The most pleasurably ludicrous highlight of The Boy Next Door comes a half-hour in, before the sex and murders and something-is-in-the-mirror-behind-her! jolts that stud the film like Flavor Crystals. The high-school English teacher played by Jennifer Lopez is dazzled by a gift from the handsome student (Ryan Guzman) who has…
There’s something bracingly honest about The Humbling, Barry Levinson’s movie about a 67-year-old Shakespearean actor, played by Al Pacino, who, after being struck with crippling anxiety, gets his mojo restored — some of it, anyway — by a manipulative muse (Greta Gerwig). Based on the 2009 Philip Roth novel of…
Each year, screenwriters kill off enough offscreen children to fill a Chuck E. Cheese’s. A dead son or daughter gives a movie the illusion of depth plus an easy explanation for whatever the script ladles on the surviving parents. Binge-drinking? Nymphomania? Sudden bouts of break dancing? Blame the wee coffin…
Every great scientist was once a kid, and every kid, as it turns out, is really a great scientist. “When you’re young, you know how to explore, innovate and investigate,” says FAU doctoral student and geologist Troy Berner. “As children, we’re born with these instincts, and it’s society that abandons…
The Nightly Show With Larry Wilmore’s great misfortune isn’t that it replaces The Colbert Report, but that it premieres after Last Week Tonight With John Oliver. The Colbert Report was sui generis, and will likely remain so, because such a series makes leviathan demands on its host: crackerjack comedic skills,…
“The only way to escape the streets is to fight your way out.” That’s the life philosophy that pervades Miami filmmaker Billy Corben’s documentary Dawg Fight. The latest film from Corben’s studio, Rakontur, chronicles the underground backyard-fighting scene in Perrine, a suburb that’s just a few miles south of Miami…
How quickly things have changed in Cuba. After President Obama’s declaration of “normalized” relations between the U.S. and Cuba, Marcia Jarmel and Ken Schneider’s documentary Havana Curveball already captures what is, perhaps, a different Cuba. The new policy would have certainly made the mission of 13-year-old Mica Jarmel-Schneider a little…
Imagine living the first portion of your life as someone who identifies as something completely different than who you are, simply because your family insists they were that type of person. In a way, this is Lacey Schwartz’s story and her documentary Little White Lie shows just that. Schwartz, who…
Can’t keep track of when all your favorite shows return this year? You’ve come to the right place. Chances are now that the holiday season is over, and every station is done playing Home Alone 2 on a loop, your must watch show is nearing a return. Whether it be…
The bi-coastal film pod continues in 2015! In New York, Village Voice film editor Alan Scherstuhl, along with Voice film critic Stephanie Zacharek, connect via the magic of the Internet with LA Weekly film critic Amy Nicholson to discuss the nominations for this year’s Academy Awards, announced on January 15…
It’s been over a year since Jeanette Garcia and Daryl Rodriguez created the Kickstarter for their documentary, World 1-1, and recently the filmmakers presented their film to a delighted audience at the Cosford Cinema here at Miami. It’s been months since their premiere in San Francisco at the Roxie Theater,…
Here’s the pipsqueak who has hauled himself up into a sharp-dressed leading man. Here’s the comic who’s boundlessly inventive in his swearing but also suave and commanding in pursuit of love, the motormouth horndog who yawps about like a puppy on fire but can melt your mother’s heart with his…
In Clint Eastwood’s American Sniper, Navy SEAL Chris Kyle (Bradley Cooper) — an astoundingly talented marksman credited with more than 160 confirmed kills in Iraq — runs into a fellow veteran at a mechanic’s shop between deployments. The soldier shows Kyle an artificial leg and thanks him for saving his…
In the opening moments of Two Days, One Night, a working-class Belgian woman named Sandra (Marion Cotillard) wakes from a midday nap, takes a phone call, removes a tart from the oven, pops a pill, and begs herself not to cry. With a sense of having arrived in the middle…
Forget its generic title, its breakup setup, and its indie-standard Brooklyn walk-and-talks: Writer/director Desiree Akhavan’s Appropriate Behavior is the freshest comedy of life and love in the city since Obvious Child. Hilarious and heartbroken, Akhavan stars as Shirin, a bisexual Iranian-American video artist just bounced from her lover’s Gowanus apartment…
Anyone who loves Michael Mann movies, or even just the idea of Michael Mann movies, accepts that film style is a language and something more, a way of thinking, feeling, and looking that goes beyond basic plotting, dialogue, or character motivation. I can tell you pretty much everything that happens…
Emerson argued that each flourish and tendril of a work of art has its exact corollary in the mind of the artist, that creative expression is always, in its way, a sort of autobiography: Want to know the person? Look at her works. But Ralph Waldo never lived to see…
Among many other things, Girls has always been great satire, lampooning with scolding empathy the callowness, narcissism, and insufferableness of early-to-mid twentysomethings who are privileged enough to spend their post-grad years making mistake after mistake with no serious consequences. But the HBO dramedy’s fourth season, in which Hannah (Lena Dunham)…
All you need to know about Taken 3 is that Liam Neeson survives an explosive car crash — twice. Director Olivier Megaton even rewinds the second blast to show us how his hero escaped. It still doesn’t make sense. But who cares. The Taken franchise is rooted in implausibilities, specifically…
Describing Ava DuVernay’s quietly remarkable Selma to a friend, I caught myself referring to the Civil Rights Era as a historical event, a thing of the past, and then backtracked. The killing of Michael Brown, Eric Garner, and Tamir Rice at the hands of police officers — not to mention…
Paul Thomas Anderson was making serious movies long before he began making “serious” movies, ponderous works of certified art like There Will Be Blood and The Master. His earliest pictures, like Hard Eight and Boogie Nights, and even the later Magnolia, were wily, imperfect, vibrating with life like yeast springing…
Without dropping spoilers right and left, how do I explain that I’m completely baffled by the Spierig Brothers’ retro-futuristic thriller Predestination? So the she who’s really a he is the earlier version of the he we meet later on and the later version of the she who shows up near…
