Vile With a Smile

Essayist. Playwright. Radio personality. Librettist. Actor. Novelist. Now, with Bright Young Things, the inimitable British wit Stephen Fry debuts as feature screenwriter and director. Best known here in the colonies either as Jeeves (opposite Hugh Laurie) in Jeeves and Wooster, or as Peter in Peter’s Friends, or possibly as Oscar…

Reese’s Piece

In Victorian England, 40,000 novels were published every year. Of the few that have endured, perhaps none is more worthy of a film adaptation than Vanity Fair, if for no other reason than this: It’s a chore to read. At 850 pages, with frequent excursions into unrelated subjects or expendable…

Screenplay Zero

You know how fear is scary? Well, director E. Elias Merhige is into that, especially in his new serial-killer thriller Suspect Zero. Absent, however, is the dark-comic malevolence the director smartly cultivated in his successful and disquieting Shadow of the Vampire a few years ago, bullied and bulldozed out of…

Constricted

It should go without saying that when one goes to see a movie about giant killer snakes, the main point of the whole endeavor is to watch people get eaten by giant killer snakes. Hardly rocket science, that. But while Anacondas: The Hunt for the Blood Orchid does feature a…

Off the Rails

The return to the screen of the ravishing Chinese actress Gong Li, who may have the most expressive face in film, should be cause for rejoicing among her millions of admirers around the world. After starring in a series of memorable and politically controversial films directed by her former paramour,…

Banzai Beat

Say hello to a pop cinema masterpiece. This new Japanese import opens with a massive thud not unlike Godzilla’s footfall, and its cinematic legacy stretches back almost as far. It’s got crafty samurai action, hilarious bits of business, insightful observations into the human condition, and geysers of kitschy computer-generated blood…

Blindness of Strangers

It’s a real credit to Intimate Strangers director Patrice Leconte that even though he uses a couple of ridiculous contrivances to get the plot going, the overall film still feels very true. Leconte has a gift for depicting the quirks of odd relationships; his last film, Man on the Train,…

Thrice Shy

You may have already heard the stories about A Home at the End of the World. In what many viewers have deemed a big loss, Colin Farrell’s penis no longer appears in the film. The official line is that test audiences found it too distracting, though that seems unlikely, given…

His Guy Friday

There is a phrase bandied about that other film industry — “gay for pay” — that means exactly what it says. The queer thing is, this switch-hitting work ethic obviously applies to the “straight” industry as well, since actors not infrequently launch their careers, or rev ’em up, by playing…

Collateral Damaged

Sheathed in a custom-tailored gray suit and sporting expensively barbered silver hair, Tom Cruise looks like an older, harder version of the self-absorbed L.A. sharpie he played sixteen years ago in Rain Man. But in Collateral, a frenetic Michael Mann thriller that runs up a Baghdad-level body count, Cruise’s character…

I’ll Sleep When I’m Bored

It would be nice to declare, “Fans of Mike Hodges, rejoice!” or some such thing at the arrival of the veteran director’s latest film — but alas, not this time. I’ll Sleep When I’m Dead shares elements with some of Hodges’s previous work, including a familial revenge theme (from his…

Celluloid Thinkers Unite

Ah, summer. What would it be without barbecues, beaches, and blockbusters? And in terms of the latter, we’re talking the cinematic variety, big feature flicks playing multiple screens at the local megaplex, long lines, explosive action, surround sound, special effects, the whole Hollywood hog. Alien vs. Predator, The Village, and…

Head Trip

Perhaps the most unlikely thing to capture on film is the creative process — the spinning of gears, the tripping of wires, the breaking of hearts, and the snapping of tempers that goes into the making of art. Movies about writers and painters and musicians seldom collapse the barrier between…

Gag Order

Winner of the Dramatic Audience Award at the 2004 Sundance Film Festival, Maria Full of Grace is an uncomfortably realistic look at a seventeen-year-old Colombian woman who, desperate for a job, agrees to swallow capsules of heroin and transport them to New York. Although a work of fiction, the film…

Sacrificing Isaac

If you’re wondering how Hollywood could possibly adapt Isaac Asimov’s I, Robot, a collection of similarly themed short stories bound together by the slenderest of common threads, the answer is that it didn’t. The credits for I, Robot read “suggested by Isaac Asimov’s book,” but the canny sci-fi fan will…

Sa-Weet!

It’s charming. It’s hilarious. It is perhaps the most beautifully crafted, lovingly rendered portrait of extreme geekitude ever to grace the screen. It’s Napoleon Dynamite — the first feature film from 24-year-old Brigham Young University student Jared Hess — and, if there is any justice, it’s going to be huge…

Crouching Forward, Hidden Goalie

If you’ve seen a movie at a Landmark theater in the past year or so, you’ve probably enjoyed the trailer for Shaolin Soccer. Over a lilting Asian flute that morphs into pounding percussion, airborne soccer players execute kung fu moves that send the ball blazing across the field (or, in…

Serenade in the Sand

The dramatically useful accident that befell Davaa and Falorni happened in the spring of 2002. According to Mongol legend, if a mother camel rejects her newborn calf, the herding family must call in a musician to perform a kind of seduction ritual. The musician plays. The mother camel becomes enchanted…

King Artless

Behold what is, in theory, the thinking person’s ideal summer blockbuster. King Arthur features some of the planet’s most beautiful people, dressed way sexily, gallantly galloping and bashing each other with all manner of implements amid lush vistas and robustly appointed sets. Add an intriguing historical pedigree and apparently unprecedented…

Mother Courage

The first exceptional drama of 2004 is here, and it only took, what, seven months? Perhaps unsurprisingly, The Mother comes from British writer Hanif Kureishi, who penned the gritty, South Asian-in-London marvels My Beautiful Laundrette and My Son the Fanatic. On the other hand, its director is Roger Michell, lately…

Run, Do Not Crawl

All you need to know about Spider-Man 2 is revealed in the opening credits, in which comic-book artist Alex Ross recaps the 2002 original in lovingly, lavishly painted panels. Spidey and Mary Jane Watson are once again entangled in that now-iconic upside-down kiss; nutty Norman Osborn, out of Green Goblin…

Kiickasssss!

The real Melvin Van Peebles shows up just once in Baadasssss!, a fictionalized account of his making of Sweet Sweetback’s Baadasssss Song in 1971, and it is at the film’s end; he sits silent, grinning, clutching his ever-present cigar. But he’s all over this movie, in which his son Mario…