Miami is a relatively young city, so few of its buildings have been standing for more than a century. The Tower Theater, on SW Eighth Street, is close enough to that triple-digit number. Built in 1926, the movie theater celebrates its 90th birthday this year. Throughout the decades, it has…
Now that the Oscars are over, serious movie fans can explore film without the hype awards ceremonies. Miami-Dade College’s 33rd Miami International Film Festival will be a haven for those cinephiles, says Jaie Laplante, the festival’s director of programming six years running. Speaking via phone, he recommended five lesser-known films he…
Two movies, same scenario: Moments before a scheduled execution, just as the blade or gas pellet is set to deliver its fatal blow, the hero bursts into the room and carries the victim to safety. Banter is exchanged: “What took you so long?” “Traffic was a bitch.” “What took you…
The last place Shaina Allen expected to find inspiration for her directorial debut and first feature film was at a dog park along Biscayne Bay. Well, technically, she didn’t — someone else did. Allen would occasionally run into a man named Parnes Cartwright and his wife Betsy. Casual conversations led to…
Greek filmmaker Yorgos Lanthimos burst onto the international film scene in 2009 with the disturbing Oscar-nominated family drama, Dogtooth. Now he emerges with his English-language debut. The Lobster takes place in a dystopian future where people must pair off as lovers within 45 days or be turned into the animal…
The title of Glenn Ficarra and John Requa’s strained dark comedy, in which the War in Afghanistan serves as the backdrop to an American woman’s self-actualizing journey, is the military phonetic-alphabet rendering of WTF. The mild Islamophobia and highly questionable casting choices in the film call to mind other texting…
What if Terrence Malick directed an episode of Entourage? Well, we’re about to find out, sort of. In Knight of Cups, the director of Days of Heaven, The Thin Red Line and The Tree of Life turns his roaming camera and ruminating voiceovers toward Los Angeles and the movie business,…
In Zootopia, animals do a lot of the things that animals in Disney movies usually do: They speak, to begin with; they walk upright and wear funny clothes; they exhibit attitudes that align or ironically misalign with their species’ appearance and reputation; they hold jobs; they experience outsize emotion and…
This year’s Miami International Film Festival includes one program so intensely native to the city that it’s titled “I’ve Never Not Been From Miami.” Premiering Monday, March 7, at the Olympia Theater, it includes ten short films that pair top independent filmmakers with vital artists. For many of those involved,…
This year, the Miami International Film Festival dedicates a significant portion of its lineup to female filmmakers. If you don’t have time to make it through the 20-plus films by women at the festival this year, check out our picks. Honorable Mention: WeinerEven before its debut at Sundance, Weiner had…
Using a single handheld camera, Israeli director Ido Haar spent several months in New Orleans with singer Princess Shaw. He claimed he was making a documentary about YouTube singers. In truth, he was documenting the raw beginnings of a viral video. It turns out a YouTube artist from Israel named…
The main offices for the 33rd-annual Miami International Film Festival (MIFF) are hidden within the 91-year-old Freedom Tower on Biscayne Boulevard. On a recent windy Monday morning, Jaie Laplante, the festival’s director of programming, laces his fingers around a paper coffee cup in the building’s shadow and shows off the…
Let’s give Gods of Egypt this much: An hour in, a giant cobra crashes and explodes like a bad guy’s car in a dumb movie from the ’70s. That snake, one of two in Alex Proyas’ film, is wide as a locomotive and long as a parade. It’s also straddled…
We’ve all been there. You finally get around to watching this year’s nominees, and you think, “Didn’t I see pretty much this same Oscar-bait movie last year?” You probably did, thanks to the McKee/Weinstein-driven formula behind most Best Picture noms. You can even build your own! Just mix and match…
If you’ve wondered just why Hollywood now so aggressively courts Chinese viewers, look no further than The Mermaid. In just two weeks of release, Stephen Chow’s fantastical comedy has already brought in $430 million in its home country, making it China’s highest-grossing release ever. (It’s doing well here, too, having…
The evolution of 35mm showings in Miami has been fascinating and no one has brought it all out to the population better than Secret Celluloid Society. Nearly two years after Nayib Estefan launched the midnight movie revival with Shirley’s at Gramps, and a year after he made the move to…
Bad cop movies — whether bad movies about cops or movies about bad cops — can be like those Arctic core samples from which scientists determine long-gone CO2 levels, though in this case they’re measuring American anxiety about police authority. Pop on John Hillcoat’s agonized pulp thriller Triple 9 in…
In the Winter Olympics, ski jumping is one of those sports — bobsledding and luging are others — where Joe and Jane Satellite Dish cannot tell the difference between a great performance and a terrible one unless the athlete is carried away on a stretcher. No doubt there are crucial…
In a September interview with GQ, Constance Wu, star of NBC’s Fresh Off the Boat, observed of the HBO series Togetherness, “It’s a show about white people.” She’s not wrong: Created by indie-film luminaries Jay and Mark Duplass, along with the actor Steve Zissis, Togetherness is a low-key look at…
There is precisely one attempted coup de cinema in the Jesse Owens biopic Race, which otherwise defaults to the backlot handsomeness of other Great Men tributes from Hollywood. In 1935, Owens (Stephan James), a freshman sensation on the Ohio State University track team, returns to the locker room after practice…
The centerpiece of Hail, Caesar!’s mid-century Hollywood satire is the eponymous film-within-a-film itself, an overwrought biblical epic in which a skeptical Roman centurion played by George Clooney has a literal come-to-Jesus moment. Risen, whose plot can be described in exactly the same way, never inspires one of its own. Co-writer/director…
A laugh comes at last just before the end credits of Robert Eggers’ lit-class horror-bummer The Witch: a boastful note attesting to the documentary truthfulness of the dialogue in the movie we’ve just seen. Over 90 minutes that prove shriekiness is no impediment to ponderousness, we’ve beheld the harrowing of…
