From Sundance to Toronto to South by Southwest, Miami filmmakers have made their mark on the festival circuit. The city’s most buzzed-about collective, Borscht Corp., has had work accepted at major gatherings around the world — but never at the Miami International Film Festival (MIFF). Until now. MIFF, which returns…
There are two kinds of humanist movie. One kind shows human beings struggling against the most unspeakable horrors, sorrows, or injustices and still, somehow, emerging with their essential goodness intact. The second, thornier type portrays people doing terrible things to one another — screaming, cheating, and generally making life hell…
The new Brooklyn is generally derided as a wilderness of double-wide strollers, young men with the facial hair of Canadian loggers circa 1852, and artisanal everything. But in Wild Canaries, a modestly scaled murder mystery/comedy from writer/director/star Lawrence Michael Levine, today’s Brooklyn is a place of danger and intrigue. Just…
Almost immediately after it was released, the 2011 stealth hit Best Exotic Marigold Hotel became more a punch line than a movie. Who knew “older” people were so starved for pictures featuring gorgeously shot exotic locales, not to mention people falling in love, falling out of love, or desperately hoping…
It’s an ironic truth that directors fascinated by robots tend to make inhuman movies. From Ridley Scott’s Blade Runner to last year’s Transcendence, these stories that ponder the gap between man and machine often reveal filmmakers unsure of where they fit in — they get so involved in the question…
Todos están muertos (They Are All Dead) is a weird movie. Humorous, sad, and as sweet as pie. It’s grounded in the lovely magical realism that often seems deeply embedded in Spanish culture. The film focuses on Lupe (Elena Anaya), who was once an eighties rock star and now lives…
The world is a terrible place. That’s the uncompromising truth with which Tina Fey and Robert Carlock begin Unbreakable Kimmy Schmidt (Netflix), their follow-up to the under-seen but culturally monumental 30 Rock. The very first scenes of Unbreakable’s first season, which will be released in its binge-able entirety on March…
Plenty of cities with art cinemas pride themselves on their classic film programming. There’s always some kind of retrospective, screening of an old favorite on 35mm, or just an abundance of restorations or thematic programming. And Miami is finally stepping up to the classic film plate. Every month, the city…
There are five reasons why Fox’s Empire has become a breakout hit, and on this week’s Voice Film Club podcast, we run down why the show, introduced as a mid-season replacement, has surged to nearly 14 million viewers an episode by its eighth week. Joining Voice film editor Alan Scherstuhl…
From Sundance to Toronto to South by Southwest, Miami filmmakers have made their mark on the festival circuit. The city’s most buzzed-about collective, Borscht Corp., has had work accepted at major gatherings around the world — but never at the Miami International Film Festival (MIFF). Until now. MIFF, which returns…
Leonard Nimoy has died at the age of 83. Both on camera and off, he exemplified the best of what Star Trek, and thus humanity, could represent. Part of that was Trek’s writing, of course. But it was Nimoy who took what was on the page — often repaired what…
You may not realize that Cuban filmmaker Jessica Rodriguez makes documentaries. The Havana-born, Madrid-based 28-year-old has a gift for making her subjects forget they’re telling their most personal secrets to an unknown audience. “I think people only tell us what they want to, and the things they don’t say are…
Gett: The Trial of Viviane Amsalem, is a film that makes you want to talk to the movie screen. The phenomena took co-director/co-writer Shlomi Elkabetz and his sister, co-director/co-writer and the film’s star Ronit Elkabetz, by surprise when they premiered the film at last year’s Cannes Film Festival. Speaking via…
Is it possible to essentially like a movie yet feel revulsion toward its script? David Cronenberg’s Maps to the Stars is clearly intended as a sharp satire of Hollywood ambition, vanity, avarice, and emptiness, and in places it’s smart and astringently funny. Yet it seems to fight its own bone…
Spike Lee still summons miracles — but sometimes you gotta dig for them. I can’t exactly recommend Da Sweet Blood of Jesus, his remake/cover/jazz-variation on Bill Gunn’s epochal indie lulu Ganja and Hess, but I can recommend Ganja and Hess, so elusive and bloody and challenging a picture that it’s…
If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus’ Margot Robbie, a va-va-voom blonde with bite. Robbie is too beautiful to play normal, too sly to play nice. Miscast as a shy saint in Craig Zobel’s upcoming Sundance hit Z for Zachariah, she…
Ten years ago, Wellington, New Zealand, was less welcoming of vampires. When Jemaine Clement and Taika Waititi, two unknown comedians, walked the streets in velvet frocks and ruffles for a 2005 sketch, dudes would drive by and scream homophobic slurs. Says Clement, “We were constantly abused.” Over the next decade,…
Many people won’t watch a film based solely on the fact that is was simply nominated for an Oscar. But if said movie takes home a statue, that’s another story. “Academy Award winner” in front of a film title, actor, or director carries weight. So here we are, just days…
There was an awkward moment between Fifty Shades of Grey star Dakota Johnson and her mom, Melanie Griffith, on the red carpet before the Oscars on Sunday. But the world got to see Johnson’s impressive talent for pretending uncomfortable situations don’t seem to bother her (see also: Fifty Shades of…
Celebrities are flesh, David Cronenberg would say. Maps to the Stars, the latest film from the cult director, paints a grim picture behind the veneer of celebrity, but it also probes deep below the surface to explore damaged people in search of validity through speciousness. Maps to the Stars follows…
Kevin Costner eases white America into the now with McFarland, USA, we hear about the Berlin Film Festival’s highs (Queen of Earth) and lows (Knight of Cups), and dip into the lukewarm waters of a second Hot Tub Time Machine movie. Also, there’s much praise for teen comedy The DUFF…
Shove off, John Hughes. The DUFF, a high-school comedy by Ari Sandel, opens by declaring that The Breakfast Club’s social categories are, like, way passé. Explains lead Bianca (Mae Whitman): “Jocks play videogames, princesses are on antidepressants, and geeks rule the world.” Today, be ye goth kid, science dweeb, or…
