21 Movie Romances That We Loved in 2013

In 2013, love came in many forms: girl on zombie, boy on smartphone, and James Franco on — count ’em — two hot bikini babes at the same damn time. Sure, romantic comedies are as extinct as Oprah Winfrey’s chances of winning Best Supporting Actress at the Golden Globes, but…

Sokurov’s Faust Is a Dark Deal Worth Taking

A lurching crawl through the moldering, candlelit passages of a pre-hygiene medieval meta-Europe, this new version of the Germanic legend from Russian cine-volcano Alexander Sokurov may be the freakiest gloss this deal-with-the-devil story’s ever gotten, down to the ghost-zombies and Icelandic geysers. Mostly shot in the oldest, filthiest castle alleys…

Go For Sisters: John Sayles’ Latest Aces Character but Flubs a Mystery

The humanist virtues of John Sayles are readily apparent in the first scenes of Go For Sisters, his low-key border-crossing roadtrip mystery. Straight off, the writer-director-novelist treats us to two knotty, compelling monologues, a pair of showstoppers in the first 10 minutes, each delivered by characters you don’t see in…

Paul Walker Gets Harrowed in the Gripping Hours

The late Paul Walker practiced the kind of manly American acting that often doesn’t look like acting at all. In movie after movie, many of them of the fast and/or furious variety, Walker performed the difficult trick of seeming to really be the apple-pie tough guys he played. In those…

Madea vs. Christmas, Logic, and Larry the Cable Guy

Someday there will be a serious academic study on Tyler Perry, the battered and sexually abused child who legally changed his first name at 16 to distance himself from his estranged father and grew rich playing a caricature of his mother in pantyhose and a dress, like a sass-talking Norman…

Borscht Filmmaker Bernardo Britto Accepted to Sundance 2014

For the fourth consecutive year, Miami will be represented at the Sundance Film Festival, arguably the nation’s most prestigious film event, by the filmmakers of the Borscht Corporation. Sundance announced its short film program yesterday, including Yearbook by Miami filmmaker Bernardo Britto. The five-minute animated short will mark Britto’s first…

2013’s Most Memorable On-Screen Villains

2013 was a good year to be bad. This year’s best villains weren’t just goons with guns — although there were a few great examples of those. (Here’s looking at you, Sean Penn.) We also hissed at slave-owners, inventors, seducers, producers, and a couple amazing women who left an impression…

The Pinup Speaks in Bettie Page Reveals All

The big problem with pinup queen Bettie Page — maybe the only problem — is that her image inspires so many easy bromides about how she made sex seem fun and playful and how she’s a great role model for modern women who want to feel comfortable with their sexuality…

The Broken Circle Breakdown Soars and Crashes but Feels Real

Blending cliché-prone genres — disease-of-the-week tearjerker, marital melodrama, musical — into an unwieldy but distinctive hybrid, Belgian director Felix van Groeningen’s The Broken Circle Breakdown holds you even as it flies off the tracks. The Flemish-language film revolves around banjo player Didier (Johan Heldenbergh) and tattoo artist Elise (Veerle Baetens),…

The Great Beauty Is Lavish and Lurid

Some movies come barreling out of their caves like armies on the sociocultural warpath, self-consciously defining themselves as psychographic events, marking The Way Things Are Now and becoming part of history in the process. Given the ambition, we should embrace these rare explosions when they happen, even more so now…

Philomena: Judi Dench Anchors a Stellar Stolen-Children Drama

The great sins of the 20th century are already too many to list, but let us note one more: the abduction of infants from mothers deemed unworthy or undesirable by governments and religious institutions. Thousands of children were kidnapped from leftist parents during Argentina’s and Spain’s respective dictatorships, while children…

Spike Lee’s Oldboy Is Utterly Unnecessary

A favorite pastime of those who love Asian film is to carp about Hollywood’s annoying tendency to lay claim to and defile their favorites. But Spike Lee’s Oldboy is the remake that came too late, so benign and unmemorable that not even people who loved Park Chan-wook’s 2003 original will…

The Book Thief Should Have Stayed a Book

It had to happen: There’s so much voiceover narration in today’s movies, so much needless verbal play-by-play, that it was only a matter of time before somebody made a picture narrated by that life of the party himself, Death. The Grim Reaper delivers the opening monologue of The Book Thief,…

The Time Capsule Le Joli Mai Shows Postwar Paris

In May 1962, a cease-fire was declared with colonial Algeria, marking the first time in 23 years that France was not at war. Filmmaker Chris Marker and cinematographer Pierre Lhomme took to the streets of Paris that month with a handheld camera (a new model also used by Jean Rouch…