Film, TV & Streaming

To fall in love with A Star Is Born is to embrace these paradoxes and, to quote a song Gaga sings in the film, go “off the deep end” and submerge oneself “far from the shallow.”

The year is 1950. The place: Puerto Rico. A militant uprising erupts the day before Halloween when coordinated attacks are launched on police stations and government buildings around the island. Police officers are killed, and revolutionaries are arrested and summarily executed. A shootout in San Juan is broadcast live over…

The idea practically sells itself: Kevin Hart has to take night classes to get his high school degree, and Tiffany Haddish plays his suffer-no-bullshit teacher

Hailed a “documentary of fantasy,” My Trip to Miami runs 13 minutes, during which Dylan Redford straps on five GoPro cameras and attempts to visit TripAdvisor’s “Top 315 Attractions in Miami” in five days.

Too bad, then, that even Laguna’s input doesn’t get to the heart of Jett’s essence, as Bad Reputation comes off more as a fanboy’s declaration of reverence to the queen rather than an interrogation of one of the most iconic women in music

Young Anna (Galatea Bellugi), intense and charismatic in the manner of another teenaged French seer, reports that Mary has imparted to her a message calling for the building of a church and caring for the world’s poor

You’d think a 20-year-old indie film from Germany would have lost its mojo by now. But experiencing the quirky Run Lola Run all these years later remains satisfying if not truly thrilling. A mix of sci-fi, slapstick, and romance, the movie was director Tom Tykwer’s third and a breakout hit in 1998.

If you’re not from Miami, you probably know Terence Nance as the showrunner of the experimental HBO series Random Acts of Flyness. Perhaps you saw the lengthy profile of him in the New York Times this summer, or if you’re into indie film, you know his works An Oversimplification of Her Beauty and Swimming in Your Skin Again, which earned raves at festivals such as Sundance.

… After a somewhat compelling hour suggesting all the reasons that Borden might be willing to kill, Macneill and screenwriter Bryce Kass tantalize with the possibility of their subject’s innocence

Roth’s film is a funhouse throwback, a scare-the-kids goof with a top-shelf cast, an antique shop’s worth of creepy windup dolls and more heart than you might expect — and, like those jack-o’-lanterns, it’s got more teeth, too

It is to Hawke’s credit that he has invested what clout he has gathered in his industry into this study of an artist who never gathered much clout at all — and that the resulting film has the warm, weary rhythms of Foley’s own songs

Miami Dade College’s Miami Film Festival Gems 2018 has announced its full lineup, and the movies include several Oscar hopefuls from across the globe. Both opening- and closing-night films have been submitted for the Foreign Language category by their respective countries.

Radner narrates, in a way, through her own audio diaries, plus some snippets of interviews and judicious excerpts from the audiobook of her perfectly titled — and just-barely posthumous — memoir, It’s Always Something

There’s a sense that Fogelman … has been inspired in part by the broken narratives of Charlie Kaufman, as the first 10 minutes of this film feature a story-within-a-story meta fake-out with Jackson as himself, narrating the action of a screenplay written by forlorn drunk Will (Isaac)

Despite the efforts of Dinklage and Fanning, both always pleasant enough to watch, and Morano’s keen eye — witness how she rarely puts both Del and Grace together in one frame — neither character really comes to life

The pups, named Primrose and Poppet and Phil and Potomac and Patriot, get dispatched from the organization Guide Dogs for the Blind to the homes of families dedicated to raising them for the first half of their training.

Despite the killing-spree craziness of its final reels, much of the film is a how-the-kids-live-now potboiler, replete with guileless dirty talk and immense bedroom windows that seem to have been installed with peeping in mind

But 11/9 plays not like a much-needed blast of truth but like an all-purpose Michael Moore sequel, a self-congratulatory follow-up to several of his films, with Parkland material in the Bowling for Columbine vein, references to Sicko and even excerpts from 1989’s Roger & Me

Its centerpiece is a breathless break-in at the National Anthropology Museum in Mexico City, as two 30ish suburbanites, played by Gael Garcia Bernal and Leonardo Ortizgris, attempt to loot artifacts from what is known as the Mayan room

Cosmatos delivers (as fans say) on the blood and guts, on cathartic slaughter, on the disreputable pleasure of watching a bereaved hero regard a new weapon and envision nasty uses for it

This latest entry, directed and co-written by onetime wise-ass action screenplay wunderkind Shane Black (Iron Man 3, The Nice Guys), wears its self-aware humor as a talisman against the predictability of its plot and the gratuitousness of its carnage.