It should go without saying that when one goes to see a movie about giant killer snakes, the main point of the whole endeavor is to watch people get eaten by giant killer snakes. Hardly rocket science, that. But while Anacondas: The Hunt for the Blood Orchid does feature a…
The return to the screen of the ravishing Chinese actress Gong Li, who may have the most expressive face in film, should be cause for rejoicing among her millions of admirers around the world. After starring in a series of memorable and politically controversial films directed by her former paramour,…
Say hello to a pop cinema masterpiece. This new Japanese import opens with a massive thud not unlike Godzilla’s footfall, and its cinematic legacy stretches back almost as far. It’s got crafty samurai action, hilarious bits of business, insightful observations into the human condition, and geysers of kitschy computer-generated blood…
It’s a real credit to Intimate Strangers director Patrice Leconte that even though he uses a couple of ridiculous contrivances to get the plot going, the overall film still feels very true. Leconte has a gift for depicting the quirks of odd relationships; his last film, Man on the Train,…
You may have already heard the stories about A Home at the End of the World. In what many viewers have deemed a big loss, Colin Farrell’s penis no longer appears in the film. The official line is that test audiences found it too distracting, though that seems unlikely, given…
There is a phrase bandied about that other film industry — “gay for pay” — that means exactly what it says. The queer thing is, this switch-hitting work ethic obviously applies to the “straight” industry as well, since actors not infrequently launch their careers, or rev ’em up, by playing…
Sheathed in a custom-tailored gray suit and sporting expensively barbered silver hair, Tom Cruise looks like an older, harder version of the self-absorbed L.A. sharpie he played sixteen years ago in Rain Man. But in Collateral, a frenetic Michael Mann thriller that runs up a Baghdad-level body count, Cruise’s character…
It would be nice to declare, “Fans of Mike Hodges, rejoice!” or some such thing at the arrival of the veteran director’s latest film — but alas, not this time. I’ll Sleep When I’m Dead shares elements with some of Hodges’s previous work, including a familial revenge theme (from his…
Ah, summer. What would it be without barbecues, beaches, and blockbusters? And in terms of the latter, we’re talking the cinematic variety, big feature flicks playing multiple screens at the local megaplex, long lines, explosive action, surround sound, special effects, the whole Hollywood hog. Alien vs. Predator, The Village, and…
Perhaps the most unlikely thing to capture on film is the creative process — the spinning of gears, the tripping of wires, the breaking of hearts, and the snapping of tempers that goes into the making of art. Movies about writers and painters and musicians seldom collapse the barrier between…
Winner of the Dramatic Audience Award at the 2004 Sundance Film Festival, Maria Full of Grace is an uncomfortably realistic look at a seventeen-year-old Colombian woman who, desperate for a job, agrees to swallow capsules of heroin and transport them to New York. Although a work of fiction, the film…
If you’re wondering how Hollywood could possibly adapt Isaac Asimov’s I, Robot, a collection of similarly themed short stories bound together by the slenderest of common threads, the answer is that it didn’t. The credits for I, Robot read “suggested by Isaac Asimov’s book,” but the canny sci-fi fan will…
It’s charming. It’s hilarious. It is perhaps the most beautifully crafted, lovingly rendered portrait of extreme geekitude ever to grace the screen. It’s Napoleon Dynamite — the first feature film from 24-year-old Brigham Young University student Jared Hess — and, if there is any justice, it’s going to be huge…
If you’ve seen a movie at a Landmark theater in the past year or so, you’ve probably enjoyed the trailer for Shaolin Soccer. Over a lilting Asian flute that morphs into pounding percussion, airborne soccer players execute kung fu moves that send the ball blazing across the field (or, in…
The dramatically useful accident that befell Davaa and Falorni happened in the spring of 2002. According to Mongol legend, if a mother camel rejects her newborn calf, the herding family must call in a musician to perform a kind of seduction ritual. The musician plays. The mother camel becomes enchanted…
Behold what is, in theory, the thinking person’s ideal summer blockbuster. King Arthur features some of the planet’s most beautiful people, dressed way sexily, gallantly galloping and bashing each other with all manner of implements amid lush vistas and robustly appointed sets. Add an intriguing historical pedigree and apparently unprecedented…
The first exceptional drama of 2004 is here, and it only took, what, seven months? Perhaps unsurprisingly, The Mother comes from British writer Hanif Kureishi, who penned the gritty, South Asian-in-London marvels My Beautiful Laundrette and My Son the Fanatic. On the other hand, its director is Roger Michell, lately…
All you need to know about Spider-Man 2 is revealed in the opening credits, in which comic-book artist Alex Ross recaps the 2002 original in lovingly, lavishly painted panels. Spidey and Mary Jane Watson are once again entangled in that now-iconic upside-down kiss; nutty Norman Osborn, out of Green Goblin…
The real Melvin Van Peebles shows up just once in Baadasssss!, a fictionalized account of his making of Sweet Sweetback’s Baadasssss Song in 1971, and it is at the film’s end; he sits silent, grinning, clutching his ever-present cigar. But he’s all over this movie, in which his son Mario…
A strong toxin requires a strong antidote. In the case of the Bush administration, the cure is being served in significant part by Michael Moore, he of the Peter Jackson Diet (and similar pop culture ambition), who previously delivered the rousing documentaries Roger & Me and Bowling for Columbine. This…
Ah, the peculiar genius that is Guy Maddin. Who else but the morose Canadian director, born and raised in one of the coldest cities in the world, would marry silent film, 1930s movie musicals, Prohibition, family melodrama, critique of capitalist zeal, and monster-movie gore in a surreal montage about sorrow…
Getting stranded at snowbound O’Hare for the night is one thing. You call home, maybe knock down a couple of martinis, then grab a blanket. A century ago, being quarantined at Ellis Island for eight months because you were, say, a part-time anarchist from Campobasso with a big mustache and…
