Obit Takes a Shallow Dip Into the Art of Memorializing

A light and cheery appraisal of a somber subject, Vanessa Gould’s documentary Obit focuses on the writers and editors assigned to the necrology desk of The New York Times. Like other chronicles of dead-tree media made in the past decade — The September Issue, R.J. Cutler’s Vogue ode (2009); Andrew…

Alien: Covenant: In Space No One Can Hear You Philosophize

If nothing else, Alien: Covenant is the most ambitious Alien film ever made. It’s almost as if Ridley Scott, foiled in his recent attempts at biblical epics, metaphysical dramas and thorny psychosexual thrillers, decided to revisit those genres under cover of a prized franchise sequel. That’s not to suggest that…

Confessions of a Reservoir Dogs Naysayer

Despite my fondness for Quentin Tarantino, I’ve never been a Reservoir Dogs fan. Back in 1992, the writer-director’s feature debut seemed to me little more than a clever and grotesquely violent one-act play, gussied up with structural whimsy. Yes, the opening scene — black-suited crooks bantering about Madonna and the…

Aziz Ansari’s Master of None Achieves Mastery at Last

There was never any doubt about the thoughtfulness with which Aziz Ansari, in the first season of his Netflix series, Master of None, addressed the kinds of societal divides — racial, cultural, generational, sexual — that most sitcoms either lack the vision to perceive at all or take on only…

Crime in Counterpoint: Michael Mann on His Restored Masterpiece Heat

Michael Mann’s 1995 masterpiece, Heat, comes out this week in a brand-new, fully loaded and beautiful Blu-ray edition. To explore further what makes this epochal crime drama so special, I recently talked to the director. The story of Heat was based on real-life personalities. There was real thief named Neil…

Celebrating the Radical Female Gaze of Amazon’s I Love Dick

I Love Dick, the epistolary novel, is an obsessive confessional story from a woman — a version of the author Chris Kraus — who, in her letters, lusts for an English art critic named Dick. He barely returns the affection. Yet … she persists. The story is almost like a…

Lowriders Fixes Up Old Family-Drama Plot Points

A sleepy earnestness both ennobles and afflicts Ricardo de Montreuil’s fathers-and-sons story, Lowriders. At first the film plays as a low-key corrective, a Hollywood drama with name producers (Brian Grazer, Jason Blum) that, outside a couple of tutorial info-dumps covering cultural basics, presents East Los Angeles lives like pretty much…

War Thriller The Wall Dares America to Hate It

America is going to hate this movie. Doug Liman’s The Wall — whose title will forever demand that, when bringing up the film in conversation, you’ll have to say, “No, the other Wall” — is a mean little thriller set in our desert wars, and its only American soldiers are…

The Ten Greatest Movies Shot in Miami

Choosing the greatest films shot in Miami seems like a straightforward undertaking. Simply look for the most popular movies that include some of the Magic City’s most iconic locations, right? But not all films set in Miami were actually made here. More than one James Bond movie was set in the 305, including Thunderball, whose plot called for blowing up the city.

The Dinner Is an Invitation to Decline

Steve Coogan is at a fancy dinner, but he’s not doing any Michael Caine impressions. Instead, he’s brooding with resentment of his workaholic congressman brother, Stan (Richard Gere), and grappling with the realization that his son might be a psychopath. It’s all supposed to be harrowing, and the British comedian…

John Coltrane Documentary Chasing Trane Is a Flub Supreme

“You can’t describe music with words,” the great Sonny Rollins observes in John Scheinfeld’s survey-course-brisk docu-dip into the art and life of John Coltrane. As if seeking to prove Rollins right, Scheinfeld’s interviewees hold themselves to generalities: “His sound is stunning,” observes appreciator-in-chief Bill Clinton, who adds, unilluminatingly, that it…