The Magicians Pushes Fantasy to Its Limits

Take it from the network that rebranded as Syfy: The best trick in The Magicians is its phoniness. The actors share a broad house-style stiltedness and uniform, plasticine good looks — even the same haircut. The sets, costumes and special effects, while often inventive (a baddie with a head made…

Miami Film Festival 2017 Reveals Its Lineup, Headlined by Richard Gere

Miami is still on a film high from the spotlight that’s been placed on Moonlight and the city’s many festivals, from the Miami Jewish Film Festival to Borscht, taking place this time of year. But no film event is quite as big as the Magic City’s staple, the Miami Film Festival. The 34th edition will kick off big, with the March 3 opening night featuring actor, producer, and humanitarian Richard Gere in attendance.

Rest in Peace, Mary Tyler Moore, Reluctant Feminist Icon

Mary Tyler Moore, who died Wednesday at 80, was a reluctant feminist. She wouldn’t even call herself one at all. In 1970, when Moore embodied the character of flighty, 30-year-old single TV news producer Mary Richards on The Mary Tyler Moore Show, there was no other such woman portrayed on…

Moonlight Wasn’t the Only “Real Miami” Movie Released Last Year

We all know what Miami looks like in the movies. It’s the same scene every time: a plane flies over a nonexistent “Miami” sign and whisks us into a flashy world of clubs, beaches, and salsa music. It’s the city of Miami Vice, or this year’s War Dogs, the based-on-real-events story of two South Beach schmucks who become unlikely arms dealers. It’s the Miami that gets sold to tourists, the one we construct at work in hotels and bars.

Don’t Expect Gold to Set a New Standard for Crime Capers

Gold’s value lies chiefly in the hearts and minds of those who seek it. The noble metal has driven humans to perpetrate ignoble acts on their quests to unearth it since at least 5000 B.C.E., when slaves divined for golden veins to lavish their Pharaohs with jewelry. The Incas even…

Moonlight Earns Eight Oscar Nominations, Including Best Picture, Best Director

The Oscar buzz for Moonlight began shortly after the film started making the rounds at festivals such as Telluride and Toronto. By the time of its wide release in November, the buzz had grown into near-universal critical acclaim. At the Golden Globes earlier this month, the film won a statue for Best Picture, Drama, making recognition from the Academy Awards pretty much inevitable.

Pablo Larraín’s Neruda Fractures the Biopic

“Art is a lie that tells a truth,” Pablo Picasso once said. The aphorism animates Pablo Larraín’s canny and vigorous Neruda, a sidelong biopic of the preeminent Chilean poet and politician, featuring a brilliant Luis Gnecco in the title role, that’s equal parts fact and fiction. (Conversely, Larraín’s film also…

The Biggest Twist: How I Learned to Stop Worrying and Love M. Night Shyamalan

M. Night Shyamalan appears again to be having a moment. His last film, 2015’s grandparents-gone-wrong horror flick The Visit, proved a small hit with critics and audiences alike, and his latest, this week’s multiple-personality abduction thriller Split, seems poised to do likewise. And why not? Both films are effective chillers…

M. Night Shyamalan’s Latest Is Neither Mess nor Triumph

Despite his reputation, M. Night Shyamalan has never lived and died by the twist. His best films, such as Unbreakable or even last year’s cheerily nasty wicked-grandparents thriller The Visit, work first as accomplished, emotionally engaging suspense. What’s most memorable about them isn’t the final-act revelations or even the quietly…

Jim Jarmusch’s Paterson Shakes the Everyday for All Its Beauty

Walking out of Jim Jarmusch’s Paterson last May at Cannes, I felt like it was the closest the director had come to making an artistic manifesto. Having seen it again, I’m even more convinced. Jarmusch first arrived in New York back in the 1970s with dreams of becoming a poet,…

The Founder Finds America (and Its Food) Turning Nasty

Like its subject, the man who took McDonald’s from a single burger shop to a globe-straddling child-fattener, John Lee Hancock’s The Founder can’t stop selling. The first fast-food kitchen, set up in 1953 by the solemn McDonald brothers in San Bernardino, gets celebrated here as rousingly as John Glenn’s first…

Woman Power Serves a Boy in Mike Mills’ Late-’70s Remembrance

One of the quasi-bohemians in Mike Mills’ gauzy 20th Century Women loves to document ephemera, taking photos of everything she owns. A similar instinct — archiving as art — guides Mills’ movie itself, a trip back in time in which era-specific talismans substitute for genuine thought. Though big feels glut…

Say Hello to The Bye Bye Man, a Not-Bad Twist on Candyman

Maybe it’s a just a sign of the Blumhouse-era horror-movie world we find ourselves in, but there’s something refreshing about a scare flick that (a) actually shows you its monster occasionally and (b) gives you a definite reason to be afraid of it. Hiding things in shadows to enhance audience…

Miami Jewish Film Festival 2017: This Year’s Best Films

The 2017 Miami Jewish Film Festival (MJFF) begins tonight, and from the opening screening in Aventura to the festival closing at O Cinema Miami Shores January 26, there are plenty of worthwhile films to catch. Choosing just a few always requires some tough decision-making, so why not let New Times help? Here are our top picks for what to check out at the festival.

Blake Jenner’s Billy Boy Will Screen at Miami Film Festival 2017

For 34 years, Miami Dade College’s Miami Film Festival has brought international cinema to the Magic City, but this year, a homegrown talent will step into the spotlight. Blake Jenner, a Miami-born-and-raised actor best known for his role on Fox’s Glee, will compete for this year’s Jordan Ressler Screenwriting Award when the festival presents the world premiere of Billy Boy.

Our Critics’ Picks for Films in 2016

Thanks to a bitter election and seemingly endless culture war, last year was a roller coaster, and the films of 2016 reflect those ups and downs, with surprising results. It’s to be expected that lauded movies such as The Lobster, Moonlight, Manchester by the Sea, and Fences would become awards-season…