Apocalypse Today: Mad Max Matters More Now Than Ever

George Miller’s sci-fi series began in 1979 with the low-budget, practically DIY gearhead grindhouse flick Mad Max, and it was revived in 2015 with the delirious action masterpiece Mad Max: Fury Road. All along the way, these pictures have captured something about their times that has allowed them to break…

Borscht Diez Announces #NoBroZone Art Event and Moonlight Block Party

After announcing one of the coolest events in town for February (and likely all year) — the Coral Orgy — Borscht Corp. has continued revealing the expansive Borscht Diez film festival lineup by way of email. Unsurprisingly, the Saturday and Sunday events show no sign of slowing down what filmmaker Billy Corben says is “one of the greatest film festival lineups ever.”

They Can’t Even Make the Sex Hot: On Fifty Shades Darker

Boundaries are violated repeatedly in Fifty Shades Darker, a film that demands even more submission of its audience than its predecessor, 2015’s Fifty Shades of Grey. No safeword can protect you from the sequel’s depleting incoherence, its punishing pileup of plot and its inability to successfully stage, even once, the…

Borscht Film Festival 2017 Adds Animal Collective Show at New World Center

In an attempt to spread cinema all over Miami-Dade and move away from the overexposed Wynwood neighborhood — now the go-to location for practically every event in town — the film festival Borscht Diez will hit the beach for the third day of the upcoming fest. After jaunts to the Everglades and Stiltsville, Borscht Diez will host events all day Friday, February 24, in a multitude of Miami Beach locations.

Borscht Film Festival Celebrates Its Tenth Edition With a Viking Funeral

For the past few months, Borscht Corp. has been steadily teasing the death of its Borscht Film Festival in anticipation of the fest’s tenth edition, Borscht Diez. Evident in the hashtag #pray4borscht, the ability to light a candle and sign a guestbook to join the filmmaking nonprofit’s mailing list, and the brilliant memorial website on which users can leave a tribute, the dedication to the death of the Borscht Film Festival is wild but no stranger than anything else the collective has done in its decade-long history of filmmaking.

The Latest Journey to the West Barely Gets Released in the U.S.

How do you sell an international comedy-action superstar to an American audience? Sony Pictures, the distributors of charming Hong Kong action-fantasy Journey to the West: The Demons Strike Back, still haven’t figured out how to pitch comedian-turned-filmmaker Stephen Chow outside of Asia, especially since Chow has stopped starring in his…

Classic Films Playing in Miami This February

A new year kicks off, full of film festivals, and the call of awards season catch-up beckons. For those who want a little more history and a little less Oscars, though, there’s always Miami’s bundle of classic film showings. So what’s happening this month? Here’s everything you have to pick…

The Walking Dead‘s Walker Stalker Cruise Sails From Miami

How much do you love AMC’s The Walking Dead? Do you find yourself imagining what it would be like to be on the show, trying to survive the zombie apocalypse alongside the remaining survivors? Do you care so much about certain characters that you become physically ill when they are killed? Are you so obsessed that you would consider taking a vacation to a private Bahamian island with some of the cast and crew?

Alain Guiraudie’s Latest Anarchic Adventure Finds a Way to Right Itself

In Staying Vertical, as in nearly all of French filmmaker Alain Guiraudie’s tonically unorthodox work, the emphasis is on the abundant possibility of pairings and practices when people get horizontal. Filled with quite literal chubby-chasing, Guiraudie’s sexually anarchic romp The King of Escape (2009), for example, centers on a middle-aged…

James Baldwin Speaks to Now in I Am Not Your Negro

Like Ava DuVernay’s 13th, Raoul Peck’s I Am Not Your Negro travels a straight, well-researched path from the darkest tragedies of American history to the ones that plague the country today. Both films filter African-American life through the prism of the societal construct called race, but while DuVernay’s dissertation focuses…

Toni Erdmann Toasts the Hilarity of Everyday Humiliation

Delving into microeconomics and macroaggressions, Toni Erdmann, the dynamite, superbly acted third feature by writer/director Maren Ade, is social studies at its finest. This quicksilver, emotionally astute comedy operates on many different registers and moods: Whoopee cushions and gag teeth are part of the fun, but so too is a…