If the original cut was a couple of Desplechin distinct movies loaded into a woodchipper and then splatted all out on the screen, this new, longer Ismael’s Ghosts at least can be said to beef up the splats
The mode is comic frustration, the story centered on a reasonable man (played by Armie Hammer) frustrated at the eccentricities of a wild-haired genius (Geoffrey Rush, as the painter Alberto Giacometti)
Director John Curran has a varied career as a filmmaker. His previous film, Tracks, followed a woman (Mia Wasikowska) undertaking a solitary journey across the Australian desert. He’s probably best known for 2006’s The Painted Veil, a period drama starring Edward Norton and Naomi Watts about a doctor dealing with marital strife…
The Tattoo Shop is an eight-episode docuseries for Facebook Watch that follows James and his former Miami Ink costar Chris Nuñez, more recently known as a judge on Paramount Network’s Ink Master, as they attempt to strike gold once again with the newly opened Liberty City Tattoo in Wynwood. James is an executive producer on the web series, which premiered March 15 and airs Thursdays.
Acrimony establishes that Robert is a cheating, lowdown dog and that Melinda has anger management problems that make the Hulk seem docile
The ground rules for this desolate new America: If you make any sort of sharp, unexpected sound, a mantis-like alien creature will zoom out of nowhere to swoop you away to an instant, grisly death.
Gemini is a shimmering puzzler that begins with an act of Land Ho!-esque palling around before warping into an unlikely detective story in the Cold Weather vein
Curran’s film, often enthralling and upsetting, represents a welcome break in the hagiographic treatment the longtime Lion of the Senate enjoyed in the years leading up to his 2009 death
When the third season begins, in a bit of meta-commentary, the Everlasting producers are scrambling to undo the effects of the bad PR the program endured on its last go-round
Though written by two men, Blockers smartly confronts the gendered double standards that have littered the genre for generations, as well as homophobia and other vehicles for predictable jokes
A splendid jewel box of a movie about rather grisly matters, the filmmaker’s latest represents another example of the clash between his playfully self-aware aesthetic and his growing obsession with our inhumanity
The movie follows Wade Watts (Tye Sheridan), an orphaned teenager living in Columbus, Ohio, in 2045, who spends pretty much all his time, along with everyone else in this world, inside a virtual universe called The Oasis …
… the film is dedicated to “all who have been persecuted for their faith,” which means that in today’s world, it’s pretty much dedicated to everybody
Besides telling the story of two rappers who eventually became casualties in the ‘90s ridiculous East Coast/West Coast rap beef, Unsolved is also a double-stacked, occasionally trite, police procedural
This Terror, developed by David Kajganich and certainly the best of AMC’s prestige-TV horror series, is always suspenseful, superbly acted, shrewdly paced and committed to the summoning up what the experience of Arctic isolation might actually have been like
In 2015, Katiana Urbina was was diagnosed with a brain tumor. After the surgery that saved her life, Urbina found motivation and inspiration in the work of Kanye West. Two years ago, she bought a VIP ticket to his concert in Miami to try and meet her hero. Now, she’s premiering a short film about him that aims portray West in a positive light that Urbina says people have forgotten.
Think of Flower as a little like Sofia Coppola’s teen-thief satire The Bling Ring with the realism and consequences to bad behavior of Catherine Hardwicke’s Thirteen
The film chronicles Roxanne’s teenage years — her brief time in the limelight — when she became one of the greatest in the game
“The robots were the good guys, because humans drove them. So maybe they weren’t technically robots. Well, some of them were.”
… Everything about the series, from plotting to character development to tone, feels contrived, with every speck of subtext hauled up and nailed down to the show’s slick surface
The film suggests Guillermo del Toro’s Pan’s Labyrinth, in the trust the director places in its child character to tell her own story without the adults butting in too much
Set in Cannes (which, big surprise, is also where it premiered), Claire’s Camera opens with three scenes depicting the firing of a young woman, Man-hee (Kim Min-hee), from her job at a Korean film sales company
