There’s no narration and very little onscreen text, just a steady drumbeat of clips and sound bites that portray how nuclear warfare went from a welcome announcement — the big new bombs that would end World War II — to an international arms race …
This is a story of stifling manners and oppressive codes of conduct, where the wealthy “villains” wear a strained smile and an icky sheen of privilege
Its unruly scenes emerge out of disorder, out of chants and shrieks and fractured images, and always threaten to fade back into abstraction
This is a portrait of a decades-long partnership coming to a head but also of the American literary community reckoning with what so many know to be true: Women are still not seen as “serious” writers or contenders for major prizes
Peretz could have given each potential pairing equal time in the story, but he sticks with the most evocative of the two; Juliet, Naked has its charms, and they are named Rose Byrne and Ethan Hawke
Weitz’s film, concerning a Mossad team’s 1960 hunt for Eichmann, is a sort of Argo Goes to Munich, blending heist movie jollies with some moral inquiry into justice, revenge, torture and execution
The film’s wrenching centerpiece is the 2014 death of Eric Garner, killed due to “compression of neck, compression of chest and prone positioning during physical restraint by police” who suspected him of selling loose cigarettes
The first thing you should understand about The Little Stranger, the new film by Room director Lenny Abrahamson, is that it’s only partly a ghost story. The period film, which follows a country doctor tending to a high-society family in its crumbling mansion, speaks to a shift in the class…
At its best, the show was a canny deconstruction of contemporary late-night comedy, which has been swamped with political satire since Stewart, the former Daily Show host, turned Bush-era liberal outrage comedy into its very own TV genre
Happytime Murders, though, demands that we take its world somewhat seriously, that we invest ourselves in the tensions between people and puppets, that we buy into its by-the-book serial-killer narrative …
Secrets get exposed, cultural barriers get smashed and re-erected, and every apparent villain will prove heroic and every hero something of a villain
… I imagined how whatever scene I was watching might have been staged and shot and acted out in a more traditional film — and I was inevitably disappointed by what has been lost …
Filmed in black and white in the wintry countryside of Görlitz, Germany, Schwentke’s vision of a man who would be posthumously named the Executioner of Emsland is chilling and yet, at times, almost farcical
Though Moselle’s narrative feature debut, Skate Kitchen, tells a fictional story, the director again draws heavily from her subjects’ own personal histories, this time constructing a story about teen girls finding themselves and each other at the local skate park
This new version, directed by Danish filmmaker Michael Noer, brings to the story a refreshing intensity and sweep, and even a sense of adventure
Asians are among the smallest minority groups in the Magic City. According to the U.S. Census Bureau, the population of Asians in Miami-Dade County was 1.6 percent in 2010. The national percentage of Asians is approximately 5 percent. So representation of Asians in Miami is lacking, to say the least.
Though it’s been assembled from all types of footage over many years, Minding the Gap is visually mesmerizing, and the fact that the director belongs to this subculture turns the film’s style into a kind of philosophical stance
The case turns, at first, on a tricky legal question: Did this man commit a robbery and then a murder, or did he murder his victim and then happen to take his wallet?
Scandal ensues when the charming Nick Young (Henry Golding), secretly heir to a wealthy Chinese-Singaporean real estate fortune, brings his accomplished, lower-class Chinese-American girlfriend, Rachel Chu (Fresh Off The Boat’s Constance Wu), home for his best friend’s wedding
Through the stories of how these teens ended up at God’s Promise, Cameron Post suggests the rigid hegemony of American life, the all-too-common story of religious belief perverted in the service of fitting in
Compared to New York and Los Angeles — and let’s not forget Atlanta — Miami can be a difficult place for an independent filmmaker to get funding for a feature film. Last year, Miami-Dade County commissioners approved a rebate system that called for film or television productions to spend…
… It’s a hero-dude adventure movie based on a Michael Crichton-esque paperback techno-thriller, which means we hear more science talk than is strictly necessary, get a tour of a gleaming research facility and meet a billionaire finder (Rainn Wilson) who just might have ulterior motives
