adds reflective layers to the surface anarchy
It’s no secret that a prevailing Cuban influence thrives on in Miami. But over the years, the metropolitan area long celebrated for its diverse identity has welcomed a growing expansion of multicultural films, music, and art from more than solely Cuba, now including many of its Caribbean neighbors. This steady,…
Ryder and Reeves spend the entire movie preoccupied only with one another, despite their characters’ intimate associations with the betrothed couple
For a movie centered around the needless death of a child, Jalilvand (Wednesday, May 9) creates a heartbreaking but still hopeful story
Director Josephine Decker laughs when New Times describes her latest film, Madeline’s Madeline, as grounded. “It’s funny that you call this work grounded, because the truth is I thought this was the least accessible film I was making. I thought I was making something crazy, intense, and maybe poetic — something that was a lot like ‘Rhapsody in Blue’ and followed musical motifs more than narrative motifs,” she says.
Like many Gothic tales, The Little Stranger hangs tantalizingly between genres: It has elements of haunted house thriller, of doomed romance, of psychological thriller, of historical allegory
“Tonight I’m resolved to be led by fate!” a young woman proclaims in Masaaki Yuasa’s wild animated feature, Night Is Short, Walk On Girl. From beginning to end, the character known as the Girl With Black Hair (Kana Hanazawa) rolls on like a train with an endless track, chugging her way through as many bottles of alcohol as there are stars in the sky over Kyoto.
… Like that of I Love You, America, Cohen’s apparent goal of exploring America’s multitudes belies his show’s actual focus on belittling, baiting or simply giving a platform to white Americans in particular
What becomes clear, watching McEnroe harangue line judges and intrusive photographers, is that the rages were birthed in a disappointed agony, a disgust at a world with inhabitants who persistently failed to see what he did
Most of Nico, 1988 takes place two years before its subject’s death, in 1986, when a now raven-haired Nico (played with an inquisitive weariness by the excellent Dyrholm) tours Europe with a band of amateur musicians desperate for gigs
