Call Him Al

If you’ve ever gone line-dancing with a gaggle of amputees on crank and hallucinogens, you know something of the feeling engendered by viewing Alexander. This broad, bold, and ambitious film by Oliver Stone presents itself as a fairly straightforward endeavor, but its rhythms quickly go strange while its participants hobble…

Skip It

s the year stumbles toward its conclusion and critics begin penning their best-and-worst compendiums, here’s a holiday contender fit for the all-time Naughty List. Based on the John Grisham novel Skipping Christmas — which, face it, is less a novel than an impulse item stacked on bookstore checkout counters –…

Brave and Crazy

Whatever else can be said about Tarnation — and there is plenty to say — there is no denying this: It is a very brave movie. Rarely is the subject of a documentary willing to lay himself bare before the camera, exposing his very consciousness to the audience, and it’s…

The Edge of Treason

A week after having seen Bridget Jones: The Edge of Reason, no memory of it remains save some scribblings in my notepad, such is the slight nature of this woeful, forgettable sequel. Squandering the goodwill that lingers from the original, now a beloved relic among the singletons and smug marrieds…

Sour Grapes

When was the last time you saw Paul Giamatti? And when the film ended, did you realize how much you would miss him? It was just last year that Giamatti played the hilariously beleaguered Harvey Pekar in American Splendor, a role that he occupied with slumped, head-hanging perfection. Yet as…

The Anton Newcombe Massacre

I’m not for sale. I’m fucking love. I give it away.” So says Anton Newcombe, the raging megalomaniac who heads the Brian Jonestown Massacre, an underground rock band determined to take over the world. First he hurls the words at the audience. Then he informs the crowd that they bought…

Messed Around

Ray, director Taylor Hackford’s fifteen-years-in-the-making biography of Ray Charles, begins as you might hope: with 1959’s “What’d I Say (Part 1)” pulsing on the soundtrack, the organ’s low moans building toward that familiar, funky frenzy. It almost serves as an early climax, a bracing thrill served up before a word…

Icky, Icky, Icky

Even before the movie begins, as the New Line logo is still coalescing on a dark screen, a man speaks on the soundtrack. He’s talking about reincarnation and about what he would do if his wife, named Anna, were to die and return as a bird insisting it was indeed…

A Cut Above

It takes mighty big stones to name your horror movie Saw, knowing full well that that’s popular fan-slang for Tobe Hooper’s Texas Chainsaw Massacre, a movie worshiped by gorehounds worldwide. When you take that name for your own, you had damn well better deliver a memorable, worthy contender. First-time feature…

Secrets and Lies

How does Mike Leigh do it? The years pass; film fashions come and go; Hollywood churns its commercial pap. Careers sparkle; others fizz; whom the gods would destroy, they first make famous. Meanwhile, over in England, Leigh makes his films, tracking the intricacies of the lower-class family with the patience…

Entertain Your Brain

Brassbound skeptics may see the complex, provocative docudrama What the #$*! Do We Know!?, which poses the Big Questions of Life, as just another product of new-age self-absorption, an act of pompous navel-gazing that might best be confined to screenings at the local ashram. Certainly, these 108 minutes are singularly…

Finding a Way

The Czech drama Zelary brings to mind Bertolt Brecht’s pointed observation that “war is like love; it always finds a way.” In this instance, war creates the atmosphere in which an unlikely love flourishes, then overwhelms that love. Only a fool would try to improve on Brecht, but after absorbing…

Nukes in the Florida Room

The presidential election is near, and the Florida Room folks have a lot on their minds. Nuclear proliferation, for starters, as well as the Iraq War. Also the memory of butterfly ballots and hanging chads, electronic voting machines, Al Jazeera and Fox News, political cartoons and cartoonish politicians, Will Ferrell…

Say What? Say Why?

Maybe it’s the mark of a great film that it can affect an audience member even when he sleeps through the entire thing. Such was the case with my father at a recent preview of David O. Russell’s I Huckabees, a philosophy lecture masquerading as a comedy in which shrill…

The Importance of Being Ernesto

Revolutionary idolatry is an odd business. Just ask unruly pop singer Stew, of the unruly pop group the Negro Problem. On his Naked Dutch Painter album, the melodic rebel dares to challenge a very sacred image. “Don’t you wish there was, like, another picture of Che Guevara?” he inquires. “Like,…

Like Moths to Flame

It was only a matter of time before Hollywood capitalized on the sympathy and admiration that have enveloped the nation’s firefighters since 9/11, and here we are. Jay Russell’s action-packed, flame-broiled Ladder 49 is an all-out valentine to the firehouse fraternity that might never have gotten to the screen were…

Floundering

Shark Tale is an animated film, though after you see it you might wonder whether the term is intended as oxymoronic. Put simply, it has no life in it at all. Not even the youngsters roped into an afternoon preview screening seemed terribly interested. Perhaps they’ve grown tired of computer-made…

Empty Sex

The very best thing about A Dirty Shame, a giddy sex farce from John Waters, is the credits. What’s not to love about a list of characters that includes “Sylvia Stickles,” “Marge the Neuter,” “Fat Fuck Frank,” “Cow Patty,” and “Tire Lick Boy”? The soundtrack, too, bears comic fruit, with…

Dead Good

Ash is feeling a little bit under the weather, so I’ll be taking charge.” So says Shaun (Simon Pegg) to his valiant crew of appliance salespeople, but if you don’t get the real meaning, you’re probably not part of the target audience for Shaun of the Dead. Ash, for the…

Days of Future Passed

Fortune smiles on groovy egregiousness. In the case of Sky Captain and the World of Tomorrow, the filmmakers’ investment in their weird visions is wildly unorthodox, but the payoff is oddly satisfying. The movie features myriad killer robots, raucous underwater dogfights, and Laurence Olivier’s best work since he died 15…

His Will Be Done

Hey, have you heard about that new Danish film that just came out? Distributed by Lars von Trier’s Zentropa Entertainments, has the same star as one of the Dogme 95 movies, and features a dysfunctional family full of people who yell at each other? Wait . . . don’t run…

Live Baby Live

Some of the people who helped bring you dank, morose amusements such as The Crow, Dark City, and The Matrix have a new movie to offer. Like The Matrix, it features a dork who flies through the air. As in Dark City, we witness the protagonist’s world radically changing shape…